Recorded Music Comprehensive Study by Type (CDrecord, Tape Record, Optical Sound Record, Others), Application (Recreational Activities, Personal, Commercial Social, Others), Class Type (Analog Recording, Digital Recording) Players and Region - Global Market Outlook to 2026

Recorded Music Market by XX Submarkets | Forecast Years 2022-2027  

  • Summary
  • Market Segments
  • Table of Content
  • List of Table & Figures
  • Players Profiled
Industry Background:
Digital streaming and downloads have dominated music consumption since the beginning of the 21st century. The recorded music companies continue to be a major stakeholder in the global music business. This market has been on the stage of transformation from physical to digital, downloads to streaming and ownership to access. According to IFPI (International Federation of the Phonographic Industry), The Global recorded music grew at 8.1% in the last few years. Music recording is a physical record of musical performance that can be played back or reproduced.
This growth is primarily driven by Paid Subscribers of Music Streaming Services Which In Turn Lead To Move the Consumer to a Subscription-Based Model and Ongoing Investment by Recorded Companies on Artists and Also In Digital Innovations.

Globally, a noticeable market trend is evident Campaigns Continues To Achieve Complete Value For Music in the Digital Marketplace . The Media & Entertainment sector in the South America region has been increasing at a sustainable rate and further growth is expected to be witnessed over the forecast period, owing to the robust investments and expansion in production facilities in the region. Major Vendors, such as Recorded Music NZ (New Zealand), Warner Music Inc. (United States), Universal Music (United States), Sony Music Entertainment (United States), LangVan Inc. (United States), Master Music Limited (London), De Plein Vent Studio (France), China Record Company (United States), Lifesong Records (United States) and King Record (Japan) etc have either set up their manufacturing facilities or are planning to start new provision in the dominated region in the upcoming years.

June 2019, All Blues, the first-ever blues album with Peter Frampton Band, is debuting at number one on the Billboard Blues Albums Chart in the United States. The new collection, released via UMe/Universal Music Canada, also marks his best overall sales numbers and chart positions.

Market Drivers
  • Paid Subscribers of Music Streaming Services Which In Turn Lead To Move the Consumer to a Subscription-Based Model
  • Ongoing Investment by Recorded Companies on Artists and Also In Digital Innovations

Market Trend
  • Campaigns Continues To Achieve Complete Value For Music in the Digital Marketplace
  • Streaming Services Are Navigating the Global Music Industry

Restraints
  • Issues Related To Copyright Infringement Is Hampering the Market
  • Online Users Uploading Service Exploit Music without Returning Fair Revenue to Those Who Are Creating and Investing In It

Opportunities
Increasing Number Of Music Lovers and Their Engagement With Streaming Especially to Paid Subscription Audio Streaming Digital Revenues
Challenges
Music Piracy by the Recorded Companies and Global Value Gap Which Involves Copyright Liability Issues on the Music That is Made Available To the Public

AMA Research follow a focused and realistic research framework that provides the ability to study the crucial market dynamics in several regions across the world. Moreover, an in-depth assessment is mostly conducted by our analysts on geographical regions to provide clients and businesses the opportunity to dominate in niche markets and expand in emerging markets across the globe. This market research study also showcase the spontaneously changing Vendors landscape impacting the growth of the market. Furthermore, our market researchers extensively analyse the products and services offered by multiple players competing to increase their market share and presence.

Customization in the Report
AMA Research features not only specific market forecasts, but also include significant value-added commentary on:
- Market Trends
- Technological Trends and Innovations
- Market Maturity Indicators
- Growth Drivers and Constraints
- New Entrants into the Market & Entry/Exit Barriers
- To Seize Powerful Market Opportunities
- Identify Key Business Segments, Market Proposition & Gap Analysis

Against this Challenging Backdrop, Recorded Music Study Sheds Light on
— The Recorded Music Market status quo and key characteristics. To end this, Analyst at AMA organize and took survey of the Recorded Music industry Vendors. The resultant snapshot serves as a basis for understanding why and how the industry can be expected to change.
— Where Recorded Music industry is heading and what are the top priorities. Insights are drawn from financial analysis, the survey and interviews with key executives and industry experts.
— How every company in this diverse set of Vendors can best navigate the emerging competition landscape and follow a strategy that helps them position to hold value they currently claim, or capture the new addressable opportunity.

