Global Online Music Market
Global Online Music Market

Online Music Comprehensive Study by Type (Rechargeable, Free), Application (Car, Web, Mobile, TV) Players and Region - Global Market Outlook to 2025

Online Music Market Segmented into XX Submarkets. | Forecast Years: 2021- 2026  

Feb 2019 Edition 120 Pages 167 Tables & Figures
  • Summary
  • Market Segments
  • Table of Content
  • List of Tables & Figures
  • Companies Mentioned
Industry Background:
Online Music Systems are multimedia playback software as well as applications which offers music on the go through online portals. Growing internet penetration and digitalization has revolutionized online music platforms as they come up with various offerings through these platforms. These platform offers online music streaming, downloading, sharing and connecting with friends features. This software enables all the songs fed by the service provider independent of the local data storage.This growth is primarily driven by Increasing Internet Penetration and Digitalization and Growing Inclination towards Any Music at Any Time.

Globally, a noticeable market trend is evident Introduction to Cloud Storage Enabled Music Players which is able to play all the Songs Irrespective of Phone Memory . The Home Entertainment Software sector in the North America region has been increasing at a strong rate and further growth is expected to be witnessed over the forecast period, owing to the robust investments and expansion in production facilities in the region. Major Players, such as Spotify (Sweden), Apple (United States), Alibaba (China), Joox (Tecent) (Hong Kong), Baidu (China), Kugou (China), Amazon Prime (United States), Deezer (France), GooglePlay (United States), Pandora (United States), 163Music (China) and IHeartRadio (United States) etc have either set up their manufacturing facilities or are planning to start new provision in the dominated region in the upcoming years.

In March 2018, when the global online music software provider Spotify has been launched in Africa, they wanted to get involved in the local population. Thus, the company has started showing advertisements to make an impact on the company’s brand image. Moreover, on December 26, 2018, the company has partnered with Little Green Number, a Johannesburg-based business that recycles leftover or decommissioned billboard material into handmade, one-of-a-kind bags that are sold and donated as part of the organization’s local outreach. Thus, Little Green Number has used donated billboard materials to provide more than 300 free school bags to local students in the province of Gauteng, one of the poorest communities in the country. That has led to improve Spotify’s brand image across the globe.

Market Drivers
  • Increasing Internet Penetration and Digitalization
  • Growing Inclination towards Any Music at Any Time

Market Trend
  • Introduction to Cloud Storage Enabled Music Players which is able to play all the Songs Irrespective of Phone Memory
  • Adoption of AI enabled Online Music Software which permits the software to play song according to User’s Mood

Restraints
  • Inappropriate and Comparatively Higher Subscription Charges
  • Higher Data Consumption and Prerequisite of Stable Internet Connections

Opportunities
Emergence of High Speed Internet Connection with improved Bandwidth such as 5G Technology and Increasing Awareness as well as interest about the Regional Songs
Challenges
Low Quality Streaming and Unavailability of Offline Music Platforms and Occasional Instances of System Crashes

AdvanceMarketAnalytics follow a focused and realistic research framework that provides the ability to study the crucial market dynamics in several regions across the world. Moreover, an in-depth assessment is mostly conducted by our analysts on geographical regions to provide clients and businesses the opportunity to dominate in niche markets and expand in emerging markets across the globe. This market research study also showcase the spontaneously changing Players landscape impacting the growth of the market. Furthermore, our market researchers extensively analyse the products and services offered by multiple players competing to increase their market share and presence.

