Global Music Production Equipment research
Global Music Production Equipment research

Music Production Equipment Comprehensive Study by Type (Music synthesizers, DJ Gear, Studio headphones, Digital keyboards, Public address equipment), Application (Professional, Amateur), End Users (Professional, Amateur) Players and Region - Global Market Outlook to 2024

Music Production Equipment Market Segmented into XX Submarkets. | Forecast Years: 2019- 2024  

Oct 2019 Edition 232 Pages 200 Tables & Figures
  • Summary
  • Market Segments
  • Table of Content
  • List of Tables & Figures
  • Companies Mentioned
The study covers a detailed analysis segmented by key business segments i.e. by type (Music synthesizers, DJ Gear, Studio headphones, Digital keyboards and Public address equipment) , by application (Professional and Amateur) and major geographies. Research Analyst at AMA predicts that United States Vendors will contribute to the maximum growth of Global Music Production Equipment market throughout the predicted period.

The competition is expected to become even more intense in the coming years with the entry of several new players in the market. To help clients improve their revenue shares in the market, this research study provides an in-depth analysis of the market’s competitive landscape and offers information on the products offered by various leading companies. Additionally, this Music Production Equipment market analysis report suggests strategies Vendors can follow and recommends key areas they should focus on, in order to take maximum benefits of growth opportunities.

The report offers several leading Vendors, including:
  • Fender Musical Instruments (United States)
  • Gibson Brands (United States)
  • Kawai Musical Instruments (Japan)
  • Roland (Japan)
  • Steinway & Sons (United States)
  • Yamaha (Japan)
  • Audio-Technica (Japan)
  • C.F. Martin & Company (United States)
  • D'Addario (United States)
  • Harman International (United States)


Market Overview:
In January 2019, Fender has acquired Bigsby. This acquisition will strengthen the product portfolio of the company.
According to FWS, the musical instruments may contain parts of species which are protected under convention on international trade in endangered species of wild fauna and flora. The Brazilian rosewood, tortoise shell and elephant ivory are commonly found in instruments.

Market Trend
Low Maintenance and Long Replacement Cycle and Growing Music Education in Schools
Restraints
  • High Costs Associated with the Music Instruments

Opportunities
Increasing Online Retails is creating an Opportunity for Music Equipment Market and Rising Disposable Income among the Individuals

Key highlights of the Global Music Production Equipment market Study:
• CAGR of the market during the forecast period 2018-2024
• Detailed information on factors that will accelerate the growth of the Music Production Equipment market for the next five years.
• Forecast of the Global Music Production Equipment market size and its contribution to the parent market by type, application and by country.
• Insights on upcoming trends and changes in consumer behaviour
• Uncovering market’s competitive landscape and in-depth information on various Vendors
• Comprehensive information about factors that will challenge the growth of Music Production Equipment Vendors

Customization in the Report Available:
The Study can be customized to meet your requirements. Please connect with our representative, who will ensure you get a report that suits your needs.
Data related to EXIM [Export- Import], production & consumption by country or regional level break-up can be provided based on client request**
** Confirmation on availability of data would be informed prior purchase

Research Methodology:

The top-down and bottom-up approaches are used to estimate and validate the size of the Global Music Production Equipment market.
In order to reach an exhaustive list of functional and relevant players various industry classification standards are closely followed such as NAICS, ICB, SIC to penetrate deep in important geographies by players and a thorough validation test is conducted to reach most relevant players for survey in Music Production Equipment market.
In order to make priority list sorting is done based on revenue generated based on latest reporting with the help of paid databases such as Factiva, Bloomberg etc.
Finally the questionnaire is set and specifically designed to address all the necessities for primary data collection after getting prior appointment> by targeting key target audience that includes Manufacturers, Raw Material Suppliers, Distributors and Traders, Research Organisations, Government Agencies and Organisations.
This helps us to gather the data for the players’ revenue, operating cycle and expense, profit along with product or service growth etc.
Almost 70-80% of data is collected through primary medium and further validation is done through various secondary sources that includes Regulators, World Bank, Association, Company Website, SEC filings, OTC BB, Annual reports, press releases etc.
Report Objectives / Segmentation Covered
By Type
  • Music synthesizers
  • DJ Gear
  • Studio headphones
  • Digital keyboards
  • Public address equipment
By Application
  • Professional
  • Amateur
By End Users
  • Professional
  • Amateur