Report Objectives / Segmentation Covered

By Type
  • CDrecord
  • Tape Record
  • Optical Sound Record
  • Others
By Application
  • Recreational Activities
  • Personal
  • Commercial Social
  • Others
By Class Type
  • Analog Recording
  • Digital Recording

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Paid Subscribers of Music Streaming Services Which In Turn Lead To Move the Consumer to a Subscription-Based Model
      • 3.2.2. Ongoing Investment by Recorded Companies on Artists and Also In Digital Innovations
    • 3.3. Market Challenges
      • 3.3.1. Music Piracy by the Recorded Companies
      • 3.3.2. Global Value Gap Which Involves Copyright Liability Issues on the Music That is Made Available To the Public
    • 3.4. Market Trends
      • 3.4.1. Campaigns Continues To Achieve Complete Value For Music in the Digital Marketplace
      • 3.4.2. Streaming Services Are Navigating the Global Music Industry
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Recorded Music, by Type, Application, Class Type and Region (value and price ) (2015-2020)
    • 5.1. Introduction
    • 5.2. Global Recorded Music (Value)
      • 5.2.1. Global Recorded Music by: Type (Value)
        • 5.2.1.1. CDrecord
        • 5.2.1.2. Tape Record
        • 5.2.1.3. Optical Sound Record
        • 5.2.1.4. Others
      • 5.2.2. Global Recorded Music by: Application (Value)
        • 5.2.2.1. Recreational Activities
        • 5.2.2.2. Personal
        • 5.2.2.3. Commercial Social
        • 5.2.2.4. Others
      • 5.2.3. Global Recorded Music by: Class Type (Value)
        • 5.2.3.1. Analog Recording
        • 5.2.3.2. Digital Recording
      • 5.2.4. Global Recorded Music Region
        • 5.2.4.1. South America
          • 5.2.4.1.1. Brazil
          • 5.2.4.1.2. Argentina
          • 5.2.4.1.3. Rest of South America
        • 5.2.4.2. Asia Pacific
          • 5.2.4.2.1. China
          • 5.2.4.2.2. Japan
          • 5.2.4.2.3. India
          • 5.2.4.2.4. South Korea
          • 5.2.4.2.5. Taiwan
          • 5.2.4.2.6. Australia
          • 5.2.4.2.7. Rest of Asia-Pacific
        • 5.2.4.3. Europe
          • 5.2.4.3.1. Germany
          • 5.2.4.3.2. France
          • 5.2.4.3.3. Italy
          • 5.2.4.3.4. United Kingdom
          • 5.2.4.3.5. Netherlands
          • 5.2.4.3.6. Rest of Europe
        • 5.2.4.4. MEA
          • 5.2.4.4.1. Middle East
          • 5.2.4.4.2. Africa
        • 5.2.4.5. North America
          • 5.2.4.5.1. United States
          • 5.2.4.5.2. Canada
          • 5.2.4.5.3. Mexico
    • 5.3. Global Recorded Music (Price)
      • 5.3.1. Global Recorded Music by: Type (Price)
  • 6. Recorded Music: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2020)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Recorded Music NZ (New Zealand)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Warner Music Inc. (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Universal Music (United States)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Sony Music Entertainment (United States)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. LangVan Inc. (United States)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Master Music Limited (London)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. De Plein Vent Studio (France)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. China Record Company (United States)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Lifesong Records (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. King Record (Japan)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Recorded Music Sale, by Type, Application, Class Type and Region (value and price ) (2021-2026)
