Global Performing Arts Software Market
Global Performing Arts Software Market

Performing Arts Software Comprehensive Study by Application (Theatre Company, Production Company, Dramatic Society, Dance Company, Entertainments Society, Theatre Schools, Others), Deployment (Cloud-based, On-premise), Features (Event Scheduling, Check-ins & Schedulers, Automated Registration, Online Payment, Analytics, Others), Platform (Smartphone, Laptop, Tablet, Desktop), Pricing Model (Subscription, One Time License, Free Trial) Players and Region - Global Market Outlook to 2025

Performing Arts Software Market Segmented into XX Submarkets. | Forecast Years: 2020- 2025  

Mar 2020 Edition 234 Pages 212 Tables & Figures
  • Summary
  • Market Segments
  • Table of Content
  • List of Tables & Figures
  • Companies Mentioned
Global Performing Arts Software Market Overview:
The global performing arts software market will continue to grow due to the rising interest of people towards performing arts such as theatre, music, dance, painting and another various form of expression and also the increasing disposable of income around the developing economies. The software includes the registration, scheduling of an event, check-ins, payment options, etc, it can be operated in all types of platforms like mobiles, laptops, desktop, tablets. It also manages the class online and offers various pricing options to buy the software package Some of the key players profiled in the study are Priava (Australia), Propared, LLC (United States), Dramarts (United Kingdom), Regpacks (United States), ArtsVision (Japan), Thunder Data Systems, Inc. (United States), Fujitsu Ltd. (Japan), Tessitura Network (United States), Patron Technology, Inc. (United States), ASIMUT Software (Denmark) and Arts Management Systems Ltd (Canada).

On the basis of geography, the market of Performing Arts Software has been segmented into South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Taiwan, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico). If we see Market by Deployment, the sub-segment i.e. Cloud-based will boost the Performing Arts Software market. Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth. If we see Market by Features, the sub-segment i.e. Event Scheduling will boost the Performing Arts Software market. Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth. If we see Market by Platform , the sub-segment i.e. Smartphone will boost the Performing Arts Software market. Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth. If we see Market by Pricing Model, the sub-segment i.e. Subscription will boost the Performing Arts Software market. Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth.

Market Drivers
  • Rising Intrest of People Towards Performing Arts
  • Changing Lifestyle of People and Increasing Disposable Income
  • Automation in Performing Arts Industry

Market Trend
  • The Introduction of Chatbots for Solving Queries in Performing Arts Software

Restraints
  • Data Privacy Related Issues with Performing Arts Software

Opportunities
  • Increasing Spendings in Performing Arts and Production will Boost the Market
  • Surging Demand from Developing Countries

Challenges
  • Increased Competition in Performing Arts Software Market


Major Market Developments:


On 18th July 2019, Fujitsu Limited and the Nohgaku Performers' Association announced that they have signed an ICT partnership agreement, aiming to use ICT to spread the beauty of the Noh and Kyogen theater arts and contribute to the further growth of the Noh and Kyogen world by attracting new fans. On the basis of this partnership, and in advance of a Noh festival for the 2020 Tokyo Olympic and Paralympic Games(1) to be held from July to September 2020, the two organizations will use ICT to enhance information delivery and utilize fan data. At the same time, they will also promote the use of ICT to improve the convenience of ticket purchases and provide audiences with new viewing experiences.

Target Audience:
Performing Arts Software Developers, Research and Development Institutes, Performing Arts Institutes, Industry Associations, Potential Investors and Others

Major Objectives Focused through this Study
• To define, describe, and forecast the Global Performing Arts Software market on the basis of product [] , application [Theatre Company, Production Company, Dramatic Society, Dance Company, Entertainments Society, Theatre Schools and Others], key regions and end user
• To provide in-depth information regarding major influencing factors affecting the growth of the market (trends, drivers, restraints, opportunities, and industry-centric and regional challenges)
• To strategically analyse the micro-markets and important business segments with respect to individual growth drivers , market trends and potential, and historical contributions to the total market
• Identifying the opportunities in the market for key stakeholders and detailing the competitive landscape for market leaders
• To provide market size for various segments of the Performing Arts Software market with respect to major geographies, namely, South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Taiwan, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico)
• To strategically profile the key players and analyzing their market shares and core competencies in the Performing Arts Software industry
• To track key developments such as product launches, expansions, agreements, partnerships, mergers & acquisitions, and R&D activities that are key factors in shaping the market

