Global Blockchain In Media & Entertainment Market

Blockchain In Media & Entertainment Comprehensive Study by Application (Licensing & Rights Management, Digital Advertising, Smart Contracts, Content Security, Online Gaming, Payments, Others), Offering (Middleware, Infrastructure), Deployment (On Premise, On Cloud), Organisation Size (SMEs, Large Organisations) Players and Region - Global Market Outlook to 2028

Blockchain In Media & Entertainment Market by XX Submarkets | Forecast Years 2023-2028  

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  • Summary
  • Market Segments
  • Table of Content
  • List of Table & Figures
  • Players Profiled
What is Blockchain In Media & Entertainment Market?

Blockchain has the potential to revolutionize the delivery, consumption, and payment of media content such as music, video, and other forms of entertainment. Complex, customized content and service packages are beyond the capabilities of current technologies. Managing digital rights, royalty collections, and transactions among intermediaries is exceedingly complex in today's digital ecosystems. Content artists, such as musicians or authors, may use blockchain's decentralized structure to directly distribute their work to customers, avoiding existing distribution methods and retaining a bigger part of the money. Geographically, North America has the largest potential for Blockchain in Media and entertainment.

Highlights from Blockchain In Media & Entertainment Market Study
AttributesDetails
Study Period2018-2028
Base Year2022
UnitValue (USD Million)
Key Companies ProfiledSAP SE (Germany), IBM Corporation (United States), Accenture Plc (Ireland), Microsoft Corporation (United States), Oracle Corporation (United States), Amazon Web Services Inc. (United States), GuardTime AS (Estonia), BigchainDB GmbH (Germany), Bitfury Group (United States) and Digital Currency Group (United States)


The growing popularity of Blockchain technology because of its primary decentralized feature has drawn the immense attention of investors and firms from the media and entertainment industry. The decentralized structure of Blockchain would allow individual creators to get a better share of their content and would revolutionize the consumption and payment mechanism in the media and entertainment industry. North America is expected to emerge as the largest market of Blockchain in media and entertainment. Research Analyst at AMA predicts that United States Vendors will contribute to the maximum growth of Global Blockchain In Media & Entertainment market throughout the forecasted period.

SAP SE (Germany), IBM Corporation (United States), Accenture Plc (Ireland), Microsoft Corporation (United States), Oracle Corporation (United States), Amazon Web Services Inc. (United States), GuardTime AS (Estonia), BigchainDB GmbH (Germany), Bitfury Group (United States) and Digital Currency Group (United States) are some of the key players profiled in the study. Additionally, the Vendors which are also part of the research are Decent (Switzerland), Voise (Canada) and iProdoos, Inc. (United States).

Blockchain In Media & Entertainment Market Segmentation:
ScopeSub-Segments
Application / End UserLicensing & Rights Management, Digital Advertising, Smart Contracts, Content Security, Online Gaming, Payments and Others
Offering Middleware,Infrastructure
DeploymentOn Premise,On Cloud
Organisation Size SMEs,Large Organisations


On the basis of geography, the market of Blockchain In Media & Entertainment has been segmented into South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Taiwan, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico). Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth.

Influencing Trend:
Payments Segment is expected to Experience the Highest Market Growth

Market Growth Drivers:
Rising Demand for Reducing or Eliminating the Intermediaries between Consumers and Content Creators, Enhanced Focus on Data Privacy and Increasing Popularity of real-time billing and real-time allocation of royalty payments

Challenges:
Highly Sophisticated Algorithms Limit the Growth to Certain Regions and Lack of Standardization of Blockchain Applications in Media and Entertainment

Restraints:
High Initial Cost of Setup

Opportunities:
Blockchain in Online Gaming could make In-Game Purchasable Items into Transferable Items to Other Games, thus Putting Real-World Value on Digital In-Game Assets