    • 7.1. Introduction
    • 7.2. Global Recorded Music (Value)
      • 7.2.1. Global Recorded Music by: Type (Value)
        • 7.2.1.1. CDrecord
        • 7.2.1.2. Tape Record
        • 7.2.1.3. Optical Sound Record
        • 7.2.1.4. Others
      • 7.2.2. Global Recorded Music by: Application (Value)
        • 7.2.2.1. Recreational Activities
        • 7.2.2.2. Personal
        • 7.2.2.3. Commercial Social
        • 7.2.2.4. Others
      • 7.2.3. Global Recorded Music by: Class Type (Value)
        • 7.2.3.1. Analog Recording
        • 7.2.3.2. Digital Recording
      • 7.2.4. Global Recorded Music Region
        • 7.2.4.1. South America
          • 7.2.4.1.1. Brazil
          • 7.2.4.1.2. Argentina
          • 7.2.4.1.3. Rest of South America
        • 7.2.4.2. Asia Pacific
          • 7.2.4.2.1. China
          • 7.2.4.2.2. Japan
          • 7.2.4.2.3. India
          • 7.2.4.2.4. South Korea
          • 7.2.4.2.5. Taiwan
          • 7.2.4.2.6. Australia
          • 7.2.4.2.7. Rest of Asia-Pacific
        • 7.2.4.3. Europe
          • 7.2.4.3.1. Germany
          • 7.2.4.3.2. France
          • 7.2.4.3.3. Italy
          • 7.2.4.3.4. United Kingdom
          • 7.2.4.3.5. Netherlands
          • 7.2.4.3.6. Rest of Europe
        • 7.2.4.4. MEA
          • 7.2.4.4.1. Middle East
          • 7.2.4.4.2. Africa
        • 7.2.4.5. North America
          • 7.2.4.5.1. United States
          • 7.2.4.5.2. Canada
          • 7.2.4.5.3. Mexico
    • 7.3. Global Recorded Music (Price)
      • 7.3.1. Global Recorded Music by: Type (Price)
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Recorded Music: by Type(USD Million)
  • Table 2. Recorded Music CDrecord , by Region USD Million (2015-2020)
  • Table 3. Recorded Music Tape Record , by Region USD Million (2015-2020)
  • Table 4. Recorded Music Optical Sound Record , by Region USD Million (2015-2020)
  • Table 5. Recorded Music Others , by Region USD Million (2015-2020)
  • Table 6. Recorded Music: by Application(USD Million)
  • Table 7. Recorded Music Recreational Activities , by Region USD Million (2015-2020)
  • Table 8. Recorded Music Personal , by Region USD Million (2015-2020)
  • Table 9. Recorded Music Commercial Social , by Region USD Million (2015-2020)
  • Table 10. Recorded Music Others , by Region USD Million (2015-2020)
  • Table 11. Recorded Music: by Class Type(USD Million)
  • Table 12. Recorded Music Analog Recording , by Region USD Million (2015-2020)
  • Table 13. Recorded Music Digital Recording , by Region USD Million (2015-2020)
  • Table 14. South America Recorded Music, by Country USD Million (2015-2020)
  • Table 15. South America Recorded Music, by Type USD Million (2015-2020)
  • Table 16. South America Recorded Music, by Application USD Million (2015-2020)
  • Table 17. South America Recorded Music, by Class Type USD Million (2015-2020)
  • Table 18. Brazil Recorded Music, by Type USD Million (2015-2020)
  • Table 19. Brazil Recorded Music, by Application USD Million (2015-2020)
  • Table 20. Brazil Recorded Music, by Class Type USD Million (2015-2020)
  • Table 21. Argentina Recorded Music, by Type USD Million (2015-2020)
  • Table 22. Argentina Recorded Music, by Application USD Million (2015-2020)
  • Table 23. Argentina Recorded Music, by Class Type USD Million (2015-2020)
  • Table 24. Rest of South America Recorded Music, by Type USD Million (2015-2020)
  • Table 25. Rest of South America Recorded Music, by Application USD Million (2015-2020)
  • Table 26. Rest of South America Recorded Music, by Class Type USD Million (2015-2020)