Available Customization:
Data related to EXIM [Export- Import], production & consumption by country or regional level break-up can be provided based on client request**. Additionally, the Players which are also part of the research are .
** Confirmation on availability of data would be informed prior purchase

While framing the research framework, major and emerging players operating in the Performing Arts Software market in various regions have been profiled, and their offerings, geographic footprints, and distribution/sales channels have been analysed through in-depth discussions. Top-down and bottom-up approaches have been used to determine the overall market size. Sizes of the other individual markets have been estimated using the percentage splits obtained through secondary sources such as Hoovers, Bloomberg BusinessWeek, and Dow Jones (Factiva), along with primary respondents. The complete methodology includes the study of the annual and financial reports of the key market players and extensive interviews with industry experts such as CEOs, VPs, directors, and marketing executives for key insights (both qualitative and quantitative) related to the market.
Report Objectives / Segmentation Covered
By Application
  • Theatre Company
  • Production Company
  • Dramatic Society
  • Dance Company
  • Entertainments Society
  • Theatre Schools
  • Others
By Deployment
  • Cloud-based
  • On-premise

By Features
  • Event Scheduling
  • Check-ins & Schedulers
  • Automated Registration
  • Online Payment
  • Analytics
  • Others

By Platform
  • Smartphone
  • Laptop
  • Tablet
  • Desktop

By Pricing Model
  • Subscription
  • One Time License
  • Free Trial

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Rising Intrest of People Towards Performing Arts
      • 3.2.2. Changing Lifestyle of People and Increasing Disposable Income
      • 3.2.3. Automation in Performing Arts Industry
    • 3.3. Market Challenges
      • 3.3.1. Increased Competition in Performing Arts Software Market
    • 3.4. Market Trends
      • 3.4.1. The Introduction of Chatbots for Solving Queries in Performing Arts Software
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Performing Arts Software, by Application, Deployment, Features, Platform , Pricing Model and Region (value) (2014-2019)
    • 5.1. Introduction
    • 5.2. Global Performing Arts Software (Value)
      • 5.2.1. Global Performing Arts Software by: Application (Value)
        • 5.2.1.1. Theatre Company
        • 5.2.1.2. Production Company
        • 5.2.1.3. Dramatic Society
        • 5.2.1.4. Dance Company
        • 5.2.1.5. Entertainments Society
        • 5.2.1.6. Theatre Schools
        • 5.2.1.7. Others
      • 5.2.2. Global Performing Arts Software by: Deployment (Value)
        • 5.2.2.1. Cloud-based
        • 5.2.2.2. On-premise
      • 5.2.3. Global Performing Arts Software by: Features (Value)
        • 5.2.3.1. Event Scheduling
        • 5.2.3.2. Check-ins & Schedulers
        • 5.2.3.3. Automated Registration
        • 5.2.3.4. Online Payment
        • 5.2.3.5. Analytics
        • 5.2.3.6. Others
      • 5.2.4. Global Performing Arts Software by: Pricing Model (Value)
        • 5.2.4.1. Subscription
        • 5.2.4.2. One Time License
        • 5.2.4.3. Free Trial
      • 5.2.5. Global Performing Arts Software Region
        • 5.2.5.1. South America
          • 5.2.5.1.1. Brazil
          • 5.2.5.1.2. Argentina
          • 5.2.5.1.3. Rest of South America
        • 5.2.5.2. Asia Pacific
          • 5.2.5.2.1. China
          • 5.2.5.2.2. Japan
          • 5.2.5.2.3. India
          • 5.2.5.2.4. South Korea
          • 5.2.5.2.5. Taiwan
          • 5.2.5.2.6. Australia
          • 5.2.5.2.7. Rest of Asia-Pacific
        • 5.2.5.3. Europe
          • 5.2.5.3.1. Germany
          • 5.2.5.3.2. France
          • 5.2.5.3.3. Italy
          • 5.2.5.3.4. United Kingdom
          • 5.2.5.3.5. Netherlands
          • 5.2.5.3.6. Rest of Europe
        • 5.2.5.4. MEA
          • 5.2.5.4.1. Middle East
          • 5.2.5.4.2. Africa
        • 5.2.5.5. North America
          • 5.2.5.5.1. United States
          • 5.2.5.5.2. Canada
          • 5.2.5.5.3. Mexico
  • 6. Performing Arts Software: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2019)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Priava (Australia)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Propared, LLC (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Dramarts (United Kingdom)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Regpacks (United States)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. ArtsVision (Japan)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Thunder Data Systems, Inc. (United States)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Fujitsu Ltd. (Japan)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. Tessitura Network (United States)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Patron Technology, Inc. (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. ASIMUT Software (Denmark)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
      • 6.4.11. Arts Management Systems Ltd (Canada)
        • 6.4.11.1. Business Overview
        • 6.4.11.2. Products/Services Offerings
