Global Background Music Market research
Global Background Music Market research

Background Music Comprehensive Study by Application (Hospitality sector, Retail sector, Commercial buildings, Public infrastructure, Others), Service Type (Access music, Ownership of music) Players and Region - Global Market Outlook to 2024

Background Music Market Segmented into XX Submarkets. | Forecast Years: 2020- 2025 | CAGR: 6.1%  

Jan 2019 Edition 239 Pages 165 Tables & Figures
Sample Report Speak with Analyst Request Discount
  • Summary
  • Market Segments
  • Table of Content
  • List of Tables & Figures
  • Companies Mentioned
Global Background Music Market Overview:
Background music has been highly used to play in various major users such as retail stores, elevators, public transit and malls. Moreover, it plays an important role in modern commercial and residential spaces. This kind of music is intended for passive listening and helps in improving the ambience of places and also offers positive influences a customer's mood, resulting in better shopping experiences for customers and retailers Some of the key players profiled in the study are Almotech Media Solutions (Ireland), Imagesound (United Kingdom), Mood Media (United States), NSM Music Group (United Kingdom), PlayNetwork (United States), CSI Music Services (Canada), Easy On Hold (United States), HIBOU MUSIC (France), Nimbletank (United Kingdom) and SBA Music (Australia). According to Market Analyst at AMA, the Global Background Music market may see a growth rate of 6.1%

On the basis of geography, the market of Background Music has been segmented into South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Taiwan, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico). If we see Market by Service Type, the sub-segment i.e. Access music will boost the Background Music market. Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth.

Market Drivers
  • Increasing use of BGM in public spaces
  • Frictionless access to music via voice is an overwhelmingly positive development
  • Top players are unlocking social media for music
  • Rapidly evolving of digital world and Increasing use of background music to the learning environment

Market Trend
  • Introduction of modern modernization act
  • Soft and slow music has a relaxing effect on shoppers

Restraints
  • High cost of services

Opportunities
  • Adoption of Artificial Intelligence (AI)
  • Streaming is exposing a great song to a global audience

Challenges
  • Increasing public opposition over piped music




Major Objectives Focused through this Study
• To define, describe, and forecast the Global Background Music market on the basis of product [] , application [Hospitality sector, Retail sector, Commercial buildings, Public infrastructure and Others], key regions and end user
• To provide in-depth information regarding major influencing factors affecting the growth of the market (trends, drivers, restraints, opportunities, and industry-centric and regional challenges)
• To strategically analyse the micro-markets and important business segments with respect to individual growth drivers , market trends and potential, and historical contributions to the total market
• Identifying the opportunities in the market for key stakeholders and detailing the competitive landscape for market leaders
• To provide market size for various segments of the Background Music market with respect to major geographies, namely, South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Taiwan, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico)
• To strategically profile the key players and analyzing their market shares and core competencies in the Background Music industry
• To track key developments such as product launches, expansions, agreements, partnerships, mergers & acquisitions, and R&D activities that are key factors in shaping the market

Available Customization:
Data related to EXIM [Export- Import], production & consumption by country or regional level break-up can be provided based on client request**. Additionally, the Players which are also part of the research are Soundjack (United Kingdom), Xenon Music Media (Netherland), Usen Corporation (Japan), TouchTunes (United States) and Sunflower Music (United Kingdom).
** Confirmation on availability of data would be informed prior purchase

While framing the research framework, major and emerging players operating in the Background Music market in various regions have been profiled, and their offerings, geographic footprints, and distribution/sales channels have been analysed through in-depth discussions. Top-down and bottom-up approaches have been used to determine the overall market size. Sizes of the other individual markets have been estimated using the percentage splits obtained through secondary sources such as Hoovers, Bloomberg BusinessWeek, and Dow Jones (Factiva), along with primary respondents. The complete methodology includes the study of the annual and financial reports of the key market players and extensive interviews with industry experts such as CEOs, VPs, directors, and marketing executives for key insights (both qualitative and quantitative) related to the market.
Report Objectives / Segmentation Covered
By Application
  • Hospitality sector
  • Retail sector
  • Commercial buildings
  • Public infrastructure
  • Others
By Service Type
  • Access music
  • Ownership of music