Customization of the Report:
The Study can be customized to meet your requirements. Please connect with our representative, who will ensure you get a report that suits your needs.
Data related to EXIM [Export- Import], production & consumption by country or regional level break-up can be provided based on client request**
** Confirmation on availability of data would be informed prior purchase
Report Objectives / Segmentation Covered
By Type
  • Rechargeable
  • Free
By Application
  • Car
  • Web
  • Mobile
  • TV
By Regions
  • South America
    • Brazil
    • Argentina
    • Rest of South America
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Taiwan
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • Italy
    • United Kingdom
    • Netherlands
    • Rest of Europe
  • MEA
    • Middle East
    • Africa
  • North America
    • United States
    • Canada
    • Mexico
  • 1. Market Overview
    • 1.1. Introduction
    • 1.2. Scope/Objective of the Study
      • 1.2.1. Research Objective
  • 2. Executive Summary
    • 2.1. Introduction
  • 3. Market Dynamics
    • 3.1. Introduction
    • 3.2. Market Drivers
      • 3.2.1. Increasing Internet Penetration and Digitalization
      • 3.2.2. Growing Inclination towards Any Music at Any Time
    • 3.3. Market Challenges
      • 3.3.1. Low Quality Streaming and Unavailability of Offline Music Platforms
      • 3.3.2. Occasional Instances of System Crashes
    • 3.4. Market Trends
      • 3.4.1. Introduction to Cloud Storage Enabled Music Players which is able to play all the Songs Irrespective of Phone Memory
      • 3.4.2. Adoption of AI enabled Online Music Software which permits the software to play song according to User’s Mood
  • 4. Market Factor Analysis
    • 4.1. Porters Five Forces
    • 4.2. Supply/Value Chain
    • 4.3. PESTEL analysis
    • 4.4. Market Entropy
    • 4.5. Patent/Trademark Analysis
  • 5. Global Online Music, by Type, Application and Region (value) (2013-2018)
    • 5.1. Introduction
    • 5.2. Global Online Music (Value)
      • 5.2.1. Global Online Music by: Type (Value)
        • 5.2.1.1. Rechargeable
        • 5.2.1.2. Free
      • 5.2.2. Global Online Music by: Application (Value)
        • 5.2.2.1. Car
        • 5.2.2.2. Web
        • 5.2.2.3. Mobile
        • 5.2.2.4. TV
      • 5.2.3. Global Online Music Region
        • 5.2.3.1. South America
          • 5.2.3.1.1. Brazil
          • 5.2.3.1.2. Argentina
          • 5.2.3.1.3. Rest of South America
        • 5.2.3.2. Asia Pacific
          • 5.2.3.2.1. China
          • 5.2.3.2.2. Japan
          • 5.2.3.2.3. India
          • 5.2.3.2.4. South Korea
          • 5.2.3.2.5. Taiwan
          • 5.2.3.2.6. Australia
          • 5.2.3.2.7. Rest of Asia-Pacific
        • 5.2.3.3. Europe
          • 5.2.3.3.1. Germany
          • 5.2.3.3.2. France
          • 5.2.3.3.3. Italy
          • 5.2.3.3.4. United Kingdom
          • 5.2.3.3.5. Netherlands
          • 5.2.3.3.6. Rest of Europe
        • 5.2.3.4. MEA
          • 5.2.3.4.1. Middle East
          • 5.2.3.4.2. Africa
        • 5.2.3.5. North America
          • 5.2.3.5.1. United States
          • 5.2.3.5.2. Canada
          • 5.2.3.5.3. Mexico
  • 6. Online Music: Manufacturers/Players Analysis
    • 6.1. Competitive Landscape
      • 6.1.1. Market Share Analysis
        • 6.1.1.1. Top 3
        • 6.1.1.2. Top 5
    • 6.2. Peer Group Analysis (2018)
    • 6.3. BCG Matrix
    • 6.4. Company Profile
      • 6.4.1. Spotify (Sweden)
        • 6.4.1.1. Business Overview
        • 6.4.1.2. Products/Services Offerings
        • 6.4.1.3. Financial Analysis
        • 6.4.1.4. SWOT Analysis
      • 6.4.2. Apple (United States)
        • 6.4.2.1. Business Overview
        • 6.4.2.2. Products/Services Offerings
