Global Recorded Music Market
Global Recorded Music Market

Recorded Music Comprehensive Study by Type (CDrecord, Tape Record, Optical Sound Record, Others), Application (Recreational Activities, Personal, Commercial Social, Others), Class Type (Analog Recording, Digital Recording) Players and Region - Global Market Outlook to 2024

Recorded Music Market Segmented into XX Submarkets. | Forecast Years: 2021- 2026  

Jun 2019 Edition 240 Pages 165 Tables & Figures
Sample Report Speak with Analyst Request Discount
  • Summary
  • Market Segments
  • Table of Content
  • List of Tables & Figures
  • Companies Mentioned
Global Recorded Music Market Overview:
Digital streaming and downloads have dominated music consumption since the beginning of the 21st century. The recorded music companies continue to be a major stakeholder in the global music business. This market has been on the stage of transformation from physical to digital, downloads to streaming and ownership to access. According to IFPI (International Federation of the Phonographic Industry), The Global recorded music grew at 8.1% in the last few years. Music recording is a physical record of musical performance that can be played back or reproduced.

Market Drivers
  • Paid Subscribers of Music Streaming Services Which In Turn Lead To Move the Consumer to a Subscription-Based Model
  • Ongoing Investment by Recorded Companies on Artists and Also In Digital Innovations

Market Trend
  • Campaigns Continues To Achieve Complete Value For Music in the Digital Marketplace
  • Streaming Services Are Navigating the Global Music Industry

Restraints
  • Issues Related To Copyright Infringement Is Hampering the Market
  • Online Users Uploading Service Exploit Music without Returning Fair Revenue to Those Who Are Creating and Investing In It

Opportunities
  • Increasing Number Of Music Lovers and Their Engagement With Streaming Especially to Paid Subscription Audio Streaming Digital Revenues

Challenges
  • Music Piracy by the Recorded Companies
  • Global Value Gap Which Involves Copyright Liability Issues on the Music That is Made Available To the Public


Competitive Landscape:
The market is fragmented by numerous key players who are working to promote growth in developing music markets, by creating engaging ways for fans to access music on multiple platforms.
Some of the key players profiled in the report are Recorded Music NZ (New Zealand), Warner Music Inc. (United States), Universal Music (United States), Sony Music Entertainment (United States), LangVan Inc. (United States), Master Music Limited (London), De Plein Vent Studio (France), China Record Company (United States), Lifesong Records (United States) and King Record (Japan). Additionally, following companies can also be profiled that are part of our coverage like Nippon Crown Corp. Limited (Japan), Tokuma Japan Communications Corp. Limited (Japan), BBS Records Limited (United States) and MPO International (France). Analyst at AdvanceMarketAnalytics see United States Vendors to retain maximum share of Global Recorded Music market by 2024. Considering Market by Class Type, the sub-segment i.e. Analog Recording will boost the Recorded Music market.

Market Highlights:

June 2019, All Blues, the first-ever blues album with Peter Frampton Band, is debuting at number one on the Billboard Blues Albums Chart in the United States. The new collection, released via UMe/Universal Music Canada, also marks his best overall sales numbers and chart positions.

Available Customization:
Data related to EXIM [Export- Import], production & consumption by country or regional level break-up can be provided based on client request**
** Confirmation on availability of data would be provided prior to purchase

Research Methodology:
The top-down and bottom-up approaches are used to estimate and validate the size of the Global Recorded Music market.
In order to reach an exhaustive list of functional and relevant players various industry classification standards are closely followed such as NAICS, ICB, SIC to penetrate deep in important geographies by players and a thorough validation test is conducted to reach most relevant players for survey in Recorded Music market.
In order to make priority list sorting is done based on revenue generated based on latest reporting with the help of paid databases such as Factiva, Bloomberg etc.
Finally the questionnaire is set and specifically designed to address all the necessities for primary data collection after getting prior appointment by targeting key target audience that includes Music Industry, Government and Regulatory Bodies, Artists, End users, Platform providers and Others.
This helps us to gather the data related to players revenue, operating cycle and expense, profit along with product or service growth etc.
Almost 70-80% of data is collected through primary medium and further validation is done through various secondary sources that includes Regulators, World Bank, Association, Company Website, SEC filings, OTC BB, USPTO, EPO, Annual reports, press releases etc.
Report Objectives / Segmentation Covered
By Type
  • CDrecord
  • Tape Record
  • Optical Sound Record
  • Others
By Application
  • Recreational Activities
  • Personal
  • Commercial Social
  • Others
By Class Type
  • Analog Recording
  • Digital Recording

