Global Live Music Market research

Live Music Comprehensive Study by Type (Rock, Rap, Jazz, Country, Others), Application (Concerts, Party, Others), Revenue Source (Ticket Sales (Online) Players and Region - Global Market Outlook to 2032

Live Music Market by XX Submarkets | Forecast Years 2025-2032 | CAGR: 8.3%  

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  • Summary
  • Market Segments
  • Table of Content
  • List of Table & Figures
  • Players Profiled
Live Music Market Scope
Live music also known as live concerts are performed by artists in public places with help of the different types of instruments such as orchestra, choir, or band. Such concerts are organized by an event management team with the help of lots of sponsors. The passion and love for music have led to the formation of numerous musical bands that also helps in the increment of count of live concerts. Growing fad of listening live music and rise in the number of sponsors will drive the live music market. High enthusiasm and interest among individuals to watch their favorite artists perform on stage, fuels the growth of live music market. Now-a-days mobile ticket sale for such live concerts is trending in the market. Key players are offering early bird discounts, complementary snacks and even dinner facilities to gain market attention

AttributesDetails
Study Period2020-2032
Base Year2024
UnitValue (USD Million)
Key Companies ProfiledBassett Events (Canada), Cvent (United States), RazorGator (United States), Ticketmaster (United States), Ace Ticket Worldwide (United States), Alliance Tickets (United States), Berkeley City Club (United States), Brown Paper Tickets (United States), Eventbrite (United States), Only Much Louder (India), AEG Worldwide (United States), Bloom Entertainment (Qatar), Scarlett Entertainment (United Kingdom), Urban Events (United Arab Emirates), KG Production & Events FZ LLC. (United Arab Emirates) and Doha Jazz (Qatar)
CAGR8.3%


Key players are adopting numerous strategy to gain market attention and to increase their market share, this strategy can be listed as increasing product portfolio required for live music concerts, making partnership to adopt certain techniques. Research Analyst at AMA estimates that United States Vendors will contribute to the maximum growth of Global Live Music market throughout the predicted period.

Bassett Events (Canada), Cvent (United States), RazorGator (United States), Ticketmaster (United States), Ace Ticket Worldwide (United States), Alliance Tickets (United States), Berkeley City Club (United States), Brown Paper Tickets (United States), Eventbrite (United States), Only Much Louder (India), AEG Worldwide (United States), Bloom Entertainment (Qatar), Scarlett Entertainment (United Kingdom), Urban Events (United Arab Emirates), KG Production & Events FZ LLC. (United Arab Emirates) and Doha Jazz (Qatar) are some of the key players that are part of study coverage. Additionally, the Vendors which are also part of the research are Ticketek (Australia), TickPick (United States) and XING Events (Germany).

About Approach
The research aims to propose a patent-based approach in searching for potential technology partners as a supporting tool for enabling open innovation. The study also proposes a systematic searching process of technology partners as a preliminary step to select the emerging and key players that are involved in implementing market estimations. While patent analysis is employed to overcome the aforementioned data- and process-related limitations, as expenses occurred in that technology allows us to estimate the market size by evolving segments as target market from the total available market.

Segmentation Overview
The study have segmented the market of Global Live Music market by Type , by Application (Concerts, Party and Others) and Region with country level break-up.

On the basis of geography, the market of Live Music has been segmented into South America (Brazil, Argentina, Rest of South America), Asia Pacific (China, Japan, India, South Korea, Southeast Asia, Australia, Rest of Asia-Pacific), Europe (Germany, France, Italy, United Kingdom, Netherlands, Rest of Europe), MEA (Middle East, Africa), North America (United States, Canada, Mexico). region held largest market share in the year 2024.

Market Leaders and their expansionary development strategies
In February 2024, Bandsintown, the leading live event discovery platform, announces its partnership with Spotify to boost concert and festival discovery worldwide, empower more artists, and enhance fan experiences. With Bandsintown event listings now directly integrated into Spotify, artists can reach the right fans - while they're listening - driving better engagement and stronger sales for their live events around the globe.
In December 2023, Wynk Music, India's leading music streaming app, has launched Wynk Rewind 2023, presenting a comprehensive overview of the year's top artists, albums, songs, and playlists that dominated the Indian music scene. This annual feature, powered by an Artificial Intelligence (AI) algorithm, meticulously analyzes user music consumption patterns to offer a personalized experience on the app.