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Increasing Number of Live Concert and Performances
      • 3.2.2. Growing Popularity of Music Festivals
    • 3.3. Market Challenges
      • 3.3.1. Stiff Competition among the Individuals
    • 3.4. Market Trends
      • 3.4.1. Low Maintenance and Long Replacement Cycle
      • 3.4.2. Growing Music Education in Schools
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Music Production Equipment, by Type, Application, End Users and Region (value and price ) (2013-2018)
    • 5.1. Introduction
    • 5.2. Global Music Production Equipment (Value)
      • 5.2.1. Global Music Production Equipment by: Type (Value)
        • 5.2.1.1. Music synthesizers
        • 5.2.1.2. DJ Gear
        • 5.2.1.3. Studio headphones
        • 5.2.1.4. Digital keyboards
        • 5.2.1.5. Public address equipment
      • 5.2.2. Global Music Production Equipment by: Application (Value)
        • 5.2.2.1. Professional
        • 5.2.2.2. Amateur
      • 5.2.3. Global Music Production Equipment by: End Users (Value)
        • 5.2.3.1. Professional
        • 5.2.3.2. Amateur
      • 5.2.4. Global Music Production Equipment Region
        • 5.2.4.1. South America
          • 5.2.4.1.1. Brazil
          • 5.2.4.1.2. Argentina
          • 5.2.4.1.3. Rest of South America
        • 5.2.4.2. Asia Pacific
          • 5.2.4.2.1. China
          • 5.2.4.2.2. Japan
          • 5.2.4.2.3. India
          • 5.2.4.2.4. South Korea
          • 5.2.4.2.5. Taiwan
          • 5.2.4.2.6. Australia
          • 5.2.4.2.7. Rest of Asia-Pacific
        • 5.2.4.3. Europe
          • 5.2.4.3.1. Germany
          • 5.2.4.3.2. France
          • 5.2.4.3.3. Italy
          • 5.2.4.3.4. United Kingdom
          • 5.2.4.3.5. Netherlands
          • 5.2.4.3.6. Rest of Europe
        • 5.2.4.4. MEA
          • 5.2.4.4.1. Middle East
          • 5.2.4.4.2. Africa
        • 5.2.4.5. North America
          • 5.2.4.5.1. United States
          • 5.2.4.5.2. Canada
          • 5.2.4.5.3. Mexico
    • 5.3. Global Music Production Equipment (Price)
      • 5.3.1. Global Music Production Equipment by: Type (Price)
  • 6. Music Production Equipment: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2018)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Fender Musical Instruments (United States)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Gibson Brands (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Kawai Musical Instruments (Japan)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Roland (Japan)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. Steinway & Sons (United States)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Yamaha (Japan)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Audio-Technica (Japan)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. C.F. Martin & Company (United States)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. D'Addario (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. Harman International (United States)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Music Production Equipment Sale, by Type, Application, End Users and Region (value and price ) (2019-2024)
    • 7.1. Introduction
    • 7.2. Global Music Production Equipment (Value)
      • 7.2.1. Global Music Production Equipment by: Type (Value)
        • 7.2.1.1. Music synthesizers
        • 7.2.1.2. DJ Gear
        • 7.2.1.3. Studio headphones
        • 7.2.1.4. Digital keyboards
        • 7.2.1.5. Public address equipment
      • 7.2.2. Global Music Production Equipment by: Application (Value)
        • 7.2.2.1. Professional
        • 7.2.2.2. Amateur
      • 7.2.3. Global Music Production Equipment by: End Users (Value)
        • 7.2.3.1. Professional
        • 7.2.3.2. Amateur
      • 7.2.4. Global Music Production Equipment Region
        • 7.2.4.1. South America
          • 7.2.4.1.1. Brazil
          • 7.2.4.1.2. Argentina
          • 7.2.4.1.3. Rest of South America
        • 7.2.4.2. Asia Pacific
          • 7.2.4.2.1. China
          • 7.2.4.2.2. Japan
          • 7.2.4.2.3. India
          • 7.2.4.2.4. South Korea
          • 7.2.4.2.5. Taiwan
          • 7.2.4.2.6. Australia
          • 7.2.4.2.7. Rest of Asia-Pacific
