Global Crypto Music and Audio Market
Global Crypto Music and Audio Market

Crypto Music and Audio Comprehensive Study by Type (Audio, Visual and Image Content), Application (Games, Videos, Media, Others), Platform (Aurovine, Audius, XSongs, Emanate), Distribution Channel (On-demand, Direct to Customer) Players and Region - Global Market Outlook to 2026

Crypto Music and Audio Market Segmented into XX Submarkets. | Forecast Years: 2021- 2026  

Nov 2021 Edition 238 Pages 218 Tables & Figures
  • Summary
  • Market Segments
  • Table of Content
  • List of Tables & Figures
  • Companies Mentioned
What is Crypto Music and Audio?
Crypto music is the use of non-fungible tokens (NFTs). A non-fungible item is a unique digital asset that is not interchangeable. The music NFT could encompass anything from an album, song, piece of merchandise.

The market study is broken down by Type (Audio and Visual and Image Content), by Application (Games, Videos, Media and Others) and major geographies with country level break-up.

Global Crypto Music and Audio is a fragmented market due to the presence of various players. The companies are planning strategic activities like partnerships, mergers, and acquisitions which will help them to sustain in the market and maintain their competitive edge. Established and emerging Players should take a closer view at their existing organizations and reinvent traditional business and operating models to adapt to the future.

Digimarc (United States), Vezt Inc. (United States), Mediachain (United States), Open Music Initiative (United States), Musicoin Foundation (China), Mycelia (United Kingdom), Viberate (Slovenia), Blokur (United Kingdom), eMusic (United States) and VOISE (Canada) are some of the key players that are part of study coverage. Additionally, the Players which are also part of the research coverage are BitSong (Malta).

Segmentation Overview
AdvanceMarketAnalytics has segmented the market of Global Crypto Music and Audio market by Type, Application and Region.

On the basis of geography, the market of Crypto Music and Audio has been segmented into South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico). If we see Market by Platform, the sub-segment i.e. Aurovine will boost the Crypto Music and Audio market. Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth. If we see Market by Distribution Channel, the sub-segment i.e. On-demand will boost the Crypto Music and Audio market. Additionally, the rising demand from SMEs and various industry verticals gives enough cushion to market growth.

In 2020, eMusic has launched Digital eMU Token. The new launch helps to create a unique opportunity to build a sustainable music ecosystem for the benefit of artists, fans, and music services.


Market Trend
  • Rising Popularity of Crypto Music
  • Growing Digital Innovation over the Globe

Market Drivers
  • Removal of Centralized Music Platform
  • Rapidly Growing Music Fans

Opportunities
  • Artist Preference to Grow Community is the Major Factor can Drive the Global Market Growth

Restraints
  • Increasing Digital Fraud Activities

Challenges
  • Regulatory Guidelines on Crypto Music and Audio


Key Target Audience
Crypto Music and Audio Regulatory Bodies, Potential Investors, Research and Development Institutes and Others

About Approach
To evaluate and validate the market size various sources including primary and secondary analysis is utilized. AMA Research follows regulatory standards such as NAICS/SIC/ICB/TRCB, to have the better understanding of the market. The market study is conducted on basis of more than 200 companies dealing in the market regional as well as global areas with purpose to understand company’s positioning regarding market value, volume and their market share for regional as well as global.

Further to bring relevance specific to any niche market we set and apply number of criteria like Geographic Footprints, Regional Segments of Revenue, Operational Centres, etc. The next step is to finalize a team (In-House + Data Agencies) who then starts collecting C & D level executives and profiles, Industry experts, Opinion leaders etc. and work towards appointment generation.

The primary research is performed by taking the interviews of executives of various companies dealing in the market as well as using the survey reports, research institute, and latest research reports. Meanwhile, analyst team keeps preparing set of questionnaires and after getting appointee list; the target audience are then tapped and segregated with various mediums and channels that are feasible for making connection that includes email communication, telephonic, skype, LinkedIn Group & InMail, Community Forums, Community Forums, open Survey, SurveyMonkey etc.