Influencing Trend:
Selling tickets through mobile Apps, Upcoming themes and tunes and Discounts for early booking

Market Growth Drivers:
Presence of numerous artists, bands, and event organizers, Increasing affordability for high-priced event tickets, Growing fad of listening live music, Rise in the number of sponsors, Increasing passion and love for music and Increment in number of event organizer

Challenges:
Increasing Competition from Streaming Services May Affect the Live Music Event Market

Restraints:
Comparatively difficult process to get license and Set-up is costly

Opportunities:
Continuous improvement in standard of living, Advancement in convenience to book tickets online, Increasing number of offers like early bird discounts, free beverages and complimentary food and Ease of payment and choice to select suitable seats

Key Target Audience
Live music providers, Channel partners, Industry Association, Governments and investment communities and Research organizations and associations

Report Objectives / Segmentation Covered

By Type
  • Rock
  • Rap
  • Jazz
  • Country
  • Others
By Application
  • Concerts
  • Party
  • Others
By Revenue Source
  • Ticket Sales (Online

By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Southeast Asia
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Presence of numerous artists, bands, and event organizers
      • 3.2.2. Increasing affordability for high-priced event tickets
      • 3.2.3. Growing fad of listening live music
      • 3.2.4. Rise in the number of sponsors
      • 3.2.5. Increasing passion and love for music
      • 3.2.6. Increment in number of event organizer
    • 3.3. Market Challenges
      • 3.3.1. Increasing Competition from Streaming Services May Affect the Live Music Event Market
    • 3.4. Market Trends
      • 3.4.1. Selling tickets through mobile Apps
      • 3.4.2. Upcoming themes and tunes
      • 3.4.3. Discounts for early booking
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Live Music, by Type, Application, Revenue Source and Region (value and price ) (2019-2024)
    • 5.1. Introduction
    • 5.2. Global Live Music (Value)
      • 5.2.1. Global Live Music by: Type (Value)
        • 5.2.1.1. Rock
        • 5.2.1.2. Rap
        • 5.2.1.3. Jazz
        • 5.2.1.4. Country
        • 5.2.1.5. Others
      • 5.2.2. Global Live Music by: Application (Value)
        • 5.2.2.1. Concerts
        • 5.2.2.2. Party
        • 5.2.2.3. Others
      • 5.2.3. Global Live Music by: Revenue Source (Value)
        • 5.2.3.1. Ticket Sales (Online
      • 5.2.4. Global Live Music Region
        • 5.2.4.1. South America
          • 5.2.4.1.1. Brazil
          • 5.2.4.1.2. Argentina
          • 5.2.4.1.3. Rest of South America
        • 5.2.4.2. Asia Pacific
          • 5.2.4.2.1. China
          • 5.2.4.2.2. Japan
          • 5.2.4.2.3. India
          • 5.2.4.2.4. South Korea
          • 5.2.4.2.5. Southeast Asia
          • 5.2.4.2.6. Australia
          • 5.2.4.2.7. Rest of Asia-Pacific
        • 5.2.4.3. Europe
          • 5.2.4.3.1. Germany
          • 5.2.4.3.2. France
          • 5.2.4.3.3. Italy
          • 5.2.4.3.4. United Kingdom
          • 5.2.4.3.5. Netherlands
          • 5.2.4.3.6. Rest of Europe
        • 5.2.4.4. MEA
          • 5.2.4.4.1. Middle East
          • 5.2.4.4.2. Africa
        • 5.2.4.5. North America
          • 5.2.4.5.1. United States
          • 5.2.4.5.2. Canada
          • 5.2.4.5.3. Mexico
    • 5.3. Global Live Music (Price)
      • 5.3.1. Global Live Music by: Type (Price)
  • 6. Live Music: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2024)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Bassett Events (Canada)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Cvent (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. RazorGator (United States)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Ticketmaster (United States)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. Ace Ticket Worldwide (United States)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Alliance Tickets (United States)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Berkeley City Club (United States)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. Brown Paper Tickets (United States)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. Eventbrite (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. Only Much Louder (India)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