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Paid Subscribers of Music Streaming Services Which In Turn Lead To Move the Consumer to a Subscription-Based Model
      • 3.2.2. Ongoing Investment by Recorded Companies on Artists and Also In Digital Innovations
    • 3.3. Market Challenges
      • 3.3.1. Music Piracy by the Recorded Companies
      • 3.3.2. Global Value Gap Which Involves Copyright Liability Issues on the Music That is Made Available To the Public
    • 3.4. Market Trends
      • 3.4.1. Campaigns Continues To Achieve Complete Value For Music in the Digital Marketplace
      • 3.4.2. Streaming Services Are Navigating the Global Music Industry
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Recorded Music, by Type, Application, Class Type and Region (value) (2013-2018)
    • 5.1. Introduction
    • 5.2. Global Recorded Music (Value)
      • 5.2.1. Global Recorded Music by: Type (Value)
        • 5.2.1.1. CDrecord
        • 5.2.1.2. Tape Record
        • 5.2.1.3. Optical Sound Record
        • 5.2.1.4. Others
      • 5.2.2. Global Recorded Music by: Application (Value)
        • 5.2.2.1. Recreational Activities
        • 5.2.2.2. Personal
        • 5.2.2.3. Commercial Social
        • 5.2.2.4. Others
      • 5.2.3. Global Recorded Music by: Class Type (Value)
        • 5.2.3.1. Analog Recording
        • 5.2.3.2. Digital Recording
      • 5.2.4. Global Recorded Music Region
        • 5.2.4.1. South America
          • 5.2.4.1.1. Brazil
          • 5.2.4.1.2. Argentina
          • 5.2.4.1.3. Rest of South America
        • 5.2.4.2. Asia Pacific
          • 5.2.4.2.1. China
          • 5.2.4.2.2. Japan
          • 5.2.4.2.3. India
          • 5.2.4.2.4. South Korea
          • 5.2.4.2.5. Taiwan
          • 5.2.4.2.6. Australia
          • 5.2.4.2.7. Rest of Asia-Pacific
        • 5.2.4.3. Europe
          • 5.2.4.3.1. Germany
          • 5.2.4.3.2. France
          • 5.2.4.3.3. Italy
          • 5.2.4.3.4. United Kingdom
          • 5.2.4.3.5. Netherlands
          • 5.2.4.3.6. Rest of Europe
        • 5.2.4.4. MEA
          • 5.2.4.4.1. Middle East
          • 5.2.4.4.2. Africa
        • 5.2.4.5. North America
          • 5.2.4.5.1. United States
          • 5.2.4.5.2. Canada
          • 5.2.4.5.3. Mexico
  • 6. Recorded Music: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2018)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Recorded Music NZ (New Zealand)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Warner Music Inc. (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Universal Music (United States)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Sony Music Entertainment (United States)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. LangVan Inc. (United States)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Master Music Limited (London)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. De Plein Vent Studio (France)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. China Record Company (United States)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Lifesong Records (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. King Record (Japan)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Recorded Music Sale, by Type, Application, Class Type and Region (value) (2019-2024)
    • 7.1. Introduction
    • 7.2. Global Recorded Music (Value)
      • 7.2.1. Global Recorded Music by: Type (Value)
        • 7.2.1.1. CDrecord
        • 7.2.1.2. Tape Record
        • 7.2.1.3. Optical Sound Record
        • 7.2.1.4. Others
      • 7.2.2. Global Recorded Music by: Application (Value)
        • 7.2.2.1. Recreational Activities
        • 7.2.2.2. Personal
        • 7.2.2.3. Commercial Social
        • 7.2.2.4. Others
      • 7.2.3. Global Recorded Music by: Class Type (Value)
        • 7.2.3.1. Analog Recording
        • 7.2.3.2. Digital Recording
      • 7.2.4. Global Recorded Music Region
        • 7.2.4.1. South America
          • 7.2.4.1.1. Brazil