        • 6.4.11.3. Financial Analysis
        • 6.4.11.4. SWOT Analysis
  • 7. Global Performing Arts Software Sale, by Application, Deployment, Features, Platform , Pricing Model and Region (value) (2020-2025)
    • 7.1. Introduction
    • 7.2. Global Performing Arts Software (Value)
      • 7.2.1. Global Performing Arts Software by: Application (Value)
        • 7.2.1.1. Theatre Company
        • 7.2.1.2. Production Company
        • 7.2.1.3. Dramatic Society
        • 7.2.1.4. Dance Company
        • 7.2.1.5. Entertainments Society
        • 7.2.1.6. Theatre Schools
        • 7.2.1.7. Others
      • 7.2.2. Global Performing Arts Software by: Deployment (Value)
        • 7.2.2.1. Cloud-based
        • 7.2.2.2. On-premise
      • 7.2.3. Global Performing Arts Software by: Features (Value)
        • 7.2.3.1. Event Scheduling
        • 7.2.3.2. Check-ins & Schedulers
        • 7.2.3.3. Automated Registration
        • 7.2.3.4. Online Payment
        • 7.2.3.5. Analytics
        • 7.2.3.6. Others
      • 7.2.4. Global Performing Arts Software by: Pricing Model (Value)
        • 7.2.4.1. Subscription
        • 7.2.4.2. One Time License
        • 7.2.4.3. Free Trial
      • 7.2.5. Global Performing Arts Software Region
        • 7.2.5.1. South America
          • 7.2.5.1.1. Brazil
          • 7.2.5.1.2. Argentina
          • 7.2.5.1.3. Rest of South America
        • 7.2.5.2. Asia Pacific
          • 7.2.5.2.1. China
          • 7.2.5.2.2. Japan
          • 7.2.5.2.3. India
          • 7.2.5.2.4. South Korea
          • 7.2.5.2.5. Taiwan
          • 7.2.5.2.6. Australia
          • 7.2.5.2.7. Rest of Asia-Pacific
        • 7.2.5.3. Europe
          • 7.2.5.3.1. Germany
          • 7.2.5.3.2. France
          • 7.2.5.3.3. Italy
          • 7.2.5.3.4. United Kingdom
          • 7.2.5.3.5. Netherlands
          • 7.2.5.3.6. Rest of Europe
        • 7.2.5.4. MEA
          • 7.2.5.4.1. Middle East
          • 7.2.5.4.2. Africa
        • 7.2.5.5. North America
          • 7.2.5.5.1. United States
          • 7.2.5.5.2. Canada
          • 7.2.5.5.3. Mexico
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Performing Arts Software: by Application(USD Million)
  • Table 2. Performing Arts Software Theatre Company , by Region USD Million (2014-2019)
  • Table 3. Performing Arts Software Production Company , by Region USD Million (2014-2019)
  • Table 4. Performing Arts Software Dramatic Society , by Region USD Million (2014-2019)
  • Table 5. Performing Arts Software Dance Company , by Region USD Million (2014-2019)
  • Table 6. Performing Arts Software Entertainments Society , by Region USD Million (2014-2019)
  • Table 7. Performing Arts Software Theatre Schools , by Region USD Million (2014-2019)
  • Table 8. Performing Arts Software Others , by Region USD Million (2014-2019)
  • Table 9. Performing Arts Software: by Deployment(USD Million)
  • Table 10. Performing Arts Software Cloud-based , by Region USD Million (2014-2019)
  • Table 11. Performing Arts Software On-premise , by Region USD Million (2014-2019)
  • Table 12. Performing Arts Software: by Features(USD Million)
  • Table 13. Performing Arts Software Event Scheduling , by Region USD Million (2014-2019)
  • Table 14. Performing Arts Software Check-ins & Schedulers , by Region USD Million (2014-2019)
  • Table 15. Performing Arts Software Automated Registration , by Region USD Million (2014-2019)
  • Table 16. Performing Arts Software Online Payment , by Region USD Million (2014-2019)
  • Table 17. Performing Arts Software Analytics , by Region USD Million (2014-2019)
  • Table 18. Performing Arts Software Others , by Region USD Million (2014-2019)
  • Table 19. Performing Arts Software: by Pricing Model(USD Million)
  • Table 20. Performing Arts Software Subscription , by Region USD Million (2014-2019)
  • Table 21. Performing Arts Software One Time License , by Region USD Million (2014-2019)
  • Table 22. Performing Arts Software Free Trial , by Region USD Million (2014-2019)
  • Table 23. South America Performing Arts Software, by Country USD Million (2014-2019)
  • Table 24. South America Performing Arts Software, by Application USD Million (2014-2019)
  • Table 25. South America Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 26. South America Performing Arts Software, by Features USD Million (2014-2019)
  • Table 27. South America Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 28. South America Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 29. Brazil Performing Arts Software, by Application USD Million (2014-2019)
  • Table 30. Brazil Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 31. Brazil Performing Arts Software, by Features USD Million (2014-2019)
  • Table 32. Brazil Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 33. Brazil Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 34. Argentina Performing Arts Software, by Application USD Million (2014-2019)
  • Table 35. Argentina Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 36. Argentina Performing Arts Software, by Features USD Million (2014-2019)
  • Table 37. Argentina Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 38. Argentina Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 39. Rest of South America Performing Arts Software, by Application USD Million (2014-2019)