        • 6.4.2.3. Financial Analysis
        • 6.4.2.4. SWOT Analysis
      • 6.4.3. Alibaba (China)
        • 6.4.3.1. Business Overview
        • 6.4.3.2. Products/Services Offerings
        • 6.4.3.3. Financial Analysis
        • 6.4.3.4. SWOT Analysis
      • 6.4.4. Joox (Tecent) (Hong Kong)
        • 6.4.4.1. Business Overview
        • 6.4.4.2. Products/Services Offerings
        • 6.4.4.3. Financial Analysis
        • 6.4.4.4. SWOT Analysis
      • 6.4.5. Baidu (China)
        • 6.4.5.1. Business Overview
        • 6.4.5.2. Products/Services Offerings
        • 6.4.5.3. Financial Analysis
        • 6.4.5.4. SWOT Analysis
      • 6.4.6. Kugou (China)
        • 6.4.6.1. Business Overview
        • 6.4.6.2. Products/Services Offerings
        • 6.4.6.3. Financial Analysis
        • 6.4.6.4. SWOT Analysis
      • 6.4.7. Amazon Prime (United States)
        • 6.4.7.1. Business Overview
        • 6.4.7.2. Products/Services Offerings
        • 6.4.7.3. Financial Analysis
        • 6.4.7.4. SWOT Analysis
      • 6.4.8. Deezer (France)
        • 6.4.8.1. Business Overview
        • 6.4.8.2. Products/Services Offerings
        • 6.4.8.3. Financial Analysis
        • 6.4.8.4. SWOT Analysis
      • 6.4.9. GooglePlay (United States)
        • 6.4.9.1. Business Overview
        • 6.4.9.2. Products/Services Offerings
        • 6.4.9.3. Financial Analysis
        • 6.4.9.4. SWOT Analysis
      • 6.4.10. Pandora (United States)
        • 6.4.10.1. Business Overview
        • 6.4.10.2. Products/Services Offerings
        • 6.4.10.3. Financial Analysis
        • 6.4.10.4. SWOT Analysis
      • 6.4.11. 163Music (China)
        • 6.4.11.1. Business Overview
        • 6.4.11.2. Products/Services Offerings
        • 6.4.11.3. Financial Analysis
        • 6.4.11.4. SWOT Analysis
      • 6.4.12. IHeartRadio (United States)
        • 6.4.12.1. Business Overview
        • 6.4.12.2. Products/Services Offerings
        • 6.4.12.3. Financial Analysis
        • 6.4.12.4. SWOT Analysis
  • 7. Global Online Music Sale, by Type, Application and Region (value) (2020-2025)
    • 7.1. Introduction
    • 7.2. Global Online Music (Value)
      • 7.2.1. Global Online Music by: Type (Value)
        • 7.2.1.1. Rechargeable
        • 7.2.1.2. Free
      • 7.2.2. Global Online Music by: Application (Value)
        • 7.2.2.1. Car
        • 7.2.2.2. Web
        • 7.2.2.3. Mobile
        • 7.2.2.4. TV
      • 7.2.3. Global Online Music Region
        • 7.2.3.1. South America
          • 7.2.3.1.1. Brazil
          • 7.2.3.1.2. Argentina
          • 7.2.3.1.3. Rest of South America
        • 7.2.3.2. Asia Pacific
          • 7.2.3.2.1. China
          • 7.2.3.2.2. Japan
          • 7.2.3.2.3. India
          • 7.2.3.2.4. South Korea
          • 7.2.3.2.5. Taiwan
          • 7.2.3.2.6. Australia
          • 7.2.3.2.7. Rest of Asia-Pacific
        • 7.2.3.3. Europe
          • 7.2.3.3.1. Germany
          • 7.2.3.3.2. France
          • 7.2.3.3.3. Italy
          • 7.2.3.3.4. United Kingdom
          • 7.2.3.3.5. Netherlands
          • 7.2.3.3.6. Rest of Europe
        • 7.2.3.4. MEA
          • 7.2.3.4.1. Middle East
          • 7.2.3.4.2. Africa
        • 7.2.3.5. North America
          • 7.2.3.5.1. United States
          • 7.2.3.5.2. Canada
          • 7.2.3.5.3. Mexico
  • 8. Appendix
    • 8.1. Acronyms
  • 9. Methodology and Data Source
    • 9.1. Methodology/Research Approach
      • 9.1.1. Research Programs/Design
      • 9.1.2. Market Size Estimation
      • 9.1.3. Market Breakdown and Data Triangulation
    • 9.2. Data Source
      • 9.2.1. Secondary Sources
      • 9.2.2. Primary Sources
    • 9.3. Disclaimer
List of Tables
  • Table 1. Online Music: by Type(USD Million)
  • Table 2. Online Music Rechargeable , by Region USD Million (2013-2018)