Frequently Asked Questions (FAQ):

1. What all players are profiled in the study?
The standard version of the report profiles players such as Digimarc (United States), Vezt Inc. (United States), Mediachain (United States), Open Music Initiative (United States), Musicoin Foundation (China), Mycelia (United Kingdom), Viberate (Slovenia), Blokur (United Kingdom), eMusic (United States) and VOISE (Canada) etc.

2. Can we have customized study for Crypto Music and Audio Market?
The Study can be customized subject to feasibility and data availability. Please connect with our sales representative for further information.

3. What would be the Market Size of Crypto Music and Audio Market by 2026?
Analysts at AMA estimates Crypto Music and Audio Market to reach USD Million by 2026.
Report Objectives / Segmentation Covered
By Type
  • Audio
  • Visual and Image Content
By Application
  • Games
  • Videos
  • Media
  • Others
By Platform
  • Aurovine
  • Audius
  • XSongs
  • Emanate

By Distribution Channel
  • On-demand
  • Direct to Customer

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Removal of Centralized Music Platform
      • 3.2.2. Rapidly Growing Music Fans
    • 3.3. Market Challenges
      • 3.3.1. Regulatory Guidelines on Crypto Music and Audio
    • 3.4. Market Trends
      • 3.4.1. Rising Popularity of Crypto Music
      • 3.4.2. Growing Digital Innovation over the Globe
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Crypto Music and Audio, by Type, Application, Platform, Distribution Channel and Region (value and price ) (2015-2020)
    • 5.1. Introduction
    • 5.2. Global Crypto Music and Audio (Value)
      • 5.2.1. Global Crypto Music and Audio by: Type (Value)
        • 5.2.1.1. Audio
        • 5.2.1.2. Visual and Image Content
      • 5.2.2. Global Crypto Music and Audio by: Application (Value)
        • 5.2.2.1. Games
        • 5.2.2.2. Videos
        • 5.2.2.3. Media
        • 5.2.2.4. Others
      • 5.2.3. Global Crypto Music and Audio by: Platform (Value)
        • 5.2.3.1. Aurovine
        • 5.2.3.2. Audius
        • 5.2.3.3. XSongs
        • 5.2.3.4. Emanate
      • 5.2.4. Global Crypto Music and Audio by: Distribution Channel (Value)
        • 5.2.4.1. On-demand
        • 5.2.4.2. Direct to Customer
      • 5.2.5. Global Crypto Music and Audio Region
        • 5.2.5.1. South America
          • 5.2.5.1.1. Brazil
          • 5.2.5.1.2. Argentina
          • 5.2.5.1.3. Rest of South America
        • 5.2.5.2. Asia Pacific
          • 5.2.5.2.1. China
          • 5.2.5.2.2. Japan
          • 5.2.5.2.3. India
          • 5.2.5.2.4. South Korea
          • 5.2.5.2.5. Australia
          • 5.2.5.2.6. Rest of Asia-Pacific
        • 5.2.5.3. Europe
          • 5.2.5.3.1. Germany
          • 5.2.5.3.2. France
          • 5.2.5.3.3. Italy
          • 5.2.5.3.4. United Kingdom
          • 5.2.5.3.5. Netherlands
          • 5.2.5.3.6. Rest of Europe
        • 5.2.5.4. MEA
          • 5.2.5.4.1. Middle East
          • 5.2.5.4.2. Africa
        • 5.2.5.5. North America
          • 5.2.5.5.1. United States
          • 5.2.5.5.2. Canada
          • 5.2.5.5.3. Mexico
    • 5.3. Global Crypto Music and Audio (Price)
      • 5.3.1. Global Crypto Music and Audio by: Type (Price)
  • 6. Crypto Music and Audio: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2020)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Digimarc (United States)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Vezt Inc. (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Mediachain (United States)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Open Music Initiative (United States)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. Musicoin Foundation (China)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Mycelia (United Kingdom)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Viberate (Slovenia)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. Blokur (United Kingdom)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. EMusic (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. VOISE (Canada)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
  • 7. Global Crypto Music and Audio Sale, by Type, Application, Platform, Distribution Channel and Region (value and price ) (2021-2026)
    • 7.1. Introduction
    • 7.2. Global Crypto Music and Audio (Value)
      • 7.2.1. Global Crypto Music and Audio by: Type (Value)
        • 7.2.1.1. Audio
        • 7.2.1.2. Visual and Image Content
      • 7.2.2. Global Crypto Music and Audio by: Application (Value)
        • 7.2.2.1. Games
        • 7.2.2.2. Videos
        • 7.2.2.3. Media
        • 7.2.2.4. Others
      • 7.2.3. Global Crypto Music and Audio by: Platform (Value)
        • 7.2.3.1. Aurovine
        • 7.2.3.2. Audius
        • 7.2.3.3. XSongs
        • 7.2.3.4. Emanate
      • 7.2.4. Global Crypto Music and Audio by: Distribution Channel (Value)
        • 7.2.4.1. On-demand
        • 7.2.4.2. Direct to Customer
      • 7.2.5. Global Crypto Music and Audio Region
        • 7.2.5.1. South America
          • 7.2.5.1.1. Brazil
          • 7.2.5.1.2. Argentina
          • 7.2.5.1.3. Rest of South America
        • 7.2.5.2. Asia Pacific
          • 7.2.5.2.1. China
          • 7.2.5.2.2. Japan
          • 7.2.5.2.3. India
          • 7.2.5.2.4. South Korea
          • 7.2.5.2.5. Australia
          • 7.2.5.2.6. Rest of Asia-Pacific
        • 7.2.5.3. Europe
          • 7.2.5.3.1. Germany
          • 7.2.5.3.2. France
          • 7.2.5.3.3. Italy
          • 7.2.5.3.4. United Kingdom