  • Table 40. Rest of South America Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 41. Rest of South America Performing Arts Software, by Features USD Million (2014-2019)
  • Table 42. Rest of South America Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 43. Rest of South America Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 44. Asia Pacific Performing Arts Software, by Country USD Million (2014-2019)
  • Table 45. Asia Pacific Performing Arts Software, by Application USD Million (2014-2019)
  • Table 46. Asia Pacific Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 47. Asia Pacific Performing Arts Software, by Features USD Million (2014-2019)
  • Table 48. Asia Pacific Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 49. Asia Pacific Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 50. China Performing Arts Software, by Application USD Million (2014-2019)
  • Table 51. China Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 52. China Performing Arts Software, by Features USD Million (2014-2019)
  • Table 53. China Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 54. China Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 55. Japan Performing Arts Software, by Application USD Million (2014-2019)
  • Table 56. Japan Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 57. Japan Performing Arts Software, by Features USD Million (2014-2019)
  • Table 58. Japan Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 59. Japan Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 60. India Performing Arts Software, by Application USD Million (2014-2019)
  • Table 61. India Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 62. India Performing Arts Software, by Features USD Million (2014-2019)
  • Table 63. India Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 64. India Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 65. South Korea Performing Arts Software, by Application USD Million (2014-2019)
  • Table 66. South Korea Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 67. South Korea Performing Arts Software, by Features USD Million (2014-2019)
  • Table 68. South Korea Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 69. South Korea Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 70. Taiwan Performing Arts Software, by Application USD Million (2014-2019)
  • Table 71. Taiwan Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 72. Taiwan Performing Arts Software, by Features USD Million (2014-2019)
  • Table 73. Taiwan Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 74. Taiwan Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 75. Australia Performing Arts Software, by Application USD Million (2014-2019)
  • Table 76. Australia Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 77. Australia Performing Arts Software, by Features USD Million (2014-2019)
  • Table 78. Australia Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 79. Australia Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 80. Rest of Asia-Pacific Performing Arts Software, by Application USD Million (2014-2019)
  • Table 81. Rest of Asia-Pacific Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 82. Rest of Asia-Pacific Performing Arts Software, by Features USD Million (2014-2019)
  • Table 83. Rest of Asia-Pacific Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 84. Rest of Asia-Pacific Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 85. Europe Performing Arts Software, by Country USD Million (2014-2019)
  • Table 86. Europe Performing Arts Software, by Application USD Million (2014-2019)
  • Table 87. Europe Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 88. Europe Performing Arts Software, by Features USD Million (2014-2019)
  • Table 89. Europe Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 90. Europe Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 91. Germany Performing Arts Software, by Application USD Million (2014-2019)
  • Table 92. Germany Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 93. Germany Performing Arts Software, by Features USD Million (2014-2019)
  • Table 94. Germany Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 95. Germany Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 96. France Performing Arts Software, by Application USD Million (2014-2019)
  • Table 97. France Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 98. France Performing Arts Software, by Features USD Million (2014-2019)
  • Table 99. France Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 100. France Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 101. Italy Performing Arts Software, by Application USD Million (2014-2019)
  • Table 102. Italy Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 103. Italy Performing Arts Software, by Features USD Million (2014-2019)
  • Table 104. Italy Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 105. Italy Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 106. United Kingdom Performing Arts Software, by Application USD Million (2014-2019)
  • Table 107. United Kingdom Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 108. United Kingdom Performing Arts Software, by Features USD Million (2014-2019)