  • Table 3. Online Music Free , by Region USD Million (2013-2018)
  • Table 4. Online Music: by Application(USD Million)
  • Table 5. Online Music Car , by Region USD Million (2013-2018)
  • Table 6. Online Music Web , by Region USD Million (2013-2018)
  • Table 7. Online Music Mobile , by Region USD Million (2013-2018)
  • Table 8. Online Music TV , by Region USD Million (2013-2018)
  • Table 9. South America Online Music, by Country USD Million (2013-2018)
  • Table 10. South America Online Music, by Type USD Million (2013-2018)
  • Table 11. South America Online Music, by Application USD Million (2013-2018)
  • Table 12. Brazil Online Music, by Type USD Million (2013-2018)
  • Table 13. Brazil Online Music, by Application USD Million (2013-2018)
  • Table 14. Argentina Online Music, by Type USD Million (2013-2018)
  • Table 15. Argentina Online Music, by Application USD Million (2013-2018)
  • Table 16. Rest of South America Online Music, by Type USD Million (2013-2018)
  • Table 17. Rest of South America Online Music, by Application USD Million (2013-2018)
  • Table 18. Asia Pacific Online Music, by Country USD Million (2013-2018)
  • Table 19. Asia Pacific Online Music, by Type USD Million (2013-2018)
  • Table 20. Asia Pacific Online Music, by Application USD Million (2013-2018)
  • Table 21. China Online Music, by Type USD Million (2013-2018)
  • Table 22. China Online Music, by Application USD Million (2013-2018)
  • Table 23. Japan Online Music, by Type USD Million (2013-2018)
  • Table 24. Japan Online Music, by Application USD Million (2013-2018)
  • Table 25. India Online Music, by Type USD Million (2013-2018)
  • Table 26. India Online Music, by Application USD Million (2013-2018)
  • Table 27. South Korea Online Music, by Type USD Million (2013-2018)
  • Table 28. South Korea Online Music, by Application USD Million (2013-2018)
  • Table 29. Taiwan Online Music, by Type USD Million (2013-2018)
  • Table 30. Taiwan Online Music, by Application USD Million (2013-2018)
  • Table 31. Australia Online Music, by Type USD Million (2013-2018)
  • Table 32. Australia Online Music, by Application USD Million (2013-2018)
  • Table 33. Rest of Asia-Pacific Online Music, by Type USD Million (2013-2018)
  • Table 34. Rest of Asia-Pacific Online Music, by Application USD Million (2013-2018)
  • Table 35. Europe Online Music, by Country USD Million (2013-2018)
  • Table 36. Europe Online Music, by Type USD Million (2013-2018)
  • Table 37. Europe Online Music, by Application USD Million (2013-2018)
  • Table 38. Germany Online Music, by Type USD Million (2013-2018)
  • Table 39. Germany Online Music, by Application USD Million (2013-2018)
  • Table 40. France Online Music, by Type USD Million (2013-2018)
  • Table 41. France Online Music, by Application USD Million (2013-2018)
  • Table 42. Italy Online Music, by Type USD Million (2013-2018)
  • Table 43. Italy Online Music, by Application USD Million (2013-2018)
  • Table 44. United Kingdom Online Music, by Type USD Million (2013-2018)
  • Table 45. United Kingdom Online Music, by Application USD Million (2013-2018)
  • Table 46. Netherlands Online Music, by Type USD Million (2013-2018)
  • Table 47. Netherlands Online Music, by Application USD Million (2013-2018)
  • Table 48. Rest of Europe Online Music, by Type USD Million (2013-2018)
  • Table 49. Rest of Europe Online Music, by Application USD Million (2013-2018)
  • Table 50. MEA Online Music, by Country USD Million (2013-2018)
  • Table 51. MEA Online Music, by Type USD Million (2013-2018)
  • Table 52. MEA Online Music, by Application USD Million (2013-2018)
  • Table 53. Middle East Online Music, by Type USD Million (2013-2018)