          • 7.2.4.1.2. Argentina
          • 7.2.4.1.3. Rest of South America
        • 7.2.4.2. Asia Pacific
          • 7.2.4.2.1. China
          • 7.2.4.2.2. Japan
          • 7.2.4.2.3. India
          • 7.2.4.2.4. South Korea
          • 7.2.4.2.5. Taiwan
          • 7.2.4.2.6. Australia
          • 7.2.4.2.7. Rest of Asia-Pacific
        • 7.2.4.3. Europe
          • 7.2.4.3.1. Germany
          • 7.2.4.3.2. France
          • 7.2.4.3.3. Italy
          • 7.2.4.3.4. United Kingdom
          • 7.2.4.3.5. Netherlands
          • 7.2.4.3.6. Rest of Europe
        • 7.2.4.4. MEA
          • 7.2.4.4.1. Middle East
          • 7.2.4.4.2. Africa
        • 7.2.4.5. North America
          • 7.2.4.5.1. United States
          • 7.2.4.5.2. Canada
          • 7.2.4.5.3. Mexico
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Recorded Music: by Type(USD Million)
  • Table 2. Recorded Music CDrecord , by Region USD Million (2013-2018)
  • Table 3. Recorded Music Tape Record , by Region USD Million (2013-2018)
  • Table 4. Recorded Music Optical Sound Record , by Region USD Million (2013-2018)
  • Table 5. Recorded Music Others , by Region USD Million (2013-2018)
  • Table 6. Recorded Music: by Application(USD Million)
  • Table 7. Recorded Music Recreational Activities , by Region USD Million (2013-2018)
  • Table 8. Recorded Music Personal , by Region USD Million (2013-2018)
  • Table 9. Recorded Music Commercial Social , by Region USD Million (2013-2018)
  • Table 10. Recorded Music Others , by Region USD Million (2013-2018)
  • Table 11. Recorded Music: by Class Type(USD Million)
  • Table 12. Recorded Music Analog Recording , by Region USD Million (2013-2018)
  • Table 13. Recorded Music Digital Recording , by Region USD Million (2013-2018)
  • Table 14. South America Recorded Music, by Country USD Million (2013-2018)
  • Table 15. South America Recorded Music, by Type USD Million (2013-2018)
  • Table 16. South America Recorded Music, by Application USD Million (2013-2018)
  • Table 17. South America Recorded Music, by Class Type USD Million (2013-2018)
  • Table 18. Brazil Recorded Music, by Type USD Million (2013-2018)
  • Table 19. Brazil Recorded Music, by Application USD Million (2013-2018)
  • Table 20. Brazil Recorded Music, by Class Type USD Million (2013-2018)
  • Table 21. Argentina Recorded Music, by Type USD Million (2013-2018)
  • Table 22. Argentina Recorded Music, by Application USD Million (2013-2018)
  • Table 23. Argentina Recorded Music, by Class Type USD Million (2013-2018)
  • Table 24. Rest of South America Recorded Music, by Type USD Million (2013-2018)
  • Table 25. Rest of South America Recorded Music, by Application USD Million (2013-2018)
  • Table 26. Rest of South America Recorded Music, by Class Type USD Million (2013-2018)
  • Table 27. Asia Pacific Recorded Music, by Country USD Million (2013-2018)
  • Table 28. Asia Pacific Recorded Music, by Type USD Million (2013-2018)
  • Table 29. Asia Pacific Recorded Music, by Application USD Million (2013-2018)
  • Table 30. Asia Pacific Recorded Music, by Class Type USD Million (2013-2018)
  • Table 31. China Recorded Music, by Type USD Million (2013-2018)
  • Table 32. China Recorded Music, by Application USD Million (2013-2018)
  • Table 33. China Recorded Music, by Class Type USD Million (2013-2018)
  • Table 34. Japan Recorded Music, by Type USD Million (2013-2018)
  • Table 35. Japan Recorded Music, by Application USD Million (2013-2018)
  • Table 36. Japan Recorded Music, by Class Type USD Million (2013-2018)
  • Table 37. India Recorded Music, by Type USD Million (2013-2018)
  • Table 38. India Recorded Music, by Application USD Million (2013-2018)
  • Table 39. India Recorded Music, by Class Type USD Million (2013-2018)
  • Table 40. South Korea Recorded Music, by Type USD Million (2013-2018)
  • Table 41. South Korea Recorded Music, by Application USD Million (2013-2018)
  • Table 42. South Korea Recorded Music, by Class Type USD Million (2013-2018)