Key Target Audience
Blockchain in Media & Entertainment Developers and Providers, New Entrants/Investors, Venture Capitalists and Private Equity Firms, Analysts and Strategic Business Planners and End-Use Industries

Market Leaders & Development Strategies
IN 2019, Facebook, Inc., an American multinational tech company famous for its social networking site announced the acquisition of Chainspace, a United Kingdom-based small startup working on a decentralized “smart contracts” system that could facilitate payments and other services through blockchain technology. This is in line with Facebook’s ambitions to capitalize on the nascent crypto and blockchain industry. The company aims at building its own cryptocurrency backed by a fiat currency.
In 2021, Collectibles, the Fusion NFT Blockchain Company, and a complete subsidiary of Cosmos Group Holdings Inc. announced plans to acquire Phoenix Waters Productions, an award-winning multinational production company. The acquisition deal may be valued at USD 4.4 million. The acquisition may be aimed at producing "Crypto Keepers" – Asia's first NFT drama series. The completion of the acquisition deal may witness, a combined entity with the shared synergies of both companies, producing valuable media and entertainment physical assets with the help of blockchain technology.


Report Objectives / Segmentation Covered

By Application
  • Licensing & Rights Management
  • Digital Advertising
  • Smart Contracts
  • Content Security
  • Online Gaming
  • Payments
  • Others
By Offering
  • Middleware
  • Infrastructure