          • 7.2.5.3.5. Netherlands
          • 7.2.5.3.6. Rest of Europe
        • 7.2.5.4. MEA
          • 7.2.5.4.1. Middle East
          • 7.2.5.4.2. Africa
        • 7.2.5.5. North America
          • 7.2.5.5.1. United States
          • 7.2.5.5.2. Canada
          • 7.2.5.5.3. Mexico
    • 7.3. Global Crypto Music and Audio (Price)
      • 7.3.1. Global Crypto Music and Audio by: Type (Price)
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Crypto Music and Audio: by Type(USD Million)
  • Table 2. Crypto Music and Audio Audio , by Region USD Million (2015-2020)
  • Table 3. Crypto Music and Audio Visual and Image Content , by Region USD Million (2015-2020)
  • Table 4. Crypto Music and Audio: by Application(USD Million)
  • Table 5. Crypto Music and Audio Games , by Region USD Million (2015-2020)
  • Table 6. Crypto Music and Audio Videos , by Region USD Million (2015-2020)
  • Table 7. Crypto Music and Audio Media , by Region USD Million (2015-2020)
  • Table 8. Crypto Music and Audio Others , by Region USD Million (2015-2020)
  • Table 9. Crypto Music and Audio: by Platform(USD Million)
  • Table 10. Crypto Music and Audio Aurovine , by Region USD Million (2015-2020)
  • Table 11. Crypto Music and Audio Audius , by Region USD Million (2015-2020)
  • Table 12. Crypto Music and Audio XSongs , by Region USD Million (2015-2020)
  • Table 13. Crypto Music and Audio Emanate , by Region USD Million (2015-2020)
  • Table 14. Crypto Music and Audio: by Distribution Channel(USD Million)
  • Table 15. Crypto Music and Audio On-demand , by Region USD Million (2015-2020)
  • Table 16. Crypto Music and Audio Direct to Customer , by Region USD Million (2015-2020)
  • Table 17. South America Crypto Music and Audio, by Country USD Million (2015-2020)
  • Table 18. South America Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 19. South America Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 20. South America Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 21. South America Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 22. Brazil Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 23. Brazil Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 24. Brazil Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 25. Brazil Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 26. Argentina Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 27. Argentina Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 28. Argentina Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 29. Argentina Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 30. Rest of South America Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 31. Rest of South America Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 32. Rest of South America Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 33. Rest of South America Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 34. Asia Pacific Crypto Music and Audio, by Country USD Million (2015-2020)
  • Table 35. Asia Pacific Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 36. Asia Pacific Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 37. Asia Pacific Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 38. Asia Pacific Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 39. China Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 40. China Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 41. China Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 42. China Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 43. Japan Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 44. Japan Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 45. Japan Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 46. Japan Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 47. India Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 48. India Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 49. India Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 50. India Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 51. South Korea Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 52. South Korea Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 53. South Korea Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 54. South Korea Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 55. Australia Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 56. Australia Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 57. Australia Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 58. Australia Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 59. Rest of Asia-Pacific Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 60. Rest of Asia-Pacific Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 61. Rest of Asia-Pacific Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 62. Rest of Asia-Pacific Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 63. Europe Crypto Music and Audio, by Country USD Million (2015-2020)