  • Table 43. Taiwan Recorded Music, by Type USD Million (2013-2018)
  • Table 44. Taiwan Recorded Music, by Application USD Million (2013-2018)
  • Table 45. Taiwan Recorded Music, by Class Type USD Million (2013-2018)
  • Table 46. Australia Recorded Music, by Type USD Million (2013-2018)
  • Table 47. Australia Recorded Music, by Application USD Million (2013-2018)
  • Table 48. Australia Recorded Music, by Class Type USD Million (2013-2018)
  • Table 49. Rest of Asia-Pacific Recorded Music, by Type USD Million (2013-2018)
  • Table 50. Rest of Asia-Pacific Recorded Music, by Application USD Million (2013-2018)
  • Table 51. Rest of Asia-Pacific Recorded Music, by Class Type USD Million (2013-2018)
  • Table 52. Europe Recorded Music, by Country USD Million (2013-2018)
  • Table 53. Europe Recorded Music, by Type USD Million (2013-2018)
  • Table 54. Europe Recorded Music, by Application USD Million (2013-2018)
  • Table 55. Europe Recorded Music, by Class Type USD Million (2013-2018)
  • Table 56. Germany Recorded Music, by Type USD Million (2013-2018)
  • Table 57. Germany Recorded Music, by Application USD Million (2013-2018)
  • Table 58. Germany Recorded Music, by Class Type USD Million (2013-2018)
  • Table 59. France Recorded Music, by Type USD Million (2013-2018)
  • Table 60. France Recorded Music, by Application USD Million (2013-2018)
  • Table 61. France Recorded Music, by Class Type USD Million (2013-2018)
  • Table 62. Italy Recorded Music, by Type USD Million (2013-2018)
  • Table 63. Italy Recorded Music, by Application USD Million (2013-2018)
  • Table 64. Italy Recorded Music, by Class Type USD Million (2013-2018)
  • Table 65. United Kingdom Recorded Music, by Type USD Million (2013-2018)
  • Table 66. United Kingdom Recorded Music, by Application USD Million (2013-2018)
  • Table 67. United Kingdom Recorded Music, by Class Type USD Million (2013-2018)
  • Table 68. Netherlands Recorded Music, by Type USD Million (2013-2018)
  • Table 69. Netherlands Recorded Music, by Application USD Million (2013-2018)
  • Table 70. Netherlands Recorded Music, by Class Type USD Million (2013-2018)
  • Table 71. Rest of Europe Recorded Music, by Type USD Million (2013-2018)
  • Table 72. Rest of Europe Recorded Music, by Application USD Million (2013-2018)
  • Table 73. Rest of Europe Recorded Music, by Class Type USD Million (2013-2018)
  • Table 74. MEA Recorded Music, by Country USD Million (2013-2018)
  • Table 75. MEA Recorded Music, by Type USD Million (2013-2018)
  • Table 76. MEA Recorded Music, by Application USD Million (2013-2018)
  • Table 77. MEA Recorded Music, by Class Type USD Million (2013-2018)
  • Table 78. Middle East Recorded Music, by Type USD Million (2013-2018)
  • Table 79. Middle East Recorded Music, by Application USD Million (2013-2018)
  • Table 80. Middle East Recorded Music, by Class Type USD Million (2013-2018)
  • Table 81. Africa Recorded Music, by Type USD Million (2013-2018)
  • Table 82. Africa Recorded Music, by Application USD Million (2013-2018)
  • Table 83. Africa Recorded Music, by Class Type USD Million (2013-2018)
  • Table 84. North America Recorded Music, by Country USD Million (2013-2018)
  • Table 85. North America Recorded Music, by Type USD Million (2013-2018)
  • Table 86. North America Recorded Music, by Application USD Million (2013-2018)
  • Table 87. North America Recorded Music, by Class Type USD Million (2013-2018)
  • Table 88. United States Recorded Music, by Type USD Million (2013-2018)
  • Table 89. United States Recorded Music, by Application USD Million (2013-2018)
  • Table 90. United States Recorded Music, by Class Type USD Million (2013-2018)
  • Table 91. Canada Recorded Music, by Type USD Million (2013-2018)
  • Table 92. Canada Recorded Music, by Application USD Million (2013-2018)
  • Table 93. Canada Recorded Music, by Class Type USD Million (2013-2018)
  • Table 94. Mexico Recorded Music, by Type USD Million (2013-2018)