        • 7.2.4.3. Europe
          • 7.2.4.3.1. Germany
          • 7.2.4.3.2. France
          • 7.2.4.3.3. Italy
          • 7.2.4.3.4. United Kingdom
          • 7.2.4.3.5. Netherlands
          • 7.2.4.3.6. Rest of Europe
        • 7.2.4.4. MEA
          • 7.2.4.4.1. Middle East
          • 7.2.4.4.2. Africa
        • 7.2.4.5. North America
          • 7.2.4.5.1. United States
          • 7.2.4.5.2. Canada
          • 7.2.4.5.3. Mexico
    • 7.3. Global Music Production Equipment (Price)
      • 7.3.1. Global Music Production Equipment by: Type (Price)
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Music Production Equipment: by Type(USD Million)
  • Table 2. Music Production Equipment Music synthesizers , by Region USD Million (2013-2018)
  • Table 3. Music Production Equipment DJ Gear , by Region USD Million (2013-2018)
  • Table 4. Music Production Equipment Studio headphones , by Region USD Million (2013-2018)
  • Table 5. Music Production Equipment Digital keyboards , by Region USD Million (2013-2018)
  • Table 6. Music Production Equipment Public address equipment , by Region USD Million (2013-2018)
  • Table 7. Music Production Equipment: by Application(USD Million)
  • Table 8. Music Production Equipment Professional , by Region USD Million (2013-2018)
  • Table 9. Music Production Equipment Amateur , by Region USD Million (2013-2018)
  • Table 10. Music Production Equipment: by End Users(USD Million)
  • Table 11. Music Production Equipment Professional , by Region USD Million (2013-2018)
  • Table 12. Music Production Equipment Amateur , by Region USD Million (2013-2018)
  • Table 13. South America Music Production Equipment, by Country USD Million (2013-2018)
  • Table 14. South America Music Production Equipment, by Type USD Million (2013-2018)
  • Table 15. South America Music Production Equipment, by Application USD Million (2013-2018)
  • Table 16. South America Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 17. Brazil Music Production Equipment, by Type USD Million (2013-2018)
  • Table 18. Brazil Music Production Equipment, by Application USD Million (2013-2018)
  • Table 19. Brazil Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 20. Argentina Music Production Equipment, by Type USD Million (2013-2018)
  • Table 21. Argentina Music Production Equipment, by Application USD Million (2013-2018)
  • Table 22. Argentina Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 23. Rest of South America Music Production Equipment, by Type USD Million (2013-2018)
  • Table 24. Rest of South America Music Production Equipment, by Application USD Million (2013-2018)
  • Table 25. Rest of South America Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 26. Asia Pacific Music Production Equipment, by Country USD Million (2013-2018)
  • Table 27. Asia Pacific Music Production Equipment, by Type USD Million (2013-2018)
  • Table 28. Asia Pacific Music Production Equipment, by Application USD Million (2013-2018)
  • Table 29. Asia Pacific Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 30. China Music Production Equipment, by Type USD Million (2013-2018)
  • Table 31. China Music Production Equipment, by Application USD Million (2013-2018)
  • Table 32. China Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 33. Japan Music Production Equipment, by Type USD Million (2013-2018)
  • Table 34. Japan Music Production Equipment, by Application USD Million (2013-2018)
  • Table 35. Japan Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 36. India Music Production Equipment, by Type USD Million (2013-2018)
  • Table 37. India Music Production Equipment, by Application USD Million (2013-2018)
  • Table 38. India Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 39. South Korea Music Production Equipment, by Type USD Million (2013-2018)
  • Table 40. South Korea Music Production Equipment, by Application USD Million (2013-2018)
  • Table 41. South Korea Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 42. Taiwan Music Production Equipment, by Type USD Million (2013-2018)
  • Table 43. Taiwan Music Production Equipment, by Application USD Million (2013-2018)