  • Table 109. United Kingdom Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 110. United Kingdom Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 111. Netherlands Performing Arts Software, by Application USD Million (2014-2019)
  • Table 112. Netherlands Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 113. Netherlands Performing Arts Software, by Features USD Million (2014-2019)
  • Table 114. Netherlands Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 115. Netherlands Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 116. Rest of Europe Performing Arts Software, by Application USD Million (2014-2019)
  • Table 117. Rest of Europe Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 118. Rest of Europe Performing Arts Software, by Features USD Million (2014-2019)
  • Table 119. Rest of Europe Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 120. Rest of Europe Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 121. MEA Performing Arts Software, by Country USD Million (2014-2019)
  • Table 122. MEA Performing Arts Software, by Application USD Million (2014-2019)
  • Table 123. MEA Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 124. MEA Performing Arts Software, by Features USD Million (2014-2019)
  • Table 125. MEA Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 126. MEA Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 127. Middle East Performing Arts Software, by Application USD Million (2014-2019)
  • Table 128. Middle East Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 129. Middle East Performing Arts Software, by Features USD Million (2014-2019)
  • Table 130. Middle East Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 131. Middle East Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 132. Africa Performing Arts Software, by Application USD Million (2014-2019)
  • Table 133. Africa Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 134. Africa Performing Arts Software, by Features USD Million (2014-2019)
  • Table 135. Africa Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 136. Africa Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 137. North America Performing Arts Software, by Country USD Million (2014-2019)
  • Table 138. North America Performing Arts Software, by Application USD Million (2014-2019)
  • Table 139. North America Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 140. North America Performing Arts Software, by Features USD Million (2014-2019)
  • Table 141. North America Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 142. North America Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 143. United States Performing Arts Software, by Application USD Million (2014-2019)
  • Table 144. United States Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 145. United States Performing Arts Software, by Features USD Million (2014-2019)
  • Table 146. United States Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 147. United States Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 148. Canada Performing Arts Software, by Application USD Million (2014-2019)
  • Table 149. Canada Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 150. Canada Performing Arts Software, by Features USD Million (2014-2019)
  • Table 151. Canada Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 152. Canada Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 153. Mexico Performing Arts Software, by Application USD Million (2014-2019)
  • Table 154. Mexico Performing Arts Software, by Deployment USD Million (2014-2019)
  • Table 155. Mexico Performing Arts Software, by Features USD Million (2014-2019)
  • Table 156. Mexico Performing Arts Software, by Platform USD Million (2014-2019)
  • Table 157. Mexico Performing Arts Software, by Pricing Model USD Million (2014-2019)
  • Table 158. Company Basic Information, Sales Area and Its Competitors
  • Table 159. Company Basic Information, Sales Area and Its Competitors
  • Table 160. Company Basic Information, Sales Area and Its Competitors
  • Table 161. Company Basic Information, Sales Area and Its Competitors
  • Table 162. Company Basic Information, Sales Area and Its Competitors
  • Table 163. Company Basic Information, Sales Area and Its Competitors
  • Table 164. Company Basic Information, Sales Area and Its Competitors
  • Table 165. Company Basic Information, Sales Area and Its Competitors
  • Table 166. Company Basic Information, Sales Area and Its Competitors
  • Table 167. Company Basic Information, Sales Area and Its Competitors
  • Table 168. Company Basic Information, Sales Area and Its Competitors
  • Table 169. Performing Arts Software: by Application(USD Million)
  • Table 170. Performing Arts Software Theatre Company , by Region USD Million (2020-2025)
  • Table 171. Performing Arts Software Production Company , by Region USD Million (2020-2025)
  • Table 172. Performing Arts Software Dramatic Society , by Region USD Million (2020-2025)
  • Table 173. Performing Arts Software Dance Company , by Region USD Million (2020-2025)
  • Table 174. Performing Arts Software Entertainments Society , by Region USD Million (2020-2025)