  • Table 95. Mexico Recorded Music, by Application USD Million (2013-2018)
  • Table 96. Mexico Recorded Music, by Class Type USD Million (2013-2018)
  • Table 97. Company Basic Information, Sales Area and Its Competitors
  • Table 98. Company Basic Information, Sales Area and Its Competitors
  • Table 99. Company Basic Information, Sales Area and Its Competitors
  • Table 100. Company Basic Information, Sales Area and Its Competitors
  • Table 101. Company Basic Information, Sales Area and Its Competitors
  • Table 102. Company Basic Information, Sales Area and Its Competitors
  • Table 103. Company Basic Information, Sales Area and Its Competitors
  • Table 104. Company Basic Information, Sales Area and Its Competitors
  • Table 105. Company Basic Information, Sales Area and Its Competitors
  • Table 106. Company Basic Information, Sales Area and Its Competitors
  • Table 107. Recorded Music: by Type(USD Million)
  • Table 108. Recorded Music CDrecord , by Region USD Million (2019-2024)
  • Table 109. Recorded Music Tape Record , by Region USD Million (2019-2024)
  • Table 110. Recorded Music Optical Sound Record , by Region USD Million (2019-2024)
  • Table 111. Recorded Music Others , by Region USD Million (2019-2024)
  • Table 112. Recorded Music: by Application(USD Million)
  • Table 113. Recorded Music Recreational Activities , by Region USD Million (2019-2024)
  • Table 114. Recorded Music Personal , by Region USD Million (2019-2024)
  • Table 115. Recorded Music Commercial Social , by Region USD Million (2019-2024)
  • Table 116. Recorded Music Others , by Region USD Million (2019-2024)
  • Table 117. Recorded Music: by Class Type(USD Million)
  • Table 118. Recorded Music Analog Recording , by Region USD Million (2019-2024)
  • Table 119. Recorded Music Digital Recording , by Region USD Million (2019-2024)
  • Table 120. South America Recorded Music, by Country USD Million (2019-2024)
  • Table 121. South America Recorded Music, by Type USD Million (2019-2024)
  • Table 122. South America Recorded Music, by Application USD Million (2019-2024)
  • Table 123. South America Recorded Music, by Class Type USD Million (2019-2024)
  • Table 124. Brazil Recorded Music, by Type USD Million (2019-2024)
  • Table 125. Brazil Recorded Music, by Application USD Million (2019-2024)
  • Table 126. Brazil Recorded Music, by Class Type USD Million (2019-2024)
  • Table 127. Argentina Recorded Music, by Type USD Million (2019-2024)
  • Table 128. Argentina Recorded Music, by Application USD Million (2019-2024)
  • Table 129. Argentina Recorded Music, by Class Type USD Million (2019-2024)
  • Table 130. Rest of South America Recorded Music, by Type USD Million (2019-2024)
  • Table 131. Rest of South America Recorded Music, by Application USD Million (2019-2024)
  • Table 132. Rest of South America Recorded Music, by Class Type USD Million (2019-2024)
  • Table 133. Asia Pacific Recorded Music, by Country USD Million (2019-2024)
  • Table 134. Asia Pacific Recorded Music, by Type USD Million (2019-2024)
  • Table 135. Asia Pacific Recorded Music, by Application USD Million (2019-2024)
  • Table 136. Asia Pacific Recorded Music, by Class Type USD Million (2019-2024)
  • Table 137. China Recorded Music, by Type USD Million (2019-2024)
  • Table 138. China Recorded Music, by Application USD Million (2019-2024)
  • Table 139. China Recorded Music, by Class Type USD Million (2019-2024)
  • Table 140. Japan Recorded Music, by Type USD Million (2019-2024)
  • Table 141. Japan Recorded Music, by Application USD Million (2019-2024)
  • Table 142. Japan Recorded Music, by Class Type USD Million (2019-2024)
  • Table 143. India Recorded Music, by Type USD Million (2019-2024)
  • Table 144. India Recorded Music, by Application USD Million (2019-2024)
  • Table 145. India Recorded Music, by Class Type USD Million (2019-2024)
  • Table 146. South Korea Recorded Music, by Type USD Million (2019-2024)
  • Table 147. South Korea Recorded Music, by Application USD Million (2019-2024)