  • Table 44. Taiwan Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 45. Australia Music Production Equipment, by Type USD Million (2013-2018)
  • Table 46. Australia Music Production Equipment, by Application USD Million (2013-2018)
  • Table 47. Australia Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 48. Rest of Asia-Pacific Music Production Equipment, by Type USD Million (2013-2018)
  • Table 49. Rest of Asia-Pacific Music Production Equipment, by Application USD Million (2013-2018)
  • Table 50. Rest of Asia-Pacific Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 51. Europe Music Production Equipment, by Country USD Million (2013-2018)
  • Table 52. Europe Music Production Equipment, by Type USD Million (2013-2018)
  • Table 53. Europe Music Production Equipment, by Application USD Million (2013-2018)
  • Table 54. Europe Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 55. Germany Music Production Equipment, by Type USD Million (2013-2018)
  • Table 56. Germany Music Production Equipment, by Application USD Million (2013-2018)
  • Table 57. Germany Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 58. France Music Production Equipment, by Type USD Million (2013-2018)
  • Table 59. France Music Production Equipment, by Application USD Million (2013-2018)
  • Table 60. France Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 61. Italy Music Production Equipment, by Type USD Million (2013-2018)
  • Table 62. Italy Music Production Equipment, by Application USD Million (2013-2018)
  • Table 63. Italy Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 64. United Kingdom Music Production Equipment, by Type USD Million (2013-2018)
  • Table 65. United Kingdom Music Production Equipment, by Application USD Million (2013-2018)
  • Table 66. United Kingdom Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 67. Netherlands Music Production Equipment, by Type USD Million (2013-2018)
  • Table 68. Netherlands Music Production Equipment, by Application USD Million (2013-2018)
  • Table 69. Netherlands Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 70. Rest of Europe Music Production Equipment, by Type USD Million (2013-2018)
  • Table 71. Rest of Europe Music Production Equipment, by Application USD Million (2013-2018)
  • Table 72. Rest of Europe Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 73. MEA Music Production Equipment, by Country USD Million (2013-2018)
  • Table 74. MEA Music Production Equipment, by Type USD Million (2013-2018)
  • Table 75. MEA Music Production Equipment, by Application USD Million (2013-2018)
  • Table 76. MEA Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 77. Middle East Music Production Equipment, by Type USD Million (2013-2018)
  • Table 78. Middle East Music Production Equipment, by Application USD Million (2013-2018)
  • Table 79. Middle East Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 80. Africa Music Production Equipment, by Type USD Million (2013-2018)
  • Table 81. Africa Music Production Equipment, by Application USD Million (2013-2018)
  • Table 82. Africa Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 83. North America Music Production Equipment, by Country USD Million (2013-2018)
  • Table 84. North America Music Production Equipment, by Type USD Million (2013-2018)
  • Table 85. North America Music Production Equipment, by Application USD Million (2013-2018)
  • Table 86. North America Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 87. United States Music Production Equipment, by Type USD Million (2013-2018)
  • Table 88. United States Music Production Equipment, by Application USD Million (2013-2018)
  • Table 89. United States Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 90. Canada Music Production Equipment, by Type USD Million (2013-2018)
  • Table 91. Canada Music Production Equipment, by Application USD Million (2013-2018)
  • Table 92. Canada Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 93. Mexico Music Production Equipment, by Type USD Million (2013-2018)
  • Table 94. Mexico Music Production Equipment, by Application USD Million (2013-2018)
  • Table 95. Mexico Music Production Equipment, by End Users USD Million (2013-2018)
  • Table 96. Music Production Equipment: by Type(USD/Units)