  • Table 64. Europe Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 65. Europe Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 66. Europe Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 67. Europe Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 68. Germany Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 69. Germany Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 70. Germany Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 71. Germany Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 72. France Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 73. France Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 74. France Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 75. France Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 76. Italy Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 77. Italy Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 78. Italy Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 79. Italy Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 80. United Kingdom Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 81. United Kingdom Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 82. United Kingdom Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 83. United Kingdom Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 84. Netherlands Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 85. Netherlands Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 86. Netherlands Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 87. Netherlands Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 88. Rest of Europe Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 89. Rest of Europe Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 90. Rest of Europe Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 91. Rest of Europe Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 92. MEA Crypto Music and Audio, by Country USD Million (2015-2020)
  • Table 93. MEA Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 94. MEA Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 95. MEA Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 96. MEA Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 97. Middle East Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 98. Middle East Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 99. Middle East Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 100. Middle East Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 101. Africa Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 102. Africa Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 103. Africa Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 104. Africa Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 105. North America Crypto Music and Audio, by Country USD Million (2015-2020)
  • Table 106. North America Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 107. North America Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 108. North America Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 109. North America Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 110. United States Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 111. United States Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 112. United States Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 113. United States Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 114. Canada Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 115. Canada Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 116. Canada Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 117. Canada Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 118. Mexico Crypto Music and Audio, by Type USD Million (2015-2020)
  • Table 119. Mexico Crypto Music and Audio, by Application USD Million (2015-2020)
  • Table 120. Mexico Crypto Music and Audio, by Platform USD Million (2015-2020)
  • Table 121. Mexico Crypto Music and Audio, by Distribution Channel USD Million (2015-2020)
  • Table 122. Crypto Music and Audio: by Type(USD/Units)
  • Table 123. Company Basic Information, Sales Area and Its Competitors
  • Table 124. Company Basic Information, Sales Area and Its Competitors
  • Table 125. Company Basic Information, Sales Area and Its Competitors
  • Table 126. Company Basic Information, Sales Area and Its Competitors
  • Table 127. Company Basic Information, Sales Area and Its Competitors
  • Table 128. Company Basic Information, Sales Area and Its Competitors
  • Table 129. Company Basic Information, Sales Area and Its Competitors
  • Table 130. Company Basic Information, Sales Area and Its Competitors
  • Table 131. Company Basic Information, Sales Area and Its Competitors
  • Table 132. Company Basic Information, Sales Area and Its Competitors
  • Table 133. Crypto Music and Audio: by Type(USD Million)
  • Table 134. Crypto Music and Audio Audio , by Region USD Million (2021-2026)
  • Table 135. Crypto Music and Audio Visual and Image Content , by Region USD Million (2021-2026)
  • Table 136. Crypto Music and Audio: by Application(USD Million)
  • Table 137. Crypto Music and Audio Games , by Region USD Million (2021-2026)
  • Table 138. Crypto Music and Audio Videos , by Region USD Million (2021-2026)
  • Table 139. Crypto Music and Audio Media , by Region USD Million (2021-2026)
  • Table 140. Crypto Music and Audio Others , by Region USD Million (2021-2026)
  • Table 141. Crypto Music and Audio: by Platform(USD Million)
  • Table 142. Crypto Music and Audio Aurovine , by Region USD Million (2021-2026)
  • Table 143. Crypto Music and Audio Audius , by Region USD Million (2021-2026)
  • Table 144. Crypto Music and Audio XSongs , by Region USD Million (2021-2026)
  • Table 145. Crypto Music and Audio Emanate , by Region USD Million (2021-2026)
  • Table 146. Crypto Music and Audio: by Distribution Channel(USD Million)
  • Table 147. Crypto Music and Audio On-demand , by Region USD Million (2021-2026)
  • Table 148. Crypto Music and Audio Direct to Customer , by Region USD Million (2021-2026)
  • Table 149. South America Crypto Music and Audio, by Country USD Million (2021-2026)