  • Table 27. Asia Pacific Recorded Music, by Country USD Million (2015-2020)
  • Table 28. Asia Pacific Recorded Music, by Type USD Million (2015-2020)
  • Table 29. Asia Pacific Recorded Music, by Application USD Million (2015-2020)
  • Table 30. Asia Pacific Recorded Music, by Class Type USD Million (2015-2020)
  • Table 31. China Recorded Music, by Type USD Million (2015-2020)
  • Table 32. China Recorded Music, by Application USD Million (2015-2020)
  • Table 33. China Recorded Music, by Class Type USD Million (2015-2020)
  • Table 34. Japan Recorded Music, by Type USD Million (2015-2020)
  • Table 35. Japan Recorded Music, by Application USD Million (2015-2020)
  • Table 36. Japan Recorded Music, by Class Type USD Million (2015-2020)
  • Table 37. India Recorded Music, by Type USD Million (2015-2020)
  • Table 38. India Recorded Music, by Application USD Million (2015-2020)
  • Table 39. India Recorded Music, by Class Type USD Million (2015-2020)
  • Table 40. South Korea Recorded Music, by Type USD Million (2015-2020)
  • Table 41. South Korea Recorded Music, by Application USD Million (2015-2020)
  • Table 42. South Korea Recorded Music, by Class Type USD Million (2015-2020)
  • Table 43. Taiwan Recorded Music, by Type USD Million (2015-2020)
  • Table 44. Taiwan Recorded Music, by Application USD Million (2015-2020)
  • Table 45. Taiwan Recorded Music, by Class Type USD Million (2015-2020)
  • Table 46. Australia Recorded Music, by Type USD Million (2015-2020)
  • Table 47. Australia Recorded Music, by Application USD Million (2015-2020)
  • Table 48. Australia Recorded Music, by Class Type USD Million (2015-2020)
  • Table 49. Rest of Asia-Pacific Recorded Music, by Type USD Million (2015-2020)
  • Table 50. Rest of Asia-Pacific Recorded Music, by Application USD Million (2015-2020)
  • Table 51. Rest of Asia-Pacific Recorded Music, by Class Type USD Million (2015-2020)
  • Table 52. Europe Recorded Music, by Country USD Million (2015-2020)
  • Table 53. Europe Recorded Music, by Type USD Million (2015-2020)
  • Table 54. Europe Recorded Music, by Application USD Million (2015-2020)
  • Table 55. Europe Recorded Music, by Class Type USD Million (2015-2020)
  • Table 56. Germany Recorded Music, by Type USD Million (2015-2020)
  • Table 57. Germany Recorded Music, by Application USD Million (2015-2020)
  • Table 58. Germany Recorded Music, by Class Type USD Million (2015-2020)
  • Table 59. France Recorded Music, by Type USD Million (2015-2020)
  • Table 60. France Recorded Music, by Application USD Million (2015-2020)
  • Table 61. France Recorded Music, by Class Type USD Million (2015-2020)
  • Table 62. Italy Recorded Music, by Type USD Million (2015-2020)
  • Table 63. Italy Recorded Music, by Application USD Million (2015-2020)
  • Table 64. Italy Recorded Music, by Class Type USD Million (2015-2020)
  • Table 65. United Kingdom Recorded Music, by Type USD Million (2015-2020)
  • Table 66. United Kingdom Recorded Music, by Application USD Million (2015-2020)
  • Table 67. United Kingdom Recorded Music, by Class Type USD Million (2015-2020)
  • Table 68. Netherlands Recorded Music, by Type USD Million (2015-2020)
  • Table 69. Netherlands Recorded Music, by Application USD Million (2015-2020)
  • Table 70. Netherlands Recorded Music, by Class Type USD Million (2015-2020)
  • Table 71. Rest of Europe Recorded Music, by Type USD Million (2015-2020)
  • Table 72. Rest of Europe Recorded Music, by Application USD Million (2015-2020)
  • Table 73. Rest of Europe Recorded Music, by Class Type USD Million (2015-2020)
  • Table 74. MEA Recorded Music, by Country USD Million (2015-2020)