  • Table 97. Company Basic Information, Sales Area and Its Competitors
  • Table 98. Company Basic Information, Sales Area and Its Competitors
  • Table 99. Company Basic Information, Sales Area and Its Competitors
  • Table 100. Company Basic Information, Sales Area and Its Competitors
  • Table 101. Company Basic Information, Sales Area and Its Competitors
  • Table 102. Company Basic Information, Sales Area and Its Competitors
  • Table 103. Company Basic Information, Sales Area and Its Competitors
  • Table 104. Company Basic Information, Sales Area and Its Competitors
  • Table 105. Company Basic Information, Sales Area and Its Competitors
  • Table 106. Company Basic Information, Sales Area and Its Competitors
  • Table 107. Music Production Equipment: by Type(USD Million)
  • Table 108. Music Production Equipment Music synthesizers , by Region USD Million (2019-2024)
  • Table 109. Music Production Equipment DJ Gear , by Region USD Million (2019-2024)
  • Table 110. Music Production Equipment Studio headphones , by Region USD Million (2019-2024)
  • Table 111. Music Production Equipment Digital keyboards , by Region USD Million (2019-2024)
  • Table 112. Music Production Equipment Public address equipment , by Region USD Million (2019-2024)
  • Table 113. Music Production Equipment: by Application(USD Million)
  • Table 114. Music Production Equipment Professional , by Region USD Million (2019-2024)
  • Table 115. Music Production Equipment Amateur , by Region USD Million (2019-2024)
  • Table 116. Music Production Equipment: by End Users(USD Million)
  • Table 117. Music Production Equipment Professional , by Region USD Million (2019-2024)
  • Table 118. Music Production Equipment Amateur , by Region USD Million (2019-2024)
  • Table 119. South America Music Production Equipment, by Country USD Million (2019-2024)
  • Table 120. South America Music Production Equipment, by Type USD Million (2019-2024)
  • Table 121. South America Music Production Equipment, by Application USD Million (2019-2024)
  • Table 122. South America Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 123. Brazil Music Production Equipment, by Type USD Million (2019-2024)
  • Table 124. Brazil Music Production Equipment, by Application USD Million (2019-2024)
  • Table 125. Brazil Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 126. Argentina Music Production Equipment, by Type USD Million (2019-2024)
  • Table 127. Argentina Music Production Equipment, by Application USD Million (2019-2024)
  • Table 128. Argentina Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 129. Rest of South America Music Production Equipment, by Type USD Million (2019-2024)
  • Table 130. Rest of South America Music Production Equipment, by Application USD Million (2019-2024)
  • Table 131. Rest of South America Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 132. Asia Pacific Music Production Equipment, by Country USD Million (2019-2024)
  • Table 133. Asia Pacific Music Production Equipment, by Type USD Million (2019-2024)
  • Table 134. Asia Pacific Music Production Equipment, by Application USD Million (2019-2024)
  • Table 135. Asia Pacific Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 136. China Music Production Equipment, by Type USD Million (2019-2024)
  • Table 137. China Music Production Equipment, by Application USD Million (2019-2024)
  • Table 138. China Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 139. Japan Music Production Equipment, by Type USD Million (2019-2024)
  • Table 140. Japan Music Production Equipment, by Application USD Million (2019-2024)
  • Table 141. Japan Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 142. India Music Production Equipment, by Type USD Million (2019-2024)
  • Table 143. India Music Production Equipment, by Application USD Million (2019-2024)
  • Table 144. India Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 145. South Korea Music Production Equipment, by Type USD Million (2019-2024)
  • Table 146. South Korea Music Production Equipment, by Application USD Million (2019-2024)
  • Table 147. South Korea Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 148. Taiwan Music Production Equipment, by Type USD Million (2019-2024)