By Deployment
  • On Premise
  • On Cloud

By Organisation Size
  • SMEs
  • Large Organisations

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Rising Demand for Reducing or Eliminating the Intermediaries between Consumers and Content Creators
      • 3.2.2. Enhanced Focus on Data Privacy
      • 3.2.3. Increasing Popularity of real-time billing and real-time allocation of royalty payments
    • 3.3. Market Challenges
      • 3.3.1. Highly Sophisticated Algorithms Limit the Growth to Certain Regions
      • 3.3.2. Lack of Standardization of Blockchain Applications in Media and Entertainment
    • 3.4. Market Trends
      • 3.4.1. Payments Segment is expected to Experience the Highest Market Growth
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Blockchain In Media & Entertainment, by Application, Offering , Deployment, Organisation Size and Region (value) (2017-2022)
    • 5.1. Introduction
    • 5.2. Global Blockchain In Media & Entertainment (Value)
      • 5.2.1. Global Blockchain In Media & Entertainment by: Application (Value)
        • 5.2.1.1. Licensing & Rights Management
        • 5.2.1.2. Digital Advertising
        • 5.2.1.3. Smart Contracts
        • 5.2.1.4. Content Security
        • 5.2.1.5. Online Gaming
        • 5.2.1.6. Payments
        • 5.2.1.7. Others
      • 5.2.2. Global Blockchain In Media & Entertainment by: Deployment (Value)
        • 5.2.2.1. On Premise
        • 5.2.2.2. On Cloud
      • 5.2.3. Global Blockchain In Media & Entertainment Region
        • 5.2.3.1. South America
          • 5.2.3.1.1. Brazil
          • 5.2.3.1.2. Argentina
          • 5.2.3.1.3. Rest of South America
        • 5.2.3.2. Asia Pacific
          • 5.2.3.2.1. China
          • 5.2.3.2.2. Japan
          • 5.2.3.2.3. India
          • 5.2.3.2.4. South Korea
          • 5.2.3.2.5. Taiwan
          • 5.2.3.2.6. Australia
          • 5.2.3.2.7. Rest of Asia-Pacific
        • 5.2.3.3. Europe
          • 5.2.3.3.1. Germany
          • 5.2.3.3.2. France
          • 5.2.3.3.3. Italy
          • 5.2.3.3.4. United Kingdom
          • 5.2.3.3.5. Netherlands
          • 5.2.3.3.6. Rest of Europe
        • 5.2.3.4. MEA
          • 5.2.3.4.1. Middle East
          • 5.2.3.4.2. Africa
        • 5.2.3.5. North America
          • 5.2.3.5.1. United States
          • 5.2.3.5.2. Canada
          • 5.2.3.5.3. Mexico
  • 6. Blockchain In Media & Entertainment: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2022)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. SAP SE (Germany)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. IBM Corporation (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Accenture Plc (Ireland)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Microsoft Corporation (United States)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. Oracle Corporation (United States)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Amazon Web Services Inc. (United States)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. GuardTime AS (Estonia)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. BigchainDB GmbH (Germany)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Bitfury Group (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. Digital Currency Group (United States)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Blockchain In Media & Entertainment Sale, by Application, Offering , Deployment, Organisation Size and Region (value) (2023-2028)
    • 7.1. Introduction
    • 7.2. Global Blockchain In Media & Entertainment (Value)
      • 7.2.1. Global Blockchain In Media & Entertainment by: Application (Value)
        • 7.2.1.1. Licensing & Rights Management
        • 7.2.1.2. Digital Advertising
        • 7.2.1.3. Smart Contracts
        • 7.2.1.4. Content Security
        • 7.2.1.5. Online Gaming
        • 7.2.1.6. Payments
        • 7.2.1.7. Others
      • 7.2.2. Global Blockchain In Media & Entertainment by: Deployment (Value)
        • 7.2.2.1. On Premise
        • 7.2.2.2. On Cloud
      • 7.2.3. Global Blockchain In Media & Entertainment Region
        • 7.2.3.1. South America
          • 7.2.3.1.1. Brazil
          • 7.2.3.1.2. Argentina
          • 7.2.3.1.3. Rest of South America
        • 7.2.3.2. Asia Pacific
          • 7.2.3.2.1. China
          • 7.2.3.2.2. Japan
          • 7.2.3.2.3. India
          • 7.2.3.2.4. South Korea
          • 7.2.3.2.5. Taiwan
          • 7.2.3.2.6. Australia
          • 7.2.3.2.7. Rest of Asia-Pacific
        • 7.2.3.3. Europe
          • 7.2.3.3.1. Germany
          • 7.2.3.3.2. France
          • 7.2.3.3.3. Italy
          • 7.2.3.3.4. United Kingdom
          • 7.2.3.3.5. Netherlands
          • 7.2.3.3.6. Rest of Europe
        • 7.2.3.4. MEA
          • 7.2.3.4.1. Middle East
          • 7.2.3.4.2. Africa
        • 7.2.3.5. North America
          • 7.2.3.5.1. United States
          • 7.2.3.5.2. Canada
          • 7.2.3.5.3. Mexico
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Blockchain In Media & Entertainment: by Application(USD Million)
  • Table 2. Blockchain In Media & Entertainment Licensing & Rights Management , by Region USD Million (2017-2022)
  • Table 3. Blockchain In Media & Entertainment Digital Advertising , by Region USD Million (2017-2022)
  • Table 4. Blockchain In Media & Entertainment Smart Contracts , by Region USD Million (2017-2022)
  • Table 5. Blockchain In Media & Entertainment Content Security , by Region USD Million (2017-2022)
  • Table 6. Blockchain In Media & Entertainment Online Gaming , by Region USD Million (2017-2022)
  • Table 7. Blockchain In Media & Entertainment Payments , by Region USD Million (2017-2022)
  • Table 8. Blockchain In Media & Entertainment Others , by Region USD Million (2017-2022)
  • Table 9. Blockchain In Media & Entertainment: by Deployment(USD Million)
  • Table 10. Blockchain In Media & Entertainment On Premise , by Region USD Million (2017-2022)
  • Table 11. Blockchain In Media & Entertainment On Cloud , by Region USD Million (2017-2022)
  • Table 12. South America Blockchain In Media & Entertainment, by Country USD Million (2017-2022)
  • Table 13. South America Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 14. South America Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 15. South America Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 16. South America Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 17. Brazil Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 18. Brazil Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 19. Brazil Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 20. Brazil Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 21. Argentina Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 22. Argentina Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 23. Argentina Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 24. Argentina Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 25. Rest of South America Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 26. Rest of South America Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 27. Rest of South America Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 28. Rest of South America Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 29. Asia Pacific Blockchain In Media & Entertainment, by Country USD Million (2017-2022)