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Increasing use of BGM in public spaces
      • 3.2.2. Frictionless access to music via voice is an overwhelmingly positive development
      • 3.2.3. Top players are unlocking social media for music
      • 3.2.4. Rapidly evolving of digital world and Increasing use of background music to the learning environment
    • 3.3. Market Challenges
      • 3.3.1. Increasing public opposition over piped music
    • 3.4. Market Trends
      • 3.4.1. Introduction of modern modernization act
      • 3.4.2. Soft and slow music has a relaxing effect on shoppers
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Background Music, by Application, Service Type and Region (value) (2013-2018)
    • 5.1. Introduction
    • 5.2. Global Background Music (Value)
      • 5.2.1. Global Background Music by: Application (Value)
        • 5.2.1.1. Hospitality sector
        • 5.2.1.2. Retail sector
        • 5.2.1.3. Commercial buildings
        • 5.2.1.4. Public infrastructure
        • 5.2.1.5. Others
      • 5.2.2. Global Background Music by: Service Type (Value)
        • 5.2.2.1. Access music
        • 5.2.2.2. Ownership of music
      • 5.2.3. Global Background Music Region
        • 5.2.3.1. South America
          • 5.2.3.1.1. Brazil
          • 5.2.3.1.2. Argentina
          • 5.2.3.1.3. Rest of South America
        • 5.2.3.2. Asia Pacific
          • 5.2.3.2.1. China
          • 5.2.3.2.2. Japan
          • 5.2.3.2.3. India
          • 5.2.3.2.4. South Korea
          • 5.2.3.2.5. Taiwan
          • 5.2.3.2.6. Australia
          • 5.2.3.2.7. Rest of Asia-Pacific
        • 5.2.3.3. Europe
          • 5.2.3.3.1. Germany
          • 5.2.3.3.2. France
          • 5.2.3.3.3. Italy
          • 5.2.3.3.4. United Kingdom
          • 5.2.3.3.5. Netherlands
          • 5.2.3.3.6. Rest of Europe
        • 5.2.3.4. MEA
          • 5.2.3.4.1. Middle East
          • 5.2.3.4.2. Africa
        • 5.2.3.5. North America
          • 5.2.3.5.1. United States
          • 5.2.3.5.2. Canada
          • 5.2.3.5.3. Mexico
  • 6. Background Music: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2018)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Almotech Media Solutions (Ireland)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Imagesound (United Kingdom)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Mood Media (United States)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. NSM Music Group (United Kingdom)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. PlayNetwork (United States)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. CSI Music Services (Canada)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Easy On Hold (United States)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. HIBOU MUSIC (France)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Nimbletank (United Kingdom)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. SBA Music (Australia)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Background Music Sale, by Application, Service Type and Region (value) (2019-2024)
    • 7.1. Introduction
    • 7.2. Global Background Music (Value)
      • 7.2.1. Global Background Music by: Application (Value)
        • 7.2.1.1. Hospitality sector
        • 7.2.1.2. Retail sector
        • 7.2.1.3. Commercial buildings
        • 7.2.1.4. Public infrastructure
        • 7.2.1.5. Others
      • 7.2.2. Global Background Music by: Service Type (Value)
        • 7.2.2.1. Access music
        • 7.2.2.2. Ownership of music
      • 7.2.3. Global Background Music Region
        • 7.2.3.1. South America
          • 7.2.3.1.1. Brazil
          • 7.2.3.1.2. Argentina
          • 7.2.3.1.3. Rest of South America
        • 7.2.3.2. Asia Pacific
          • 7.2.3.2.1. China
          • 7.2.3.2.2. Japan
          • 7.2.3.2.3. India
          • 7.2.3.2.4. South Korea