  • Table 149. Taiwan Music Production Equipment, by Application USD Million (2019-2024)
  • Table 150. Taiwan Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 151. Australia Music Production Equipment, by Type USD Million (2019-2024)
  • Table 152. Australia Music Production Equipment, by Application USD Million (2019-2024)
  • Table 153. Australia Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 154. Rest of Asia-Pacific Music Production Equipment, by Type USD Million (2019-2024)
  • Table 155. Rest of Asia-Pacific Music Production Equipment, by Application USD Million (2019-2024)
  • Table 156. Rest of Asia-Pacific Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 157. Europe Music Production Equipment, by Country USD Million (2019-2024)
  • Table 158. Europe Music Production Equipment, by Type USD Million (2019-2024)
  • Table 159. Europe Music Production Equipment, by Application USD Million (2019-2024)
  • Table 160. Europe Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 161. Germany Music Production Equipment, by Type USD Million (2019-2024)
  • Table 162. Germany Music Production Equipment, by Application USD Million (2019-2024)
  • Table 163. Germany Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 164. France Music Production Equipment, by Type USD Million (2019-2024)
  • Table 165. France Music Production Equipment, by Application USD Million (2019-2024)
  • Table 166. France Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 167. Italy Music Production Equipment, by Type USD Million (2019-2024)
  • Table 168. Italy Music Production Equipment, by Application USD Million (2019-2024)
  • Table 169. Italy Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 170. United Kingdom Music Production Equipment, by Type USD Million (2019-2024)
  • Table 171. United Kingdom Music Production Equipment, by Application USD Million (2019-2024)
  • Table 172. United Kingdom Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 173. Netherlands Music Production Equipment, by Type USD Million (2019-2024)
  • Table 174. Netherlands Music Production Equipment, by Application USD Million (2019-2024)
  • Table 175. Netherlands Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 176. Rest of Europe Music Production Equipment, by Type USD Million (2019-2024)
  • Table 177. Rest of Europe Music Production Equipment, by Application USD Million (2019-2024)
  • Table 178. Rest of Europe Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 179. MEA Music Production Equipment, by Country USD Million (2019-2024)
  • Table 180. MEA Music Production Equipment, by Type USD Million (2019-2024)
  • Table 181. MEA Music Production Equipment, by Application USD Million (2019-2024)
  • Table 182. MEA Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 183. Middle East Music Production Equipment, by Type USD Million (2019-2024)
  • Table 184. Middle East Music Production Equipment, by Application USD Million (2019-2024)
  • Table 185. Middle East Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 186. Africa Music Production Equipment, by Type USD Million (2019-2024)
  • Table 187. Africa Music Production Equipment, by Application USD Million (2019-2024)
  • Table 188. Africa Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 189. North America Music Production Equipment, by Country USD Million (2019-2024)
  • Table 190. North America Music Production Equipment, by Type USD Million (2019-2024)
  • Table 191. North America Music Production Equipment, by Application USD Million (2019-2024)
  • Table 192. North America Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 193. United States Music Production Equipment, by Type USD Million (2019-2024)
  • Table 194. United States Music Production Equipment, by Application USD Million (2019-2024)
  • Table 195. United States Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 196. Canada Music Production Equipment, by Type USD Million (2019-2024)
  • Table 197. Canada Music Production Equipment, by Application USD Million (2019-2024)
  • Table 198. Canada Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 199. Mexico Music Production Equipment, by Type USD Million (2019-2024)