  • Table 150. South America Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 151. South America Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 152. South America Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 153. South America Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 154. Brazil Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 155. Brazil Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 156. Brazil Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 157. Brazil Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 158. Argentina Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 159. Argentina Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 160. Argentina Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 161. Argentina Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 162. Rest of South America Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 163. Rest of South America Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 164. Rest of South America Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 165. Rest of South America Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 166. Asia Pacific Crypto Music and Audio, by Country USD Million (2021-2026)
  • Table 167. Asia Pacific Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 168. Asia Pacific Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 169. Asia Pacific Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 170. Asia Pacific Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 171. China Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 172. China Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 173. China Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 174. China Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 175. Japan Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 176. Japan Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 177. Japan Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 178. Japan Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 179. India Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 180. India Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 181. India Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 182. India Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 183. South Korea Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 184. South Korea Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 185. South Korea Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 186. South Korea Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 187. Australia Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 188. Australia Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 189. Australia Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 190. Australia Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 191. Rest of Asia-Pacific Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 192. Rest of Asia-Pacific Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 193. Rest of Asia-Pacific Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 194. Rest of Asia-Pacific Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 195. Europe Crypto Music and Audio, by Country USD Million (2021-2026)
  • Table 196. Europe Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 197. Europe Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 198. Europe Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 199. Europe Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 200. Germany Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 201. Germany Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 202. Germany Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 203. Germany Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 204. France Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 205. France Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 206. France Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 207. France Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 208. Italy Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 209. Italy Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 210. Italy Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 211. Italy Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 212. United Kingdom Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 213. United Kingdom Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 214. United Kingdom Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 215. United Kingdom Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 216. Netherlands Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 217. Netherlands Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 218. Netherlands Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 219. Netherlands Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 220. Rest of Europe Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 221. Rest of Europe Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 222. Rest of Europe Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 223. Rest of Europe Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 224. MEA Crypto Music and Audio, by Country USD Million (2021-2026)