          • 7.2.3.2.5. Taiwan
          • 7.2.3.2.6. Australia
          • 7.2.3.2.7. Rest of Asia-Pacific
        • 7.2.3.3. Europe
          • 7.2.3.3.1. Germany
          • 7.2.3.3.2. France
          • 7.2.3.3.3. Italy
          • 7.2.3.3.4. United Kingdom
          • 7.2.3.3.5. Netherlands
          • 7.2.3.3.6. Rest of Europe
        • 7.2.3.4. MEA
          • 7.2.3.4.1. Middle East
          • 7.2.3.4.2. Africa
        • 7.2.3.5. North America
          • 7.2.3.5.1. United States
          • 7.2.3.5.2. Canada
          • 7.2.3.5.3. Mexico
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Background Music: by Application(USD Million)
  • Table 2. Background Music Hospitality sector , by Region USD Million (2013-2018)
  • Table 3. Background Music Retail sector , by Region USD Million (2013-2018)
  • Table 4. Background Music Commercial buildings , by Region USD Million (2013-2018)
  • Table 5. Background Music Public infrastructure , by Region USD Million (2013-2018)
  • Table 6. Background Music Others , by Region USD Million (2013-2018)
  • Table 7. Background Music: by Service Type(USD Million)
  • Table 8. Background Music Access music , by Region USD Million (2013-2018)
  • Table 9. Background Music Ownership of music , by Region USD Million (2013-2018)
  • Table 10. South America Background Music, by Country USD Million (2013-2018)
  • Table 11. South America Background Music, by Application USD Million (2013-2018)
  • Table 12. South America Background Music, by Service Type USD Million (2013-2018)
  • Table 13. Brazil Background Music, by Application USD Million (2013-2018)
  • Table 14. Brazil Background Music, by Service Type USD Million (2013-2018)
  • Table 15. Argentina Background Music, by Application USD Million (2013-2018)
  • Table 16. Argentina Background Music, by Service Type USD Million (2013-2018)
  • Table 17. Rest of South America Background Music, by Application USD Million (2013-2018)
  • Table 18. Rest of South America Background Music, by Service Type USD Million (2013-2018)
  • Table 19. Asia Pacific Background Music, by Country USD Million (2013-2018)
  • Table 20. Asia Pacific Background Music, by Application USD Million (2013-2018)
  • Table 21. Asia Pacific Background Music, by Service Type USD Million (2013-2018)
  • Table 22. China Background Music, by Application USD Million (2013-2018)
  • Table 23. China Background Music, by Service Type USD Million (2013-2018)
  • Table 24. Japan Background Music, by Application USD Million (2013-2018)
  • Table 25. Japan Background Music, by Service Type USD Million (2013-2018)
  • Table 26. India Background Music, by Application USD Million (2013-2018)
  • Table 27. India Background Music, by Service Type USD Million (2013-2018)
  • Table 28. South Korea Background Music, by Application USD Million (2013-2018)
  • Table 29. South Korea Background Music, by Service Type USD Million (2013-2018)
  • Table 30. Taiwan Background Music, by Application USD Million (2013-2018)
  • Table 31. Taiwan Background Music, by Service Type USD Million (2013-2018)
  • Table 32. Australia Background Music, by Application USD Million (2013-2018)
  • Table 33. Australia Background Music, by Service Type USD Million (2013-2018)
  • Table 34. Rest of Asia-Pacific Background Music, by Application USD Million (2013-2018)
  • Table 35. Rest of Asia-Pacific Background Music, by Service Type USD Million (2013-2018)
  • Table 36. Europe Background Music, by Country USD Million (2013-2018)
  • Table 37. Europe Background Music, by Application USD Million (2013-2018)
  • Table 38. Europe Background Music, by Service Type USD Million (2013-2018)
  • Table 39. Germany Background Music, by Application USD Million (2013-2018)
  • Table 40. Germany Background Music, by Service Type USD Million (2013-2018)
  • Table 41. France Background Music, by Application USD Million (2013-2018)