  • Table 30. Asia Pacific Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 31. Asia Pacific Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 32. Asia Pacific Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 33. Asia Pacific Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 34. China Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 35. China Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 36. China Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 37. China Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 38. Japan Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 39. Japan Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 40. Japan Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 41. Japan Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 42. India Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 43. India Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 44. India Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 45. India Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 46. South Korea Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 47. South Korea Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 48. South Korea Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 49. South Korea Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 50. Taiwan Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 51. Taiwan Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 52. Taiwan Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 53. Taiwan Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 54. Australia Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 55. Australia Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 56. Australia Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 57. Australia Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 58. Rest of Asia-Pacific Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 59. Rest of Asia-Pacific Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 60. Rest of Asia-Pacific Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 61. Rest of Asia-Pacific Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 62. Europe Blockchain In Media & Entertainment, by Country USD Million (2017-2022)
  • Table 63. Europe Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 64. Europe Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 65. Europe Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 66. Europe Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 67. Germany Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 68. Germany Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 69. Germany Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 70. Germany Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 71. France Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 72. France Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 73. France Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 74. France Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 75. Italy Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 76. Italy Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 77. Italy Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 78. Italy Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 79. United Kingdom Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 80. United Kingdom Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 81. United Kingdom Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 82. United Kingdom Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 83. Netherlands Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 84. Netherlands Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 85. Netherlands Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 86. Netherlands Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 87. Rest of Europe Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 88. Rest of Europe Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 89. Rest of Europe Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 90. Rest of Europe Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 91. MEA Blockchain In Media & Entertainment, by Country USD Million (2017-2022)
  • Table 92. MEA Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 93. MEA Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 94. MEA Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 95. MEA Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 96. Middle East Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 97. Middle East Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 98. Middle East Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 99. Middle East Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 100. Africa Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 101. Africa Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 102. Africa Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 103. Africa Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 104. North America Blockchain In Media & Entertainment, by Country USD Million (2017-2022)
  • Table 105. North America Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 106. North America Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 107. North America Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 108. North America Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 109. United States Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 110. United States Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 111. United States Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 112. United States Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 113. Canada Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 114. Canada Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 115. Canada Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 116. Canada Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 117. Mexico Blockchain In Media & Entertainment, by Application USD Million (2017-2022)
  • Table 118. Mexico Blockchain In Media & Entertainment, by Offering USD Million (2017-2022)
  • Table 119. Mexico Blockchain In Media & Entertainment, by Deployment USD Million (2017-2022)
  • Table 120. Mexico Blockchain In Media & Entertainment, by Organisation Size USD Million (2017-2022)