  • Table 225. MEA Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 226. MEA Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 227. MEA Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 228. MEA Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 229. Middle East Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 230. Middle East Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 231. Middle East Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 232. Middle East Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 233. Africa Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 234. Africa Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 235. Africa Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 236. Africa Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 237. North America Crypto Music and Audio, by Country USD Million (2021-2026)
  • Table 238. North America Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 239. North America Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 240. North America Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 241. North America Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 242. United States Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 243. United States Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 244. United States Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 245. United States Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 246. Canada Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 247. Canada Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 248. Canada Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 249. Canada Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 250. Mexico Crypto Music and Audio, by Type USD Million (2021-2026)
  • Table 251. Mexico Crypto Music and Audio, by Application USD Million (2021-2026)
  • Table 252. Mexico Crypto Music and Audio, by Platform USD Million (2021-2026)
  • Table 253. Mexico Crypto Music and Audio, by Distribution Channel USD Million (2021-2026)
  • Table 254. Crypto Music and Audio: by Type(USD/Units)
  • Table 255. Research Programs/Design for This Report
  • Table 256. Key Data Information from Secondary Sources
  • Table 257. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Crypto Music and Audio: by Type USD Million (2015-2020)
  • Figure 5. Global Crypto Music and Audio: by Application USD Million (2015-2020)
  • Figure 6. Global Crypto Music and Audio: by Platform USD Million (2015-2020)
  • Figure 7. Global Crypto Music and Audio: by Distribution Channel USD Million (2015-2020)
  • Figure 8. South America Crypto Music and Audio Share (%), by Country
  • Figure 9. Asia Pacific Crypto Music and Audio Share (%), by Country
  • Figure 10. Europe Crypto Music and Audio Share (%), by Country
  • Figure 11. MEA Crypto Music and Audio Share (%), by Country
  • Figure 12. North America Crypto Music and Audio Share (%), by Country
  • Figure 13. Global Crypto Music and Audio: by Type USD/Units (2015-2020)
  • Figure 14. Global Crypto Music and Audio share by Players 2020 (%)
  • Figure 15. Global Crypto Music and Audio share by Players (Top 3) 2020(%)
  • Figure 16. Global Crypto Music and Audio share by Players (Top 5) 2020(%)
  • Figure 17. BCG Matrix for key Companies
  • Figure 18. Digimarc (United States) Revenue, Net Income and Gross profit
  • Figure 19. Digimarc (United States) Revenue: by Geography 2020
  • Figure 20. Vezt Inc. (United States) Revenue, Net Income and Gross profit
  • Figure 21. Vezt Inc. (United States) Revenue: by Geography 2020
  • Figure 22. Mediachain (United States) Revenue, Net Income and Gross profit
  • Figure 23. Mediachain (United States) Revenue: by Geography 2020
  • Figure 24. Open Music Initiative (United States) Revenue, Net Income and Gross profit
  • Figure 25. Open Music Initiative (United States) Revenue: by Geography 2020
  • Figure 26. Musicoin Foundation (China) Revenue, Net Income and Gross profit
  • Figure 27. Musicoin Foundation (China) Revenue: by Geography 2020
  • Figure 28. Mycelia (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 29. Mycelia (United Kingdom) Revenue: by Geography 2020
  • Figure 30. Viberate (Slovenia) Revenue, Net Income and Gross profit
  • Figure 31. Viberate (Slovenia) Revenue: by Geography 2020
  • Figure 32. Blokur (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 33. Blokur (United Kingdom) Revenue: by Geography 2020
  • Figure 34. EMusic (United States) Revenue, Net Income and Gross profit
  • Figure 35. EMusic (United States) Revenue: by Geography 2020
  • Figure 36. VOISE (Canada) Revenue, Net Income and Gross profit
  • Figure 37. VOISE (Canada) Revenue: by Geography 2020
  • Figure 38. Global Crypto Music and Audio: by Type USD Million (2021-2026)
  • Figure 39. Global Crypto Music and Audio: by Application USD Million (2021-2026)
  • Figure 40. Global Crypto Music and Audio: by Platform USD Million (2021-2026)
  • Figure 41. Global Crypto Music and Audio: by Distribution Channel USD Million (2021-2026)
  • Figure 42. South America Crypto Music and Audio Share (%), by Country
  • Figure 43. Asia Pacific Crypto Music and Audio Share (%), by Country
  • Figure 44. Europe Crypto Music and Audio Share (%), by Country
  • Figure 45. MEA Crypto Music and Audio Share (%), by Country
  • Figure 46. North America Crypto Music and Audio Share (%), by Country
  • Figure 47. Global Crypto Music and Audio: by Type USD/Units (2021-2026)
Some of the key companies/manufacturers profiled in the report
  • Digimarc (United States)
  • Vezt Inc. (United States)
  • Mediachain (United States)
  • Open Music Initiative (United States)
  • Musicoin Foundation (China)
  • Mycelia (United Kingdom)
  • Viberate (Slovenia)
  • Blokur (United Kingdom)
  • eMusic (United States)
  • VOISE (Canada)
Additional players considered in the study are as follows:
BitSong (Malta)
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