  • Table 42. France Background Music, by Service Type USD Million (2013-2018)
  • Table 43. Italy Background Music, by Application USD Million (2013-2018)
  • Table 44. Italy Background Music, by Service Type USD Million (2013-2018)
  • Table 45. United Kingdom Background Music, by Application USD Million (2013-2018)
  • Table 46. United Kingdom Background Music, by Service Type USD Million (2013-2018)
  • Table 47. Netherlands Background Music, by Application USD Million (2013-2018)
  • Table 48. Netherlands Background Music, by Service Type USD Million (2013-2018)
  • Table 49. Rest of Europe Background Music, by Application USD Million (2013-2018)
  • Table 50. Rest of Europe Background Music, by Service Type USD Million (2013-2018)
  • Table 51. MEA Background Music, by Country USD Million (2013-2018)
  • Table 52. MEA Background Music, by Application USD Million (2013-2018)
  • Table 53. MEA Background Music, by Service Type USD Million (2013-2018)
  • Table 54. Middle East Background Music, by Application USD Million (2013-2018)
  • Table 55. Middle East Background Music, by Service Type USD Million (2013-2018)
  • Table 56. Africa Background Music, by Application USD Million (2013-2018)
  • Table 57. Africa Background Music, by Service Type USD Million (2013-2018)
  • Table 58. North America Background Music, by Country USD Million (2013-2018)
  • Table 59. North America Background Music, by Application USD Million (2013-2018)
  • Table 60. North America Background Music, by Service Type USD Million (2013-2018)
  • Table 61. United States Background Music, by Application USD Million (2013-2018)
  • Table 62. United States Background Music, by Service Type USD Million (2013-2018)
  • Table 63. Canada Background Music, by Application USD Million (2013-2018)
  • Table 64. Canada Background Music, by Service Type USD Million (2013-2018)
  • Table 65. Mexico Background Music, by Application USD Million (2013-2018)
  • Table 66. Mexico Background Music, by Service Type USD Million (2013-2018)
  • Table 67. Company Basic Information, Sales Area and Its Competitors
  • Table 68. Company Basic Information, Sales Area and Its Competitors
  • Table 69. Company Basic Information, Sales Area and Its Competitors
  • Table 70. Company Basic Information, Sales Area and Its Competitors
  • Table 71. Company Basic Information, Sales Area and Its Competitors
  • Table 72. Company Basic Information, Sales Area and Its Competitors
  • Table 73. Company Basic Information, Sales Area and Its Competitors
  • Table 74. Company Basic Information, Sales Area and Its Competitors
  • Table 75. Company Basic Information, Sales Area and Its Competitors
  • Table 76. Company Basic Information, Sales Area and Its Competitors
  • Table 77. Background Music: by Application(USD Million)
  • Table 78. Background Music Hospitality sector , by Region USD Million (2019-2024)
  • Table 79. Background Music Retail sector , by Region USD Million (2019-2024)
  • Table 80. Background Music Commercial buildings , by Region USD Million (2019-2024)
  • Table 81. Background Music Public infrastructure , by Region USD Million (2019-2024)
  • Table 82. Background Music Others , by Region USD Million (2019-2024)
  • Table 83. Background Music: by Service Type(USD Million)
  • Table 84. Background Music Access music , by Region USD Million (2019-2024)
  • Table 85. Background Music Ownership of music , by Region USD Million (2019-2024)
  • Table 86. South America Background Music, by Country USD Million (2019-2024)
  • Table 87. South America Background Music, by Application USD Million (2019-2024)
  • Table 88. South America Background Music, by Service Type USD Million (2019-2024)
  • Table 89. Brazil Background Music, by Application USD Million (2019-2024)
  • Table 90. Brazil Background Music, by Service Type USD Million (2019-2024)