  • Table 121. Company Basic Information, Sales Area and Its Competitors
  • Table 122. Company Basic Information, Sales Area and Its Competitors
  • Table 123. Company Basic Information, Sales Area and Its Competitors
  • Table 124. Company Basic Information, Sales Area and Its Competitors
  • Table 125. Company Basic Information, Sales Area and Its Competitors
  • Table 126. Company Basic Information, Sales Area and Its Competitors
  • Table 127. Company Basic Information, Sales Area and Its Competitors
  • Table 128. Company Basic Information, Sales Area and Its Competitors
  • Table 129. Company Basic Information, Sales Area and Its Competitors
  • Table 130. Company Basic Information, Sales Area and Its Competitors
  • Table 131. Blockchain In Media & Entertainment: by Application(USD Million)
  • Table 132. Blockchain In Media & Entertainment Licensing & Rights Management , by Region USD Million (2023-2028)
  • Table 133. Blockchain In Media & Entertainment Digital Advertising , by Region USD Million (2023-2028)
  • Table 134. Blockchain In Media & Entertainment Smart Contracts , by Region USD Million (2023-2028)
  • Table 135. Blockchain In Media & Entertainment Content Security , by Region USD Million (2023-2028)
  • Table 136. Blockchain In Media & Entertainment Online Gaming , by Region USD Million (2023-2028)
  • Table 137. Blockchain In Media & Entertainment Payments , by Region USD Million (2023-2028)
  • Table 138. Blockchain In Media & Entertainment Others , by Region USD Million (2023-2028)
  • Table 139. Blockchain In Media & Entertainment: by Deployment(USD Million)
  • Table 140. Blockchain In Media & Entertainment On Premise , by Region USD Million (2023-2028)
  • Table 141. Blockchain In Media & Entertainment On Cloud , by Region USD Million (2023-2028)
  • Table 142. South America Blockchain In Media & Entertainment, by Country USD Million (2023-2028)
  • Table 143. South America Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 144. South America Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 145. South America Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 146. South America Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 147. Brazil Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 148. Brazil Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 149. Brazil Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 150. Brazil Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 151. Argentina Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 152. Argentina Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 153. Argentina Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 154. Argentina Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 155. Rest of South America Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 156. Rest of South America Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 157. Rest of South America Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 158. Rest of South America Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 159. Asia Pacific Blockchain In Media & Entertainment, by Country USD Million (2023-2028)
  • Table 160. Asia Pacific Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 161. Asia Pacific Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 162. Asia Pacific Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 163. Asia Pacific Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 164. China Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 165. China Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 166. China Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 167. China Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 168. Japan Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 169. Japan Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 170. Japan Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 171. Japan Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 172. India Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 173. India Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 174. India Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 175. India Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 176. South Korea Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 177. South Korea Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 178. South Korea Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 179. South Korea Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 180. Taiwan Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 181. Taiwan Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 182. Taiwan Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 183. Taiwan Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 184. Australia Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 185. Australia Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 186. Australia Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 187. Australia Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 188. Rest of Asia-Pacific Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 189. Rest of Asia-Pacific Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 190. Rest of Asia-Pacific Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 191. Rest of Asia-Pacific Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 192. Europe Blockchain In Media & Entertainment, by Country USD Million (2023-2028)
  • Table 193. Europe Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 194. Europe Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 195. Europe Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 196. Europe Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 197. Germany Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 198. Germany Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 199. Germany Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 200. Germany Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 201. France Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 202. France Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 203. France Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 204. France Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 205. Italy Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 206. Italy Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 207. Italy Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 208. Italy Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 209. United Kingdom Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 210. United Kingdom Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 211. United Kingdom Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 212. United Kingdom Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 213. Netherlands Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 214. Netherlands Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 215. Netherlands Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 216. Netherlands Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 217. Rest of Europe Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 218. Rest of Europe Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 219. Rest of Europe Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 220. Rest of Europe Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 221. MEA Blockchain In Media & Entertainment, by Country USD Million (2023-2028)