      • 6.4.11. AEG Worldwide (United States)
        • 6.4.11.1. Business Overview
        • 6.4.11.2. Products/Services Offerings
        • 6.4.11.3. Financial Analysis
        • 6.4.11.4. SWOT Analysis
      • 6.4.12. Bloom Entertainment (Qatar)
        • 6.4.12.1. Business Overview
        • 6.4.12.2. Products/Services Offerings
        • 6.4.12.3. Financial Analysis
        • 6.4.12.4. SWOT Analysis
      • 6.4.13. Scarlett Entertainment (United Kingdom)
        • 6.4.13.1. Business Overview
        • 6.4.13.2. Products/Services Offerings
        • 6.4.13.3. Financial Analysis
        • 6.4.13.4. SWOT Analysis
      • 6.4.14. Urban Events (United Arab Emirates)
        • 6.4.14.1. Business Overview
        • 6.4.14.2. Products/Services Offerings
        • 6.4.14.3. Financial Analysis
        • 6.4.14.4. SWOT Analysis
      • 6.4.15. KG Production & Events FZ LLC. (United Arab Emirates)
        • 6.4.15.1. Business Overview
        • 6.4.15.2. Products/Services Offerings
        • 6.4.15.3. Financial Analysis
        • 6.4.15.4. SWOT Analysis
      • 6.4.16. Doha Jazz (Qatar)
        • 6.4.16.1. Business Overview
        • 6.4.16.2. Products/Services Offerings
        • 6.4.16.3. Financial Analysis
        • 6.4.16.4. SWOT Analysis
  • 7. Global Live Music Sale, by Type, Application, Revenue Source and Region (value and price ) (2027-2032)
    • 7.1. Introduction
    • 7.2. Global Live Music (Value)
      • 7.2.1. Global Live Music by: Type (Value)
        • 7.2.1.1. Rock
        • 7.2.1.2. Rap
        • 7.2.1.3. Jazz
        • 7.2.1.4. Country
        • 7.2.1.5. Others
      • 7.2.2. Global Live Music by: Application (Value)
        • 7.2.2.1. Concerts
        • 7.2.2.2. Party
        • 7.2.2.3. Others
      • 7.2.3. Global Live Music by: Revenue Source (Value)
        • 7.2.3.1. Ticket Sales (Online
      • 7.2.4. Global Live Music Region
        • 7.2.4.1. South America
          • 7.2.4.1.1. Brazil
          • 7.2.4.1.2. Argentina
          • 7.2.4.1.3. Rest of South America
        • 7.2.4.2. Asia Pacific
          • 7.2.4.2.1. China
          • 7.2.4.2.2. Japan
          • 7.2.4.2.3. India
          • 7.2.4.2.4. South Korea
          • 7.2.4.2.5. Southeast Asia
          • 7.2.4.2.6. Australia
          • 7.2.4.2.7. Rest of Asia-Pacific
        • 7.2.4.3. Europe
          • 7.2.4.3.1. Germany
          • 7.2.4.3.2. France
          • 7.2.4.3.3. Italy
          • 7.2.4.3.4. United Kingdom
          • 7.2.4.3.5. Netherlands
          • 7.2.4.3.6. Rest of Europe
        • 7.2.4.4. MEA
          • 7.2.4.4.1. Middle East
          • 7.2.4.4.2. Africa
        • 7.2.4.5. North America
          • 7.2.4.5.1. United States
          • 7.2.4.5.2. Canada
          • 7.2.4.5.3. Mexico
    • 7.3. Global Live Music (Price)
      • 7.3.1. Global Live Music by: Type (Price)
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Live Music: by Type(USD Million)
  • Table 2. Live Music Rock , by Region USD Million (2019-2024)
  • Table 3. Live Music Rap , by Region USD Million (2019-2024)
  • Table 4. Live Music Jazz , by Region USD Million (2019-2024)
  • Table 5. Live Music Country , by Region USD Million (2019-2024)
  • Table 6. Live Music Others , by Region USD Million (2019-2024)
  • Table 7. Live Music: by Application(USD Million)
  • Table 8. Live Music Concerts , by Region USD Million (2019-2024)
  • Table 9. Live Music Party , by Region USD Million (2019-2024)
  • Table 10. Live Music Others , by Region USD Million (2019-2024)
  • Table 11. Live Music: by Revenue Source(USD Million)
  • Table 12. Live Music Ticket Sales (Online , by Region USD Million (2019-2024)