  • Table 54. Middle East Online Music, by Application USD Million (2013-2018)
  • Table 55. Africa Online Music, by Type USD Million (2013-2018)
  • Table 56. Africa Online Music, by Application USD Million (2013-2018)
  • Table 57. North America Online Music, by Country USD Million (2013-2018)
  • Table 58. North America Online Music, by Type USD Million (2013-2018)
  • Table 59. North America Online Music, by Application USD Million (2013-2018)
  • Table 60. United States Online Music, by Type USD Million (2013-2018)
  • Table 61. United States Online Music, by Application USD Million (2013-2018)
  • Table 62. Canada Online Music, by Type USD Million (2013-2018)
  • Table 63. Canada Online Music, by Application USD Million (2013-2018)
  • Table 64. Mexico Online Music, by Type USD Million (2013-2018)
  • Table 65. Mexico Online Music, by Application USD Million (2013-2018)
  • Table 66. Company Basic Information, Sales Area and Its Competitors
  • Table 67. Company Basic Information, Sales Area and Its Competitors
  • Table 68. Company Basic Information, Sales Area and Its Competitors
  • Table 69. Company Basic Information, Sales Area and Its Competitors
  • Table 70. Company Basic Information, Sales Area and Its Competitors
  • Table 71. Company Basic Information, Sales Area and Its Competitors
  • Table 72. Company Basic Information, Sales Area and Its Competitors
  • Table 73. Company Basic Information, Sales Area and Its Competitors
  • Table 74. Company Basic Information, Sales Area and Its Competitors
  • Table 75. Company Basic Information, Sales Area and Its Competitors
  • Table 76. Company Basic Information, Sales Area and Its Competitors
  • Table 77. Company Basic Information, Sales Area and Its Competitors
  • Table 78. Online Music: by Type(USD Million)
  • Table 79. Online Music Rechargeable , by Region USD Million (2020-2025)
  • Table 80. Online Music Free , by Region USD Million (2020-2025)
  • Table 81. Online Music: by Application(USD Million)
  • Table 82. Online Music Car , by Region USD Million (2020-2025)
  • Table 83. Online Music Web , by Region USD Million (2020-2025)
  • Table 84. Online Music Mobile , by Region USD Million (2020-2025)
  • Table 85. Online Music TV , by Region USD Million (2020-2025)
  • Table 86. South America Online Music, by Country USD Million (2020-2025)
  • Table 87. South America Online Music, by Type USD Million (2020-2025)
  • Table 88. South America Online Music, by Application USD Million (2020-2025)
  • Table 89. Brazil Online Music, by Type USD Million (2020-2025)
  • Table 90. Brazil Online Music, by Application USD Million (2020-2025)
  • Table 91. Argentina Online Music, by Type USD Million (2020-2025)
  • Table 92. Argentina Online Music, by Application USD Million (2020-2025)
  • Table 93. Rest of South America Online Music, by Type USD Million (2020-2025)
  • Table 94. Rest of South America Online Music, by Application USD Million (2020-2025)
  • Table 95. Asia Pacific Online Music, by Country USD Million (2020-2025)
  • Table 96. Asia Pacific Online Music, by Type USD Million (2020-2025)
  • Table 97. Asia Pacific Online Music, by Application USD Million (2020-2025)
  • Table 98. China Online Music, by Type USD Million (2020-2025)
  • Table 99. China Online Music, by Application USD Million (2020-2025)
  • Table 100. Japan Online Music, by Type USD Million (2020-2025)
  • Table 101. Japan Online Music, by Application USD Million (2020-2025)
  • Table 102. India Online Music, by Type USD Million (2020-2025)
  • Table 103. India Online Music, by Application USD Million (2020-2025)
  • Table 104. South Korea Online Music, by Type USD Million (2020-2025)
  • Table 105. South Korea Online Music, by Application USD Million (2020-2025)