  • Table 175. Performing Arts Software Theatre Schools , by Region USD Million (2020-2025)
  • Table 176. Performing Arts Software Others , by Region USD Million (2020-2025)
  • Table 177. Performing Arts Software: by Deployment(USD Million)
  • Table 178. Performing Arts Software Cloud-based , by Region USD Million (2020-2025)
  • Table 179. Performing Arts Software On-premise , by Region USD Million (2020-2025)
  • Table 180. Performing Arts Software: by Features(USD Million)
  • Table 181. Performing Arts Software Event Scheduling , by Region USD Million (2020-2025)
  • Table 182. Performing Arts Software Check-ins & Schedulers , by Region USD Million (2020-2025)
  • Table 183. Performing Arts Software Automated Registration , by Region USD Million (2020-2025)
  • Table 184. Performing Arts Software Online Payment , by Region USD Million (2020-2025)
  • Table 185. Performing Arts Software Analytics , by Region USD Million (2020-2025)
  • Table 186. Performing Arts Software Others , by Region USD Million (2020-2025)
  • Table 187. Performing Arts Software: by Pricing Model(USD Million)
  • Table 188. Performing Arts Software Subscription , by Region USD Million (2020-2025)
  • Table 189. Performing Arts Software One Time License , by Region USD Million (2020-2025)
  • Table 190. Performing Arts Software Free Trial , by Region USD Million (2020-2025)
  • Table 191. South America Performing Arts Software, by Country USD Million (2020-2025)
  • Table 192. South America Performing Arts Software, by Application USD Million (2020-2025)
  • Table 193. South America Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 194. South America Performing Arts Software, by Features USD Million (2020-2025)
  • Table 195. South America Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 196. South America Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 197. Brazil Performing Arts Software, by Application USD Million (2020-2025)
  • Table 198. Brazil Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 199. Brazil Performing Arts Software, by Features USD Million (2020-2025)
  • Table 200. Brazil Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 201. Brazil Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 202. Argentina Performing Arts Software, by Application USD Million (2020-2025)
  • Table 203. Argentina Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 204. Argentina Performing Arts Software, by Features USD Million (2020-2025)
  • Table 205. Argentina Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 206. Argentina Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 207. Rest of South America Performing Arts Software, by Application USD Million (2020-2025)
  • Table 208. Rest of South America Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 209. Rest of South America Performing Arts Software, by Features USD Million (2020-2025)
  • Table 210. Rest of South America Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 211. Rest of South America Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 212. Asia Pacific Performing Arts Software, by Country USD Million (2020-2025)
  • Table 213. Asia Pacific Performing Arts Software, by Application USD Million (2020-2025)
  • Table 214. Asia Pacific Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 215. Asia Pacific Performing Arts Software, by Features USD Million (2020-2025)
  • Table 216. Asia Pacific Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 217. Asia Pacific Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 218. China Performing Arts Software, by Application USD Million (2020-2025)
  • Table 219. China Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 220. China Performing Arts Software, by Features USD Million (2020-2025)
  • Table 221. China Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 222. China Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 223. Japan Performing Arts Software, by Application USD Million (2020-2025)
  • Table 224. Japan Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 225. Japan Performing Arts Software, by Features USD Million (2020-2025)
  • Table 226. Japan Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 227. Japan Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 228. India Performing Arts Software, by Application USD Million (2020-2025)
  • Table 229. India Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 230. India Performing Arts Software, by Features USD Million (2020-2025)
  • Table 231. India Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 232. India Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 233. South Korea Performing Arts Software, by Application USD Million (2020-2025)
  • Table 234. South Korea Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 235. South Korea Performing Arts Software, by Features USD Million (2020-2025)
  • Table 236. South Korea Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 237. South Korea Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 238. Taiwan Performing Arts Software, by Application USD Million (2020-2025)
  • Table 239. Taiwan Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 240. Taiwan Performing Arts Software, by Features USD Million (2020-2025)