  • Table 13. South America Live Music, by Country USD Million (2019-2024)
  • Table 14. South America Live Music, by Type USD Million (2019-2024)
  • Table 15. South America Live Music, by Application USD Million (2019-2024)
  • Table 16. South America Live Music, by Revenue Source USD Million (2019-2024)
  • Table 17. Brazil Live Music, by Type USD Million (2019-2024)
  • Table 18. Brazil Live Music, by Application USD Million (2019-2024)
  • Table 19. Brazil Live Music, by Revenue Source USD Million (2019-2024)
  • Table 20. Argentina Live Music, by Type USD Million (2019-2024)
  • Table 21. Argentina Live Music, by Application USD Million (2019-2024)
  • Table 22. Argentina Live Music, by Revenue Source USD Million (2019-2024)
  • Table 23. Rest of South America Live Music, by Type USD Million (2019-2024)
  • Table 24. Rest of South America Live Music, by Application USD Million (2019-2024)
  • Table 25. Rest of South America Live Music, by Revenue Source USD Million (2019-2024)
  • Table 26. Asia Pacific Live Music, by Country USD Million (2019-2024)
  • Table 27. Asia Pacific Live Music, by Type USD Million (2019-2024)
  • Table 28. Asia Pacific Live Music, by Application USD Million (2019-2024)
  • Table 29. Asia Pacific Live Music, by Revenue Source USD Million (2019-2024)
  • Table 30. China Live Music, by Type USD Million (2019-2024)
  • Table 31. China Live Music, by Application USD Million (2019-2024)
  • Table 32. China Live Music, by Revenue Source USD Million (2019-2024)
  • Table 33. Japan Live Music, by Type USD Million (2019-2024)
  • Table 34. Japan Live Music, by Application USD Million (2019-2024)
  • Table 35. Japan Live Music, by Revenue Source USD Million (2019-2024)
  • Table 36. India Live Music, by Type USD Million (2019-2024)
  • Table 37. India Live Music, by Application USD Million (2019-2024)
  • Table 38. India Live Music, by Revenue Source USD Million (2019-2024)
  • Table 39. South Korea Live Music, by Type USD Million (2019-2024)
  • Table 40. South Korea Live Music, by Application USD Million (2019-2024)
  • Table 41. South Korea Live Music, by Revenue Source USD Million (2019-2024)
  • Table 42. Southeast Asia Live Music, by Type USD Million (2019-2024)
  • Table 43. Southeast Asia Live Music, by Application USD Million (2019-2024)
  • Table 44. Southeast Asia Live Music, by Revenue Source USD Million (2019-2024)
  • Table 45. Australia Live Music, by Type USD Million (2019-2024)
  • Table 46. Australia Live Music, by Application USD Million (2019-2024)
  • Table 47. Australia Live Music, by Revenue Source USD Million (2019-2024)
  • Table 48. Rest of Asia-Pacific Live Music, by Type USD Million (2019-2024)
  • Table 49. Rest of Asia-Pacific Live Music, by Application USD Million (2019-2024)
  • Table 50. Rest of Asia-Pacific Live Music, by Revenue Source USD Million (2019-2024)
  • Table 51. Europe Live Music, by Country USD Million (2019-2024)
  • Table 52. Europe Live Music, by Type USD Million (2019-2024)
  • Table 53. Europe Live Music, by Application USD Million (2019-2024)
  • Table 54. Europe Live Music, by Revenue Source USD Million (2019-2024)
  • Table 55. Germany Live Music, by Type USD Million (2019-2024)
  • Table 56. Germany Live Music, by Application USD Million (2019-2024)
  • Table 57. Germany Live Music, by Revenue Source USD Million (2019-2024)
  • Table 58. France Live Music, by Type USD Million (2019-2024)
  • Table 59. France Live Music, by Application USD Million (2019-2024)
  • Table 60. France Live Music, by Revenue Source USD Million (2019-2024)
  • Table 61. Italy Live Music, by Type USD Million (2019-2024)
  • Table 62. Italy Live Music, by Application USD Million (2019-2024)
  • Table 63. Italy Live Music, by Revenue Source USD Million (2019-2024)
  • Table 64. United Kingdom Live Music, by Type USD Million (2019-2024)
  • Table 65. United Kingdom Live Music, by Application USD Million (2019-2024)
  • Table 66. United Kingdom Live Music, by Revenue Source USD Million (2019-2024)