  • Table 148. South Korea Recorded Music, by Class Type USD Million (2019-2024)
  • Table 149. Taiwan Recorded Music, by Type USD Million (2019-2024)
  • Table 150. Taiwan Recorded Music, by Application USD Million (2019-2024)
  • Table 151. Taiwan Recorded Music, by Class Type USD Million (2019-2024)
  • Table 152. Australia Recorded Music, by Type USD Million (2019-2024)
  • Table 153. Australia Recorded Music, by Application USD Million (2019-2024)
  • Table 154. Australia Recorded Music, by Class Type USD Million (2019-2024)
  • Table 155. Rest of Asia-Pacific Recorded Music, by Type USD Million (2019-2024)
  • Table 156. Rest of Asia-Pacific Recorded Music, by Application USD Million (2019-2024)
  • Table 157. Rest of Asia-Pacific Recorded Music, by Class Type USD Million (2019-2024)
  • Table 158. Europe Recorded Music, by Country USD Million (2019-2024)
  • Table 159. Europe Recorded Music, by Type USD Million (2019-2024)
  • Table 160. Europe Recorded Music, by Application USD Million (2019-2024)
  • Table 161. Europe Recorded Music, by Class Type USD Million (2019-2024)
  • Table 162. Germany Recorded Music, by Type USD Million (2019-2024)
  • Table 163. Germany Recorded Music, by Application USD Million (2019-2024)
  • Table 164. Germany Recorded Music, by Class Type USD Million (2019-2024)
  • Table 165. France Recorded Music, by Type USD Million (2019-2024)
  • Table 166. France Recorded Music, by Application USD Million (2019-2024)
  • Table 167. France Recorded Music, by Class Type USD Million (2019-2024)
  • Table 168. Italy Recorded Music, by Type USD Million (2019-2024)
  • Table 169. Italy Recorded Music, by Application USD Million (2019-2024)
  • Table 170. Italy Recorded Music, by Class Type USD Million (2019-2024)
  • Table 171. United Kingdom Recorded Music, by Type USD Million (2019-2024)
  • Table 172. United Kingdom Recorded Music, by Application USD Million (2019-2024)
  • Table 173. United Kingdom Recorded Music, by Class Type USD Million (2019-2024)
  • Table 174. Netherlands Recorded Music, by Type USD Million (2019-2024)
  • Table 175. Netherlands Recorded Music, by Application USD Million (2019-2024)
  • Table 176. Netherlands Recorded Music, by Class Type USD Million (2019-2024)
  • Table 177. Rest of Europe Recorded Music, by Type USD Million (2019-2024)
  • Table 178. Rest of Europe Recorded Music, by Application USD Million (2019-2024)
  • Table 179. Rest of Europe Recorded Music, by Class Type USD Million (2019-2024)
  • Table 180. MEA Recorded Music, by Country USD Million (2019-2024)
  • Table 181. MEA Recorded Music, by Type USD Million (2019-2024)
  • Table 182. MEA Recorded Music, by Application USD Million (2019-2024)
  • Table 183. MEA Recorded Music, by Class Type USD Million (2019-2024)
  • Table 184. Middle East Recorded Music, by Type USD Million (2019-2024)
  • Table 185. Middle East Recorded Music, by Application USD Million (2019-2024)
  • Table 186. Middle East Recorded Music, by Class Type USD Million (2019-2024)
  • Table 187. Africa Recorded Music, by Type USD Million (2019-2024)
  • Table 188. Africa Recorded Music, by Application USD Million (2019-2024)
  • Table 189. Africa Recorded Music, by Class Type USD Million (2019-2024)
  • Table 190. North America Recorded Music, by Country USD Million (2019-2024)
  • Table 191. North America Recorded Music, by Type USD Million (2019-2024)
  • Table 192. North America Recorded Music, by Application USD Million (2019-2024)
  • Table 193. North America Recorded Music, by Class Type USD Million (2019-2024)
  • Table 194. United States Recorded Music, by Type USD Million (2019-2024)
  • Table 195. United States Recorded Music, by Application USD Million (2019-2024)
  • Table 196. United States Recorded Music, by Class Type USD Million (2019-2024)
  • Table 197. Canada Recorded Music, by Type USD Million (2019-2024)
  • Table 198. Canada Recorded Music, by Application USD Million (2019-2024)