  • Table 241. Taiwan Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 242. Taiwan Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 243. Australia Performing Arts Software, by Application USD Million (2020-2025)
  • Table 244. Australia Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 245. Australia Performing Arts Software, by Features USD Million (2020-2025)
  • Table 246. Australia Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 247. Australia Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 248. Rest of Asia-Pacific Performing Arts Software, by Application USD Million (2020-2025)
  • Table 249. Rest of Asia-Pacific Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 250. Rest of Asia-Pacific Performing Arts Software, by Features USD Million (2020-2025)
  • Table 251. Rest of Asia-Pacific Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 252. Rest of Asia-Pacific Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 253. Europe Performing Arts Software, by Country USD Million (2020-2025)
  • Table 254. Europe Performing Arts Software, by Application USD Million (2020-2025)
  • Table 255. Europe Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 256. Europe Performing Arts Software, by Features USD Million (2020-2025)
  • Table 257. Europe Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 258. Europe Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 259. Germany Performing Arts Software, by Application USD Million (2020-2025)
  • Table 260. Germany Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 261. Germany Performing Arts Software, by Features USD Million (2020-2025)
  • Table 262. Germany Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 263. Germany Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 264. France Performing Arts Software, by Application USD Million (2020-2025)
  • Table 265. France Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 266. France Performing Arts Software, by Features USD Million (2020-2025)
  • Table 267. France Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 268. France Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 269. Italy Performing Arts Software, by Application USD Million (2020-2025)
  • Table 270. Italy Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 271. Italy Performing Arts Software, by Features USD Million (2020-2025)
  • Table 272. Italy Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 273. Italy Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 274. United Kingdom Performing Arts Software, by Application USD Million (2020-2025)
  • Table 275. United Kingdom Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 276. United Kingdom Performing Arts Software, by Features USD Million (2020-2025)
  • Table 277. United Kingdom Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 278. United Kingdom Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 279. Netherlands Performing Arts Software, by Application USD Million (2020-2025)
  • Table 280. Netherlands Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 281. Netherlands Performing Arts Software, by Features USD Million (2020-2025)
  • Table 282. Netherlands Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 283. Netherlands Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 284. Rest of Europe Performing Arts Software, by Application USD Million (2020-2025)
  • Table 285. Rest of Europe Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 286. Rest of Europe Performing Arts Software, by Features USD Million (2020-2025)
  • Table 287. Rest of Europe Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 288. Rest of Europe Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 289. MEA Performing Arts Software, by Country USD Million (2020-2025)
  • Table 290. MEA Performing Arts Software, by Application USD Million (2020-2025)
  • Table 291. MEA Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 292. MEA Performing Arts Software, by Features USD Million (2020-2025)
  • Table 293. MEA Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 294. MEA Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 295. Middle East Performing Arts Software, by Application USD Million (2020-2025)
  • Table 296. Middle East Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 297. Middle East Performing Arts Software, by Features USD Million (2020-2025)
  • Table 298. Middle East Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 299. Middle East Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 300. Africa Performing Arts Software, by Application USD Million (2020-2025)
  • Table 301. Africa Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 302. Africa Performing Arts Software, by Features USD Million (2020-2025)
  • Table 303. Africa Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 304. Africa Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 305. North America Performing Arts Software, by Country USD Million (2020-2025)
  • Table 306. North America Performing Arts Software, by Application USD Million (2020-2025)
  • Table 307. North America Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 308. North America Performing Arts Software, by Features USD Million (2020-2025)