  • Table 67. Netherlands Live Music, by Type USD Million (2019-2024)
  • Table 68. Netherlands Live Music, by Application USD Million (2019-2024)
  • Table 69. Netherlands Live Music, by Revenue Source USD Million (2019-2024)
  • Table 70. Rest of Europe Live Music, by Type USD Million (2019-2024)
  • Table 71. Rest of Europe Live Music, by Application USD Million (2019-2024)
  • Table 72. Rest of Europe Live Music, by Revenue Source USD Million (2019-2024)
  • Table 73. MEA Live Music, by Country USD Million (2019-2024)
  • Table 74. MEA Live Music, by Type USD Million (2019-2024)
  • Table 75. MEA Live Music, by Application USD Million (2019-2024)
  • Table 76. MEA Live Music, by Revenue Source USD Million (2019-2024)
  • Table 77. Middle East Live Music, by Type USD Million (2019-2024)
  • Table 78. Middle East Live Music, by Application USD Million (2019-2024)
  • Table 79. Middle East Live Music, by Revenue Source USD Million (2019-2024)
  • Table 80. Africa Live Music, by Type USD Million (2019-2024)
  • Table 81. Africa Live Music, by Application USD Million (2019-2024)
  • Table 82. Africa Live Music, by Revenue Source USD Million (2019-2024)
  • Table 83. North America Live Music, by Country USD Million (2019-2024)
  • Table 84. North America Live Music, by Type USD Million (2019-2024)
  • Table 85. North America Live Music, by Application USD Million (2019-2024)
  • Table 86. North America Live Music, by Revenue Source USD Million (2019-2024)
  • Table 87. United States Live Music, by Type USD Million (2019-2024)
  • Table 88. United States Live Music, by Application USD Million (2019-2024)
  • Table 89. United States Live Music, by Revenue Source USD Million (2019-2024)
  • Table 90. Canada Live Music, by Type USD Million (2019-2024)
  • Table 91. Canada Live Music, by Application USD Million (2019-2024)
  • Table 92. Canada Live Music, by Revenue Source USD Million (2019-2024)
  • Table 93. Mexico Live Music, by Type USD Million (2019-2024)
  • Table 94. Mexico Live Music, by Application USD Million (2019-2024)
  • Table 95. Mexico Live Music, by Revenue Source USD Million (2019-2024)
  • Table 96. Live Music: by Type(USD/Units)
  • Table 97. Company Basic Information, Sales Area and Its Competitors
  • Table 98. Company Basic Information, Sales Area and Its Competitors
  • Table 99. Company Basic Information, Sales Area and Its Competitors
  • Table 100. Company Basic Information, Sales Area and Its Competitors
  • Table 101. Company Basic Information, Sales Area and Its Competitors
  • Table 102. Company Basic Information, Sales Area and Its Competitors
  • Table 103. Company Basic Information, Sales Area and Its Competitors
  • Table 104. Company Basic Information, Sales Area and Its Competitors
  • Table 105. Company Basic Information, Sales Area and Its Competitors
  • Table 106. Company Basic Information, Sales Area and Its Competitors
  • Table 107. Company Basic Information, Sales Area and Its Competitors
  • Table 108. Company Basic Information, Sales Area and Its Competitors
  • Table 109. Company Basic Information, Sales Area and Its Competitors
  • Table 110. Company Basic Information, Sales Area and Its Competitors
  • Table 111. Company Basic Information, Sales Area and Its Competitors
  • Table 112. Company Basic Information, Sales Area and Its Competitors
  • Table 113. Live Music: by Type(USD Million)
  • Table 114. Live Music Rock , by Region USD Million (2027-2032)
  • Table 115. Live Music Rap , by Region USD Million (2027-2032)
  • Table 116. Live Music Jazz , by Region USD Million (2027-2032)
  • Table 117. Live Music Country , by Region USD Million (2027-2032)
  • Table 118. Live Music Others , by Region USD Million (2027-2032)
  • Table 119. Live Music: by Application(USD Million)
  • Table 120. Live Music Concerts , by Region USD Million (2027-2032)
  • Table 121. Live Music Party , by Region USD Million (2027-2032)
  • Table 122. Live Music Others , by Region USD Million (2027-2032)
  • Table 123. Live Music: by Revenue Source(USD Million)