  • Table 91. Argentina Background Music, by Application USD Million (2019-2024)
  • Table 92. Argentina Background Music, by Service Type USD Million (2019-2024)
  • Table 93. Rest of South America Background Music, by Application USD Million (2019-2024)
  • Table 94. Rest of South America Background Music, by Service Type USD Million (2019-2024)
  • Table 95. Asia Pacific Background Music, by Country USD Million (2019-2024)
  • Table 96. Asia Pacific Background Music, by Application USD Million (2019-2024)
  • Table 97. Asia Pacific Background Music, by Service Type USD Million (2019-2024)
  • Table 98. China Background Music, by Application USD Million (2019-2024)
  • Table 99. China Background Music, by Service Type USD Million (2019-2024)
  • Table 100. Japan Background Music, by Application USD Million (2019-2024)
  • Table 101. Japan Background Music, by Service Type USD Million (2019-2024)
  • Table 102. India Background Music, by Application USD Million (2019-2024)
  • Table 103. India Background Music, by Service Type USD Million (2019-2024)
  • Table 104. South Korea Background Music, by Application USD Million (2019-2024)
  • Table 105. South Korea Background Music, by Service Type USD Million (2019-2024)
  • Table 106. Taiwan Background Music, by Application USD Million (2019-2024)
  • Table 107. Taiwan Background Music, by Service Type USD Million (2019-2024)
  • Table 108. Australia Background Music, by Application USD Million (2019-2024)
  • Table 109. Australia Background Music, by Service Type USD Million (2019-2024)
  • Table 110. Rest of Asia-Pacific Background Music, by Application USD Million (2019-2024)
  • Table 111. Rest of Asia-Pacific Background Music, by Service Type USD Million (2019-2024)
  • Table 112. Europe Background Music, by Country USD Million (2019-2024)
  • Table 113. Europe Background Music, by Application USD Million (2019-2024)
  • Table 114. Europe Background Music, by Service Type USD Million (2019-2024)
  • Table 115. Germany Background Music, by Application USD Million (2019-2024)
  • Table 116. Germany Background Music, by Service Type USD Million (2019-2024)
  • Table 117. France Background Music, by Application USD Million (2019-2024)
  • Table 118. France Background Music, by Service Type USD Million (2019-2024)
  • Table 119. Italy Background Music, by Application USD Million (2019-2024)
  • Table 120. Italy Background Music, by Service Type USD Million (2019-2024)
  • Table 121. United Kingdom Background Music, by Application USD Million (2019-2024)
  • Table 122. United Kingdom Background Music, by Service Type USD Million (2019-2024)
  • Table 123. Netherlands Background Music, by Application USD Million (2019-2024)
  • Table 124. Netherlands Background Music, by Service Type USD Million (2019-2024)
  • Table 125. Rest of Europe Background Music, by Application USD Million (2019-2024)
  • Table 126. Rest of Europe Background Music, by Service Type USD Million (2019-2024)
  • Table 127. MEA Background Music, by Country USD Million (2019-2024)
  • Table 128. MEA Background Music, by Application USD Million (2019-2024)
  • Table 129. MEA Background Music, by Service Type USD Million (2019-2024)
  • Table 130. Middle East Background Music, by Application USD Million (2019-2024)
  • Table 131. Middle East Background Music, by Service Type USD Million (2019-2024)
  • Table 132. Africa Background Music, by Application USD Million (2019-2024)
  • Table 133. Africa Background Music, by Service Type USD Million (2019-2024)
  • Table 134. North America Background Music, by Country USD Million (2019-2024)
  • Table 135. North America Background Music, by Application USD Million (2019-2024)
  • Table 136. North America Background Music, by Service Type USD Million (2019-2024)
  • Table 137. United States Background Music, by Application USD Million (2019-2024)