  • Table 75. MEA Recorded Music, by Type USD Million (2015-2020)
  • Table 76. MEA Recorded Music, by Application USD Million (2015-2020)
  • Table 77. MEA Recorded Music, by Class Type USD Million (2015-2020)
  • Table 78. Middle East Recorded Music, by Type USD Million (2015-2020)
  • Table 79. Middle East Recorded Music, by Application USD Million (2015-2020)
  • Table 80. Middle East Recorded Music, by Class Type USD Million (2015-2020)
  • Table 81. Africa Recorded Music, by Type USD Million (2015-2020)
  • Table 82. Africa Recorded Music, by Application USD Million (2015-2020)
  • Table 83. Africa Recorded Music, by Class Type USD Million (2015-2020)
  • Table 84. North America Recorded Music, by Country USD Million (2015-2020)
  • Table 85. North America Recorded Music, by Type USD Million (2015-2020)
  • Table 86. North America Recorded Music, by Application USD Million (2015-2020)
  • Table 87. North America Recorded Music, by Class Type USD Million (2015-2020)
  • Table 88. United States Recorded Music, by Type USD Million (2015-2020)
  • Table 89. United States Recorded Music, by Application USD Million (2015-2020)
  • Table 90. United States Recorded Music, by Class Type USD Million (2015-2020)
  • Table 91. Canada Recorded Music, by Type USD Million (2015-2020)
  • Table 92. Canada Recorded Music, by Application USD Million (2015-2020)
  • Table 93. Canada Recorded Music, by Class Type USD Million (2015-2020)
  • Table 94. Mexico Recorded Music, by Type USD Million (2015-2020)
  • Table 95. Mexico Recorded Music, by Application USD Million (2015-2020)
  • Table 96. Mexico Recorded Music, by Class Type USD Million (2015-2020)
  • Table 97. Recorded Music: by Type(USD/Units)
  • Table 98. Company Basic Information, Sales Area and Its Competitors
  • Table 99. Company Basic Information, Sales Area and Its Competitors
  • Table 100. Company Basic Information, Sales Area and Its Competitors
  • Table 101. Company Basic Information, Sales Area and Its Competitors
  • Table 102. Company Basic Information, Sales Area and Its Competitors
  • Table 103. Company Basic Information, Sales Area and Its Competitors
  • Table 104. Company Basic Information, Sales Area and Its Competitors
  • Table 105. Company Basic Information, Sales Area and Its Competitors
  • Table 106. Company Basic Information, Sales Area and Its Competitors
  • Table 107. Company Basic Information, Sales Area and Its Competitors
  • Table 108. Recorded Music: by Type(USD Million)
  • Table 109. Recorded Music CDrecord , by Region USD Million (2021-2026)
  • Table 110. Recorded Music Tape Record , by Region USD Million (2021-2026)
  • Table 111. Recorded Music Optical Sound Record , by Region USD Million (2021-2026)
  • Table 112. Recorded Music Others , by Region USD Million (2021-2026)
  • Table 113. Recorded Music: by Application(USD Million)
  • Table 114. Recorded Music Recreational Activities , by Region USD Million (2021-2026)
  • Table 115. Recorded Music Personal , by Region USD Million (2021-2026)
  • Table 116. Recorded Music Commercial Social , by Region USD Million (2021-2026)
  • Table 117. Recorded Music Others , by Region USD Million (2021-2026)
  • Table 118. Recorded Music: by Class Type(USD Million)
  • Table 119. Recorded Music Analog Recording , by Region USD Million (2021-2026)
  • Table 120. Recorded Music Digital Recording , by Region USD Million (2021-2026)
  • Table 121. South America Recorded Music, by Country USD Million (2021-2026)
  • Table 122. South America Recorded Music, by Type USD Million (2021-2026)
  • Table 123. South America Recorded Music, by Application USD Million (2021-2026)