  • Table 200. Mexico Music Production Equipment, by Application USD Million (2019-2024)
  • Table 201. Mexico Music Production Equipment, by End Users USD Million (2019-2024)
  • Table 202. Music Production Equipment: by Type(USD/Units)
  • Table 203. Research Programs/Design for This Report
  • Table 204. Key Data Information from Secondary Sources
  • Table 205. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Music Production Equipment: by Type USD Million (2013-2018)
  • Figure 5. Global Music Production Equipment: by Application USD Million (2013-2018)
  • Figure 6. Global Music Production Equipment: by End Users USD Million (2013-2018)
  • Figure 7. South America Music Production Equipment Share (%), by Country
  • Figure 8. Asia Pacific Music Production Equipment Share (%), by Country
  • Figure 9. Europe Music Production Equipment Share (%), by Country
  • Figure 10. MEA Music Production Equipment Share (%), by Country
  • Figure 11. North America Music Production Equipment Share (%), by Country
  • Figure 12. Global Music Production Equipment: by Type USD/Units (2013-2018)
  • Figure 13. Global Music Production Equipment share by Players 2018 (%)
  • Figure 14. Global Music Production Equipment share by Players (Top 3) 2018(%)
  • Figure 15. Global Music Production Equipment share by Players (Top 5) 2018(%)
  • Figure 16. BCG Matrix for key Companies
  • Figure 17. Fender Musical Instruments (United States) Revenue, Net Income and Gross profit
  • Figure 18. Fender Musical Instruments (United States) Revenue: by Geography 2018
  • Figure 19. Gibson Brands (United States) Revenue, Net Income and Gross profit
  • Figure 20. Gibson Brands (United States) Revenue: by Geography 2018
  • Figure 21. Kawai Musical Instruments (Japan) Revenue, Net Income and Gross profit
  • Figure 22. Kawai Musical Instruments (Japan) Revenue: by Geography 2018
  • Figure 23. Roland (Japan) Revenue, Net Income and Gross profit
  • Figure 24. Roland (Japan) Revenue: by Geography 2018
  • Figure 25. Steinway & Sons (United States) Revenue, Net Income and Gross profit
  • Figure 26. Steinway & Sons (United States) Revenue: by Geography 2018
  • Figure 27. Yamaha (Japan) Revenue, Net Income and Gross profit
  • Figure 28. Yamaha (Japan) Revenue: by Geography 2018
  • Figure 29. Audio-Technica (Japan) Revenue, Net Income and Gross profit
  • Figure 30. Audio-Technica (Japan) Revenue: by Geography 2018
  • Figure 31. C.F. Martin & Company (United States) Revenue, Net Income and Gross profit
  • Figure 32. C.F. Martin & Company (United States) Revenue: by Geography 2018
  • Figure 33. D'Addario (United States) Revenue, Net Income and Gross profit
  • Figure 34. D'Addario (United States) Revenue: by Geography 2018
  • Figure 35. Harman International (United States) Revenue, Net Income and Gross profit
  • Figure 36. Harman International (United States) Revenue: by Geography 2018
  • Figure 37. Global Music Production Equipment: by Type USD Million (2019-2024)
  • Figure 38. Global Music Production Equipment: by Application USD Million (2019-2024)
  • Figure 39. Global Music Production Equipment: by End Users USD Million (2019-2024)
  • Figure 40. South America Music Production Equipment Share (%), by Country
  • Figure 41. Asia Pacific Music Production Equipment Share (%), by Country
  • Figure 42. Europe Music Production Equipment Share (%), by Country
  • Figure 43. MEA Music Production Equipment Share (%), by Country
  • Figure 44. North America Music Production Equipment Share (%), by Country
  • Figure 45. Global Music Production Equipment: by Type USD/Units (2019-2024)
Some of the key companies/manufacturers profiled in the report
  • Fender Musical Instruments (United States)
  • Gibson Brands (United States)
  • Kawai Musical Instruments (Japan)
  • Roland (Japan)
  • Steinway & Sons (United States)
  • Yamaha (Japan)
  • Audio-Technica (Japan)
  • C.F. Martin & Company (United States)
  • D'Addario (United States)
  • Harman International (United States)
Additional players considered in the study are as follows:
QRS Music Technology (United States) , Sennheiser Electronic (Germany) , Shure (United States)
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