  • Table 124. Live Music Ticket Sales (Online , by Region USD Million (2027-2032)
  • Table 125. South America Live Music, by Country USD Million (2027-2032)
  • Table 126. South America Live Music, by Type USD Million (2027-2032)
  • Table 127. South America Live Music, by Application USD Million (2027-2032)
  • Table 128. South America Live Music, by Revenue Source USD Million (2027-2032)
  • Table 129. Brazil Live Music, by Type USD Million (2027-2032)
  • Table 130. Brazil Live Music, by Application USD Million (2027-2032)
  • Table 131. Brazil Live Music, by Revenue Source USD Million (2027-2032)
  • Table 132. Argentina Live Music, by Type USD Million (2027-2032)
  • Table 133. Argentina Live Music, by Application USD Million (2027-2032)
  • Table 134. Argentina Live Music, by Revenue Source USD Million (2027-2032)
  • Table 135. Rest of South America Live Music, by Type USD Million (2027-2032)
  • Table 136. Rest of South America Live Music, by Application USD Million (2027-2032)
  • Table 137. Rest of South America Live Music, by Revenue Source USD Million (2027-2032)
  • Table 138. Asia Pacific Live Music, by Country USD Million (2027-2032)
  • Table 139. Asia Pacific Live Music, by Type USD Million (2027-2032)
  • Table 140. Asia Pacific Live Music, by Application USD Million (2027-2032)
  • Table 141. Asia Pacific Live Music, by Revenue Source USD Million (2027-2032)
  • Table 142. China Live Music, by Type USD Million (2027-2032)
  • Table 143. China Live Music, by Application USD Million (2027-2032)
  • Table 144. China Live Music, by Revenue Source USD Million (2027-2032)
  • Table 145. Japan Live Music, by Type USD Million (2027-2032)
  • Table 146. Japan Live Music, by Application USD Million (2027-2032)
  • Table 147. Japan Live Music, by Revenue Source USD Million (2027-2032)
  • Table 148. India Live Music, by Type USD Million (2027-2032)
  • Table 149. India Live Music, by Application USD Million (2027-2032)
  • Table 150. India Live Music, by Revenue Source USD Million (2027-2032)
  • Table 151. South Korea Live Music, by Type USD Million (2027-2032)
  • Table 152. South Korea Live Music, by Application USD Million (2027-2032)
  • Table 153. South Korea Live Music, by Revenue Source USD Million (2027-2032)
  • Table 154. Southeast Asia Live Music, by Type USD Million (2027-2032)
  • Table 155. Southeast Asia Live Music, by Application USD Million (2027-2032)
  • Table 156. Southeast Asia Live Music, by Revenue Source USD Million (2027-2032)
  • Table 157. Australia Live Music, by Type USD Million (2027-2032)
  • Table 158. Australia Live Music, by Application USD Million (2027-2032)
  • Table 159. Australia Live Music, by Revenue Source USD Million (2027-2032)
  • Table 160. Rest of Asia-Pacific Live Music, by Type USD Million (2027-2032)
  • Table 161. Rest of Asia-Pacific Live Music, by Application USD Million (2027-2032)
  • Table 162. Rest of Asia-Pacific Live Music, by Revenue Source USD Million (2027-2032)
  • Table 163. Europe Live Music, by Country USD Million (2027-2032)
  • Table 164. Europe Live Music, by Type USD Million (2027-2032)
  • Table 165. Europe Live Music, by Application USD Million (2027-2032)
  • Table 166. Europe Live Music, by Revenue Source USD Million (2027-2032)
  • Table 167. Germany Live Music, by Type USD Million (2027-2032)
  • Table 168. Germany Live Music, by Application USD Million (2027-2032)
  • Table 169. Germany Live Music, by Revenue Source USD Million (2027-2032)
  • Table 170. France Live Music, by Type USD Million (2027-2032)
  • Table 171. France Live Music, by Application USD Million (2027-2032)
  • Table 172. France Live Music, by Revenue Source USD Million (2027-2032)
  • Table 173. Italy Live Music, by Type USD Million (2027-2032)
  • Table 174. Italy Live Music, by Application USD Million (2027-2032)
  • Table 175. Italy Live Music, by Revenue Source USD Million (2027-2032)
  • Table 176. United Kingdom Live Music, by Type USD Million (2027-2032)
  • Table 177. United Kingdom Live Music, by Application USD Million (2027-2032)