  • Table 124. South America Recorded Music, by Class Type USD Million (2021-2026)
  • Table 125. Brazil Recorded Music, by Type USD Million (2021-2026)
  • Table 126. Brazil Recorded Music, by Application USD Million (2021-2026)
  • Table 127. Brazil Recorded Music, by Class Type USD Million (2021-2026)
  • Table 128. Argentina Recorded Music, by Type USD Million (2021-2026)
  • Table 129. Argentina Recorded Music, by Application USD Million (2021-2026)
  • Table 130. Argentina Recorded Music, by Class Type USD Million (2021-2026)
  • Table 131. Rest of South America Recorded Music, by Type USD Million (2021-2026)
  • Table 132. Rest of South America Recorded Music, by Application USD Million (2021-2026)
  • Table 133. Rest of South America Recorded Music, by Class Type USD Million (2021-2026)
  • Table 134. Asia Pacific Recorded Music, by Country USD Million (2021-2026)
  • Table 135. Asia Pacific Recorded Music, by Type USD Million (2021-2026)
  • Table 136. Asia Pacific Recorded Music, by Application USD Million (2021-2026)
  • Table 137. Asia Pacific Recorded Music, by Class Type USD Million (2021-2026)
  • Table 138. China Recorded Music, by Type USD Million (2021-2026)
  • Table 139. China Recorded Music, by Application USD Million (2021-2026)
  • Table 140. China Recorded Music, by Class Type USD Million (2021-2026)
  • Table 141. Japan Recorded Music, by Type USD Million (2021-2026)
  • Table 142. Japan Recorded Music, by Application USD Million (2021-2026)
  • Table 143. Japan Recorded Music, by Class Type USD Million (2021-2026)
  • Table 144. India Recorded Music, by Type USD Million (2021-2026)
  • Table 145. India Recorded Music, by Application USD Million (2021-2026)
  • Table 146. India Recorded Music, by Class Type USD Million (2021-2026)
  • Table 147. South Korea Recorded Music, by Type USD Million (2021-2026)
  • Table 148. South Korea Recorded Music, by Application USD Million (2021-2026)
  • Table 149. South Korea Recorded Music, by Class Type USD Million (2021-2026)
  • Table 150. Taiwan Recorded Music, by Type USD Million (2021-2026)
  • Table 151. Taiwan Recorded Music, by Application USD Million (2021-2026)
  • Table 152. Taiwan Recorded Music, by Class Type USD Million (2021-2026)
  • Table 153. Australia Recorded Music, by Type USD Million (2021-2026)
  • Table 154. Australia Recorded Music, by Application USD Million (2021-2026)
  • Table 155. Australia Recorded Music, by Class Type USD Million (2021-2026)
  • Table 156. Rest of Asia-Pacific Recorded Music, by Type USD Million (2021-2026)
  • Table 157. Rest of Asia-Pacific Recorded Music, by Application USD Million (2021-2026)
  • Table 158. Rest of Asia-Pacific Recorded Music, by Class Type USD Million (2021-2026)
  • Table 159. Europe Recorded Music, by Country USD Million (2021-2026)
  • Table 160. Europe Recorded Music, by Type USD Million (2021-2026)
  • Table 161. Europe Recorded Music, by Application USD Million (2021-2026)
  • Table 162. Europe Recorded Music, by Class Type USD Million (2021-2026)
  • Table 163. Germany Recorded Music, by Type USD Million (2021-2026)
  • Table 164. Germany Recorded Music, by Application USD Million (2021-2026)
  • Table 165. Germany Recorded Music, by Class Type USD Million (2021-2026)
  • Table 166. France Recorded Music, by Type USD Million (2021-2026)
  • Table 167. France Recorded Music, by Application USD Million (2021-2026)
  • Table 168. France Recorded Music, by Class Type USD Million (2021-2026)
  • Table 169. Italy Recorded Music, by Type USD Million (2021-2026)
  • Table 170. Italy Recorded Music, by Application USD Million (2021-2026)