  • Table 138. United States Background Music, by Service Type USD Million (2019-2024)
  • Table 139. Canada Background Music, by Application USD Million (2019-2024)
  • Table 140. Canada Background Music, by Service Type USD Million (2019-2024)
  • Table 141. Mexico Background Music, by Application USD Million (2019-2024)
  • Table 142. Mexico Background Music, by Service Type USD Million (2019-2024)
  • Table 143. Research Programs/Design for This Report
  • Table 144. Key Data Information from Secondary Sources
  • Table 145. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Background Music: by Application USD Million (2013-2018)
  • Figure 5. Global Background Music: by Service Type USD Million (2013-2018)
  • Figure 6. South America Background Music Share (%), by Country
  • Figure 7. Asia Pacific Background Music Share (%), by Country
  • Figure 8. Europe Background Music Share (%), by Country
  • Figure 9. MEA Background Music Share (%), by Country
  • Figure 10. North America Background Music Share (%), by Country
  • Figure 11. Global Background Music share by Players 2018 (%)
  • Figure 12. Global Background Music share by Players (Top 3) 2018(%)
  • Figure 13. Global Background Music share by Players (Top 5) 2018(%)
  • Figure 14. BCG Matrix for key Companies
  • Figure 15. Almotech Media Solutions (Ireland) Revenue, Net Income and Gross profit
  • Figure 16. Almotech Media Solutions (Ireland) Revenue: by Geography 2018
  • Figure 17. Imagesound (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 18. Imagesound (United Kingdom) Revenue: by Geography 2018
  • Figure 19. Mood Media (United States) Revenue, Net Income and Gross profit
  • Figure 20. Mood Media (United States) Revenue: by Geography 2018
  • Figure 21. NSM Music Group (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 22. NSM Music Group (United Kingdom) Revenue: by Geography 2018
  • Figure 23. PlayNetwork (United States) Revenue, Net Income and Gross profit
  • Figure 24. PlayNetwork (United States) Revenue: by Geography 2018
  • Figure 25. CSI Music Services (Canada) Revenue, Net Income and Gross profit
  • Figure 26. CSI Music Services (Canada) Revenue: by Geography 2018
  • Figure 27. Easy On Hold (United States) Revenue, Net Income and Gross profit
  • Figure 28. Easy On Hold (United States) Revenue: by Geography 2018
  • Figure 29. HIBOU MUSIC (France) Revenue, Net Income and Gross profit
  • Figure 30. HIBOU MUSIC (France) Revenue: by Geography 2018
  • Figure 31. Nimbletank (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 32. Nimbletank (United Kingdom) Revenue: by Geography 2018
  • Figure 33. SBA Music (Australia) Revenue, Net Income and Gross profit
  • Figure 34. SBA Music (Australia) Revenue: by Geography 2018
  • Figure 35. Global Background Music: by Application USD Million (2013-2018)
  • Figure 36. Global Background Music: by Service Type USD Million (2013-2018)
  • Figure 37. South America Background Music Share (%), by Country
  • Figure 38. Asia Pacific Background Music Share (%), by Country
  • Figure 39. Europe Background Music Share (%), by Country
  • Figure 40. MEA Background Music Share (%), by Country
  • Figure 41. North America Background Music Share (%), by Country
Some of the key companies/manufacturers profiled in the report
  • Almotech Media Solutions (Ireland)
  • Imagesound (United Kingdom)
  • Mood Media (United States)
  • NSM Music Group (United Kingdom)
  • PlayNetwork (United States)
  • CSI Music Services (Canada)
  • Easy On Hold (United States)
  • HIBOU MUSIC (France)
  • Nimbletank (United Kingdom)
  • SBA Music (Australia)
Additional players considered in the study are as follows:
Soundjack (United Kingdom) , Xenon Music Media (Netherland) , Usen Corporation (Japan) , TouchTunes (United States) , Sunflower Music (United Kingdom)
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