  • Table 309. North America Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 310. North America Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 311. United States Performing Arts Software, by Application USD Million (2020-2025)
  • Table 312. United States Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 313. United States Performing Arts Software, by Features USD Million (2020-2025)
  • Table 314. United States Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 315. United States Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 316. Canada Performing Arts Software, by Application USD Million (2020-2025)
  • Table 317. Canada Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 318. Canada Performing Arts Software, by Features USD Million (2020-2025)
  • Table 319. Canada Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 320. Canada Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 321. Mexico Performing Arts Software, by Application USD Million (2020-2025)
  • Table 322. Mexico Performing Arts Software, by Deployment USD Million (2020-2025)
  • Table 323. Mexico Performing Arts Software, by Features USD Million (2020-2025)
  • Table 324. Mexico Performing Arts Software, by Platform USD Million (2020-2025)
  • Table 325. Mexico Performing Arts Software, by Pricing Model USD Million (2020-2025)
  • Table 326. Research Programs/Design for This Report
  • Table 327. Key Data Information from Secondary Sources
  • Table 328. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Performing Arts Software: by Application USD Million (2014-2019)
  • Figure 5. Global Performing Arts Software: by Deployment USD Million (2014-2019)
  • Figure 6. Global Performing Arts Software: by Features USD Million (2014-2019)
  • Figure 7. Global Performing Arts Software: by Pricing Model USD Million (2014-2019)
  • Figure 8. South America Performing Arts Software Share (%), by Country
  • Figure 9. Asia Pacific Performing Arts Software Share (%), by Country
  • Figure 10. Europe Performing Arts Software Share (%), by Country
  • Figure 11. MEA Performing Arts Software Share (%), by Country
  • Figure 12. North America Performing Arts Software Share (%), by Country
  • Figure 13. Global Performing Arts Software share by Players 2019 (%)
  • Figure 14. Global Performing Arts Software share by Players (Top 3) 2019(%)
  • Figure 15. Global Performing Arts Software share by Players (Top 5) 2019(%)
  • Figure 16. BCG Matrix for key Companies
  • Figure 17. Priava (Australia) Revenue, Net Income and Gross profit
  • Figure 18. Priava (Australia) Revenue: by Geography 2019
  • Figure 19. Propared, LLC (United States) Revenue, Net Income and Gross profit
  • Figure 20. Propared, LLC (United States) Revenue: by Geography 2019
  • Figure 21. Dramarts (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 22. Dramarts (United Kingdom) Revenue: by Geography 2019
  • Figure 23. Regpacks (United States) Revenue, Net Income and Gross profit
  • Figure 24. Regpacks (United States) Revenue: by Geography 2019
  • Figure 25. ArtsVision (Japan) Revenue, Net Income and Gross profit
  • Figure 26. ArtsVision (Japan) Revenue: by Geography 2019
  • Figure 27. Thunder Data Systems, Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 28. Thunder Data Systems, Inc. (United States) Revenue: by Geography 2019
  • Figure 29. Fujitsu Ltd. (Japan) Revenue, Net Income and Gross profit
  • Figure 30. Fujitsu Ltd. (Japan) Revenue: by Geography 2019
  • Figure 31. Tessitura Network (United States) Revenue, Net Income and Gross profit
  • Figure 32. Tessitura Network (United States) Revenue: by Geography 2019
  • Figure 33. Patron Technology, Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 34. Patron Technology, Inc. (United States) Revenue: by Geography 2019
  • Figure 35. ASIMUT Software (Denmark) Revenue, Net Income and Gross profit
  • Figure 36. ASIMUT Software (Denmark) Revenue: by Geography 2019
  • Figure 37. Arts Management Systems Ltd (Canada) Revenue, Net Income and Gross profit
  • Figure 38. Arts Management Systems Ltd (Canada) Revenue: by Geography 2019
  • Figure 39. Global Performing Arts Software: by Application USD Million (2020-2025)
  • Figure 40. Global Performing Arts Software: by Deployment USD Million (2020-2025)
  • Figure 41. Global Performing Arts Software: by Features USD Million (2020-2025)
  • Figure 42. Global Performing Arts Software: by Pricing Model USD Million (2020-2025)
  • Figure 43. South America Performing Arts Software Share (%), by Country
  • Figure 44. Asia Pacific Performing Arts Software Share (%), by Country
  • Figure 45. Europe Performing Arts Software Share (%), by Country
  • Figure 46. MEA Performing Arts Software Share (%), by Country
  • Figure 47. North America Performing Arts Software Share (%), by Country
Some of the key companies/manufacturers profiled in the report
  • Priava (Australia)
  • Propared, LLC (United States)
  • Dramarts (United Kingdom)
  • Regpacks (United States)
  • ArtsVision (Japan)
  • Thunder Data Systems, Inc. (United States)
  • Fujitsu Ltd. (Japan)
  • Tessitura Network (United States)
  • Patron Technology, Inc. (United States)
  • ASIMUT Software (Denmark)
  • Arts Management Systems Ltd (Canada)
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