  • Table 178. United Kingdom Live Music, by Revenue Source USD Million (2027-2032)
  • Table 179. Netherlands Live Music, by Type USD Million (2027-2032)
  • Table 180. Netherlands Live Music, by Application USD Million (2027-2032)
  • Table 181. Netherlands Live Music, by Revenue Source USD Million (2027-2032)
  • Table 182. Rest of Europe Live Music, by Type USD Million (2027-2032)
  • Table 183. Rest of Europe Live Music, by Application USD Million (2027-2032)
  • Table 184. Rest of Europe Live Music, by Revenue Source USD Million (2027-2032)
  • Table 185. MEA Live Music, by Country USD Million (2027-2032)
  • Table 186. MEA Live Music, by Type USD Million (2027-2032)
  • Table 187. MEA Live Music, by Application USD Million (2027-2032)
  • Table 188. MEA Live Music, by Revenue Source USD Million (2027-2032)
  • Table 189. Middle East Live Music, by Type USD Million (2027-2032)
  • Table 190. Middle East Live Music, by Application USD Million (2027-2032)
  • Table 191. Middle East Live Music, by Revenue Source USD Million (2027-2032)
  • Table 192. Africa Live Music, by Type USD Million (2027-2032)
  • Table 193. Africa Live Music, by Application USD Million (2027-2032)
  • Table 194. Africa Live Music, by Revenue Source USD Million (2027-2032)
  • Table 195. North America Live Music, by Country USD Million (2027-2032)
  • Table 196. North America Live Music, by Type USD Million (2027-2032)
  • Table 197. North America Live Music, by Application USD Million (2027-2032)
  • Table 198. North America Live Music, by Revenue Source USD Million (2027-2032)
  • Table 199. United States Live Music, by Type USD Million (2027-2032)
  • Table 200. United States Live Music, by Application USD Million (2027-2032)
  • Table 201. United States Live Music, by Revenue Source USD Million (2027-2032)
  • Table 202. Canada Live Music, by Type USD Million (2027-2032)
  • Table 203. Canada Live Music, by Application USD Million (2027-2032)
  • Table 204. Canada Live Music, by Revenue Source USD Million (2027-2032)
  • Table 205. Mexico Live Music, by Type USD Million (2027-2032)
  • Table 206. Mexico Live Music, by Application USD Million (2027-2032)
  • Table 207. Mexico Live Music, by Revenue Source USD Million (2027-2032)
  • Table 208. Live Music: by Type(USD/Units)
  • Table 209. Research Programs/Design for This Report
  • Table 210. Key Data Information from Secondary Sources
  • Table 211. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Live Music: by Type USD Million (2019-2024)
  • Figure 5. Global Live Music: by Application USD Million (2019-2024)
  • Figure 6. Global Live Music: by Revenue Source USD Million (2019-2024)
  • Figure 7. South America Live Music Share (%), by Country
  • Figure 8. Asia Pacific Live Music Share (%), by Country
  • Figure 9. Europe Live Music Share (%), by Country
  • Figure 10. MEA Live Music Share (%), by Country
  • Figure 11. North America Live Music Share (%), by Country
  • Figure 12. Global Live Music: by Type USD/Units (2019-2024)
  • Figure 13. Global Live Music share by Players 2024 (%)
  • Figure 14. Global Live Music share by Players (Top 3) 2024(%)
  • Figure 15. Global Live Music share by Players (Top 5) 2024(%)
  • Figure 16. BCG Matrix for key Companies
  • Figure 17. Bassett Events (Canada) Revenue, Net Income and Gross profit
  • Figure 18. Bassett Events (Canada) Revenue: by Geography 2024
  • Figure 19. Cvent (United States) Revenue, Net Income and Gross profit
  • Figure 20. Cvent (United States) Revenue: by Geography 2024
  • Figure 21. RazorGator (United States) Revenue, Net Income and Gross profit
  • Figure 22. RazorGator (United States) Revenue: by Geography 2024
  • Figure 23. Ticketmaster (United States) Revenue, Net Income and Gross profit
  • Figure 24. Ticketmaster (United States) Revenue: by Geography 2024
  • Figure 25. Ace Ticket Worldwide (United States) Revenue, Net Income and Gross profit
  • Figure 26. Ace Ticket Worldwide (United States) Revenue: by Geography 2024