  • Table 199. Canada Recorded Music, by Class Type USD Million (2019-2024)
  • Table 200. Mexico Recorded Music, by Type USD Million (2019-2024)
  • Table 201. Mexico Recorded Music, by Application USD Million (2019-2024)
  • Table 202. Mexico Recorded Music, by Class Type USD Million (2019-2024)
  • Table 203. Research Programs/Design for This Report
  • Table 204. Key Data Information from Secondary Sources
  • Table 205. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Recorded Music: by Type USD Million (2013-2018)
  • Figure 5. Global Recorded Music: by Application USD Million (2013-2018)
  • Figure 6. Global Recorded Music: by Class Type USD Million (2013-2018)
  • Figure 7. South America Recorded Music Share (%), by Country
  • Figure 8. Asia Pacific Recorded Music Share (%), by Country
  • Figure 9. Europe Recorded Music Share (%), by Country
  • Figure 10. MEA Recorded Music Share (%), by Country
  • Figure 11. North America Recorded Music Share (%), by Country
  • Figure 12. Global Recorded Music share by Players 2018 (%)
  • Figure 13. Global Recorded Music share by Players (Top 3) 2018(%)
  • Figure 14. Global Recorded Music share by Players (Top 5) 2018(%)
  • Figure 15. BCG Matrix for key Companies
  • Figure 16. Recorded Music NZ (New Zealand) Revenue, Net Income and Gross profit
  • Figure 17. Recorded Music NZ (New Zealand) Revenue: by Geography 2018
  • Figure 18. Warner Music Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 19. Warner Music Inc. (United States) Revenue: by Geography 2018
  • Figure 20. Universal Music (United States) Revenue, Net Income and Gross profit
  • Figure 21. Universal Music (United States) Revenue: by Geography 2018
  • Figure 22. Sony Music Entertainment (United States) Revenue, Net Income and Gross profit
  • Figure 23. Sony Music Entertainment (United States) Revenue: by Geography 2018
  • Figure 24. LangVan Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 25. LangVan Inc. (United States) Revenue: by Geography 2018
  • Figure 26. Master Music Limited (London) Revenue, Net Income and Gross profit
  • Figure 27. Master Music Limited (London) Revenue: by Geography 2018
  • Figure 28. De Plein Vent Studio (France) Revenue, Net Income and Gross profit
  • Figure 29. De Plein Vent Studio (France) Revenue: by Geography 2018
  • Figure 30. China Record Company (United States) Revenue, Net Income and Gross profit
  • Figure 31. China Record Company (United States) Revenue: by Geography 2018
  • Figure 32. Lifesong Records (United States) Revenue, Net Income and Gross profit
  • Figure 33. Lifesong Records (United States) Revenue: by Geography 2018
  • Figure 34. King Record (Japan) Revenue, Net Income and Gross profit
  • Figure 35. King Record (Japan) Revenue: by Geography 2018
  • Figure 36. Global Recorded Music: by Type USD Million (2019-2024)
  • Figure 37. Global Recorded Music: by Application USD Million (2019-2024)
  • Figure 38. Global Recorded Music: by Class Type USD Million (2019-2024)
  • Figure 39. South America Recorded Music Share (%), by Country
  • Figure 40. Asia Pacific Recorded Music Share (%), by Country
  • Figure 41. Europe Recorded Music Share (%), by Country
  • Figure 42. MEA Recorded Music Share (%), by Country
  • Figure 43. North America Recorded Music Share (%), by Country
Some of the key companies/manufacturers profiled in the report
  • Recorded Music NZ (New Zealand)
  • Warner Music Inc. (United States)
  • Universal Music (United States)
  • Sony Music Entertainment (United States)
  • LangVan Inc. (United States)
  • Master Music Limited (London)
  • De Plein Vent Studio (France)
  • China Record Company (United States)
  • Lifesong Records (United States)
  • King Record (Japan)
Additional players considered in the study are as follows:
Nippon Crown Corp. Limited (Japan) , Tokuma Japan Communications Corp. Limited (Japan) , BBS Records Limited (United States) , MPO International (France)
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