  • Table 222. MEA Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 223. MEA Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 224. MEA Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 225. MEA Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 226. Middle East Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 227. Middle East Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 228. Middle East Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 229. Middle East Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 230. Africa Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 231. Africa Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 232. Africa Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 233. Africa Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 234. North America Blockchain In Media & Entertainment, by Country USD Million (2023-2028)
  • Table 235. North America Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 236. North America Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 237. North America Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 238. North America Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 239. United States Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 240. United States Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 241. United States Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 242. United States Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 243. Canada Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 244. Canada Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 245. Canada Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 246. Canada Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 247. Mexico Blockchain In Media & Entertainment, by Application USD Million (2023-2028)
  • Table 248. Mexico Blockchain In Media & Entertainment, by Offering USD Million (2023-2028)
  • Table 249. Mexico Blockchain In Media & Entertainment, by Deployment USD Million (2023-2028)
  • Table 250. Mexico Blockchain In Media & Entertainment, by Organisation Size USD Million (2023-2028)
  • Table 251. Research Programs/Design for This Report
  • Table 252. Key Data Information from Secondary Sources
  • Table 253. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Blockchain In Media & Entertainment: by Application USD Million (2017-2022)
  • Figure 5. Global Blockchain In Media & Entertainment: by Deployment USD Million (2017-2022)
  • Figure 6. South America Blockchain In Media & Entertainment Share (%), by Country
  • Figure 7. Asia Pacific Blockchain In Media & Entertainment Share (%), by Country
  • Figure 8. Europe Blockchain In Media & Entertainment Share (%), by Country
  • Figure 9. MEA Blockchain In Media & Entertainment Share (%), by Country
  • Figure 10. North America Blockchain In Media & Entertainment Share (%), by Country
  • Figure 11. Global Blockchain In Media & Entertainment share by Players 2022 (%)
  • Figure 12. Global Blockchain In Media & Entertainment share by Players (Top 3) 2022(%)
  • Figure 13. Global Blockchain In Media & Entertainment share by Players (Top 5) 2022(%)
  • Figure 14. BCG Matrix for key Companies
  • Figure 15. SAP SE (Germany) Revenue, Net Income and Gross profit
  • Figure 16. SAP SE (Germany) Revenue: by Geography 2022
  • Figure 17. IBM Corporation (United States) Revenue, Net Income and Gross profit
  • Figure 18. IBM Corporation (United States) Revenue: by Geography 2022
  • Figure 19. Accenture Plc (Ireland) Revenue, Net Income and Gross profit
  • Figure 20. Accenture Plc (Ireland) Revenue: by Geography 2022
  • Figure 21. Microsoft Corporation (United States) Revenue, Net Income and Gross profit
  • Figure 22. Microsoft Corporation (United States) Revenue: by Geography 2022
  • Figure 23. Oracle Corporation (United States) Revenue, Net Income and Gross profit
  • Figure 24. Oracle Corporation (United States) Revenue: by Geography 2022
  • Figure 25. Amazon Web Services Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 26. Amazon Web Services Inc. (United States) Revenue: by Geography 2022
  • Figure 27. GuardTime AS (Estonia) Revenue, Net Income and Gross profit
  • Figure 28. GuardTime AS (Estonia) Revenue: by Geography 2022
  • Figure 29. BigchainDB GmbH (Germany) Revenue, Net Income and Gross profit
  • Figure 30. BigchainDB GmbH (Germany) Revenue: by Geography 2022
  • Figure 31. Bitfury Group (United States) Revenue, Net Income and Gross profit
  • Figure 32. Bitfury Group (United States) Revenue: by Geography 2022
  • Figure 33. Digital Currency Group (United States) Revenue, Net Income and Gross profit
  • Figure 34. Digital Currency Group (United States) Revenue: by Geography 2022
  • Figure 35. Global Blockchain In Media & Entertainment: by Application USD Million (2023-2028)
  • Figure 36. Global Blockchain In Media & Entertainment: by Deployment USD Million (2023-2028)
  • Figure 37. South America Blockchain In Media & Entertainment Share (%), by Country
  • Figure 38. Asia Pacific Blockchain In Media & Entertainment Share (%), by Country
  • Figure 39. Europe Blockchain In Media & Entertainment Share (%), by Country
  • Figure 40. MEA Blockchain In Media & Entertainment Share (%), by Country
  • Figure 41. North America Blockchain In Media & Entertainment Share (%), by Country
List of companies from research coverage that are profiled in the study
  • SAP SE (Germany)
  • IBM Corporation (United States)
  • Accenture Plc (Ireland)
  • Microsoft Corporation (United States)
  • Oracle Corporation (United States)
  • Amazon Web Services Inc. (United States)
  • GuardTime AS (Estonia)
  • BigchainDB GmbH (Germany)
  • Bitfury Group (United States)
  • Digital Currency Group (United States)
Additional players considered in the study are as follows:
Decent (Switzerland) , Voise (Canada) , iProdoos, Inc. (United States)
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May 2023 236 Pages 79 Tables Base Year: 2022 Coverage: 15+ Companies; 18 Countries

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Global Blockchain In Media & Entertainment Market Quantitative research analysis
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