  • Figure 27. Alliance Tickets (United States) Revenue, Net Income and Gross profit
  • Figure 28. Alliance Tickets (United States) Revenue: by Geography 2024
  • Figure 29. Berkeley City Club (United States) Revenue, Net Income and Gross profit
  • Figure 30. Berkeley City Club (United States) Revenue: by Geography 2024
  • Figure 31. Brown Paper Tickets (United States) Revenue, Net Income and Gross profit
  • Figure 32. Brown Paper Tickets (United States) Revenue: by Geography 2024
  • Figure 33. Eventbrite (United States) Revenue, Net Income and Gross profit
  • Figure 34. Eventbrite (United States) Revenue: by Geography 2024
  • Figure 35. Only Much Louder (India) Revenue, Net Income and Gross profit
  • Figure 36. Only Much Louder (India) Revenue: by Geography 2024
  • Figure 37. AEG Worldwide (United States) Revenue, Net Income and Gross profit
  • Figure 38. AEG Worldwide (United States) Revenue: by Geography 2024
  • Figure 39. Bloom Entertainment (Qatar) Revenue, Net Income and Gross profit
  • Figure 40. Bloom Entertainment (Qatar) Revenue: by Geography 2024
  • Figure 41. Scarlett Entertainment (United Kingdom) Revenue, Net Income and Gross profit
  • Figure 42. Scarlett Entertainment (United Kingdom) Revenue: by Geography 2024
  • Figure 43. Urban Events (United Arab Emirates) Revenue, Net Income and Gross profit
  • Figure 44. Urban Events (United Arab Emirates) Revenue: by Geography 2024
  • Figure 45. KG Production & Events FZ LLC. (United Arab Emirates) Revenue, Net Income and Gross profit
  • Figure 46. KG Production & Events FZ LLC. (United Arab Emirates) Revenue: by Geography 2024
  • Figure 47. Doha Jazz (Qatar) Revenue, Net Income and Gross profit
  • Figure 48. Doha Jazz (Qatar) Revenue: by Geography 2024
  • Figure 49. Global Live Music: by Type USD Million (2027-2032)
  • Figure 50. Global Live Music: by Application USD Million (2027-2032)
  • Figure 51. Global Live Music: by Revenue Source USD Million (2027-2032)
  • Figure 52. South America Live Music Share (%), by Country
  • Figure 53. Asia Pacific Live Music Share (%), by Country
  • Figure 54. Europe Live Music Share (%), by Country
  • Figure 55. MEA Live Music Share (%), by Country
  • Figure 56. North America Live Music Share (%), by Country
  • Figure 57. Global Live Music: by Type USD/Units (2027-2032)
List of companies from research coverage that are profiled in the study
  • Bassett Events (Canada)
  • Cvent (United States)
  • RazorGator (United States)
  • Ticketmaster (United States)
  • Ace Ticket Worldwide (United States)
  • Alliance Tickets (United States)
  • Berkeley City Club (United States)
  • Brown Paper Tickets (United States)
  • Eventbrite (United States)
  • Only Much Louder (India)
  • AEG Worldwide (United States)
  • Bloom Entertainment (Qatar)
  • Scarlett Entertainment (United Kingdom)
  • Urban Events (United Arab Emirates)
  • KG Production & Events FZ LLC. (United Arab Emirates)
  • Doha Jazz (Qatar)
Additional players considered in the study are as follows:
Ticketek (Australia) , TickPick (United States) , XING Events (Germany)
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Key Highlights of Report


Apr 2024 230 Pages 89 Tables Base Year: 2024 Coverage: 15+ Companies; 18 Countries

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Global Live Music Market research Quantitative research analysis
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Frequently Asked Questions (FAQ):

The key segments that are playing vital role in Live Music Market are by type [Rock, Rap, Jazz, Country and Others], by end use application [Concerts, Party and Others].
The Live Music Market is gaining popularity and expected to see strong valuation by 2032.
  • Presence of numerous artists, bands, and event organizers
  • Increasing affordability for high-priced event tickets
  • Growing fad of listening live music
  • Rise in the number of sponsors
  • Increasing passion and love for music
  • Increment in number of event organizer

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