  • Table 171. Italy Recorded Music, by Class Type USD Million (2021-2026)
  • Table 172. United Kingdom Recorded Music, by Type USD Million (2021-2026)
  • Table 173. United Kingdom Recorded Music, by Application USD Million (2021-2026)
  • Table 174. United Kingdom Recorded Music, by Class Type USD Million (2021-2026)
  • Table 175. Netherlands Recorded Music, by Type USD Million (2021-2026)
  • Table 176. Netherlands Recorded Music, by Application USD Million (2021-2026)
  • Table 177. Netherlands Recorded Music, by Class Type USD Million (2021-2026)
  • Table 178. Rest of Europe Recorded Music, by Type USD Million (2021-2026)
  • Table 179. Rest of Europe Recorded Music, by Application USD Million (2021-2026)
  • Table 180. Rest of Europe Recorded Music, by Class Type USD Million (2021-2026)
  • Table 181. MEA Recorded Music, by Country USD Million (2021-2026)
  • Table 182. MEA Recorded Music, by Type USD Million (2021-2026)
  • Table 183. MEA Recorded Music, by Application USD Million (2021-2026)
  • Table 184. MEA Recorded Music, by Class Type USD Million (2021-2026)
  • Table 185. Middle East Recorded Music, by Type USD Million (2021-2026)
  • Table 186. Middle East Recorded Music, by Application USD Million (2021-2026)
  • Table 187. Middle East Recorded Music, by Class Type USD Million (2021-2026)
  • Table 188. Africa Recorded Music, by Type USD Million (2021-2026)
  • Table 189. Africa Recorded Music, by Application USD Million (2021-2026)
  • Table 190. Africa Recorded Music, by Class Type USD Million (2021-2026)
  • Table 191. North America Recorded Music, by Country USD Million (2021-2026)
  • Table 192. North America Recorded Music, by Type USD Million (2021-2026)
  • Table 193. North America Recorded Music, by Application USD Million (2021-2026)
  • Table 194. North America Recorded Music, by Class Type USD Million (2021-2026)
  • Table 195. United States Recorded Music, by Type USD Million (2021-2026)
  • Table 196. United States Recorded Music, by Application USD Million (2021-2026)
  • Table 197. United States Recorded Music, by Class Type USD Million (2021-2026)
  • Table 198. Canada Recorded Music, by Type USD Million (2021-2026)
  • Table 199. Canada Recorded Music, by Application USD Million (2021-2026)
  • Table 200. Canada Recorded Music, by Class Type USD Million (2021-2026)
  • Table 201. Mexico Recorded Music, by Type USD Million (2021-2026)
  • Table 202. Mexico Recorded Music, by Application USD Million (2021-2026)
  • Table 203. Mexico Recorded Music, by Class Type USD Million (2021-2026)
  • Table 204. Recorded Music: by Type(USD/Units)
  • Table 205. Research Programs/Design for This Report
  • Table 206. Key Data Information from Secondary Sources
  • Table 207. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Recorded Music: by Type USD Million (2015-2020)
  • Figure 5. Global Recorded Music: by Application USD Million (2015-2020)
  • Figure 6. Global Recorded Music: by Class Type USD Million (2015-2020)
  • Figure 7. South America Recorded Music Share (%), by Country
  • Figure 8. Asia Pacific Recorded Music Share (%), by Country
  • Figure 9. Europe Recorded Music Share (%), by Country
  • Figure 10. MEA Recorded Music Share (%), by Country
  • Figure 11. North America Recorded Music Share (%), by Country
  • Figure 12. Global Recorded Music: by Type USD/Units (2015-2020)
  • Figure 13. Global Recorded Music share by Players 2020 (%)
  • Figure 14. Global Recorded Music share by Players (Top 3) 2020(%)
  • Figure 15. Global Recorded Music share by Players (Top 5) 2020(%)
  • Figure 16. BCG Matrix for key Companies
  • Figure 17. Recorded Music NZ (New Zealand) Revenue, Net Income and Gross profit
  • Figure 18. Recorded Music NZ (New Zealand) Revenue: by Geography 2020
  • Figure 19. Warner Music Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 20. Warner Music Inc. (United States) Revenue: by Geography 2020
  • Figure 21. Universal Music (United States) Revenue, Net Income and Gross profit
  • Figure 22. Universal Music (United States) Revenue: by Geography 2020
  • Figure 23. Sony Music Entertainment (United States) Revenue, Net Income and Gross profit
  • Figure 24. Sony Music Entertainment (United States) Revenue: by Geography 2020
  • Figure 25. LangVan Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 26. LangVan Inc. (United States) Revenue: by Geography 2020
  • Figure 27. Master Music Limited (London) Revenue, Net Income and Gross profit
  • Figure 28. Master Music Limited (London) Revenue: by Geography 2020
  • Figure 29. De Plein Vent Studio (France) Revenue, Net Income and Gross profit
  • Figure 30. De Plein Vent Studio (France) Revenue: by Geography 2020
  • Figure 31. China Record Company (United States) Revenue, Net Income and Gross profit
  • Figure 32. China Record Company (United States) Revenue: by Geography 2020
  • Figure 33. Lifesong Records (United States) Revenue, Net Income and Gross profit
  • Figure 34. Lifesong Records (United States) Revenue: by Geography 2020
  • Figure 35. King Record (Japan) Revenue, Net Income and Gross profit
  • Figure 36. King Record (Japan) Revenue: by Geography 2020
  • Figure 37. Global Recorded Music: by Type USD Million (2021-2026)
  • Figure 38. Global Recorded Music: by Application USD Million (2021-2026)
  • Figure 39. Global Recorded Music: by Class Type USD Million (2021-2026)
  • Figure 40. South America Recorded Music Share (%), by Country
  • Figure 41. Asia Pacific Recorded Music Share (%), by Country
  • Figure 42. Europe Recorded Music Share (%), by Country
  • Figure 43. MEA Recorded Music Share (%), by Country
  • Figure 44. North America Recorded Music Share (%), by Country
  • Figure 45. Global Recorded Music: by Type USD/Units (2021-2026)
List of companies from research coverage that are profiled in the study
  • Recorded Music NZ (New Zealand)
  • Warner Music Inc. (United States)
  • Universal Music (United States)
  • Sony Music Entertainment (United States)
  • LangVan Inc. (United States)
  • Master Music Limited (London)
  • De Plein Vent Studio (France)
  • China Record Company (United States)
  • Lifesong Records (United States)
  • King Record (Japan)
Additional players considered in the study are as follows:
Nippon Crown Corp. Limited (Japan) , Tokuma Japan Communications Corp. Limited (Japan) , BBS Records Limited (United States) , MPO International (France)
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Dec 2021 240 Pages 68 Tables Base Year: 2021 Coverage: 15+ Companies; 18 Countries

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Frequently Asked Questions (FAQ):

The Recorded Music market is expected to see a CAGR of % during projected year 2020 to 2026.
Top performing companies in the Global Recorded Music market are Recorded Music NZ (New Zealand), Warner Music Inc. (United States), Universal Music (United States), Sony Music Entertainment (United States), LangVan Inc. (United States), Master Music Limited (London), De Plein Vent Studio (France), China Record Company (United States), Lifesong Records (United States) and King Record (Japan), to name a few.
South America is dominating the Recorded Music Market.

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