  • Table 106. Taiwan Online Music, by Type USD Million (2020-2025)
  • Table 107. Taiwan Online Music, by Application USD Million (2020-2025)
  • Table 108. Australia Online Music, by Type USD Million (2020-2025)
  • Table 109. Australia Online Music, by Application USD Million (2020-2025)
  • Table 110. Rest of Asia-Pacific Online Music, by Type USD Million (2020-2025)
  • Table 111. Rest of Asia-Pacific Online Music, by Application USD Million (2020-2025)
  • Table 112. Europe Online Music, by Country USD Million (2020-2025)
  • Table 113. Europe Online Music, by Type USD Million (2020-2025)
  • Table 114. Europe Online Music, by Application USD Million (2020-2025)
  • Table 115. Germany Online Music, by Type USD Million (2020-2025)
  • Table 116. Germany Online Music, by Application USD Million (2020-2025)
  • Table 117. France Online Music, by Type USD Million (2020-2025)
  • Table 118. France Online Music, by Application USD Million (2020-2025)
  • Table 119. Italy Online Music, by Type USD Million (2020-2025)
  • Table 120. Italy Online Music, by Application USD Million (2020-2025)
  • Table 121. United Kingdom Online Music, by Type USD Million (2020-2025)
  • Table 122. United Kingdom Online Music, by Application USD Million (2020-2025)
  • Table 123. Netherlands Online Music, by Type USD Million (2020-2025)
  • Table 124. Netherlands Online Music, by Application USD Million (2020-2025)
  • Table 125. Rest of Europe Online Music, by Type USD Million (2020-2025)
  • Table 126. Rest of Europe Online Music, by Application USD Million (2020-2025)
  • Table 127. MEA Online Music, by Country USD Million (2020-2025)
  • Table 128. MEA Online Music, by Type USD Million (2020-2025)
  • Table 129. MEA Online Music, by Application USD Million (2020-2025)
  • Table 130. Middle East Online Music, by Type USD Million (2020-2025)
  • Table 131. Middle East Online Music, by Application USD Million (2020-2025)
  • Table 132. Africa Online Music, by Type USD Million (2020-2025)
  • Table 133. Africa Online Music, by Application USD Million (2020-2025)
  • Table 134. North America Online Music, by Country USD Million (2020-2025)
  • Table 135. North America Online Music, by Type USD Million (2020-2025)
  • Table 136. North America Online Music, by Application USD Million (2020-2025)
  • Table 137. United States Online Music, by Type USD Million (2020-2025)
  • Table 138. United States Online Music, by Application USD Million (2020-2025)
  • Table 139. Canada Online Music, by Type USD Million (2020-2025)
  • Table 140. Canada Online Music, by Application USD Million (2020-2025)
  • Table 141. Mexico Online Music, by Type USD Million (2020-2025)
  • Table 142. Mexico Online Music, by Application USD Million (2020-2025)
  • Table 143. Research Programs/Design for This Report
  • Table 144. Key Data Information from Secondary Sources
  • Table 145. Key Data Information from Primary Sources
List of Figures
  • Figure 1. Porters Five Forces
  • Figure 2. Supply/Value Chain
  • Figure 3. PESTEL analysis
  • Figure 4. Global Online Music: by Type USD Million (2013-2018)
  • Figure 5. Global Online Music: by Application USD Million (2013-2018)
  • Figure 6. South America Online Music Share (%), by Country
  • Figure 7. Asia Pacific Online Music Share (%), by Country
  • Figure 8. Europe Online Music Share (%), by Country
  • Figure 9. MEA Online Music Share (%), by Country
  • Figure 10. North America Online Music Share (%), by Country
  • Figure 11. Global Online Music share by Players 2018 (%)
  • Figure 12. Global Online Music share by Players (Top 3) 2018(%)
  • Figure 13. Global Online Music share by Players (Top 5) 2018(%)
  • Figure 14. BCG Matrix for key Companies
  • Figure 15. Spotify (Sweden) Revenue, Net Income and Gross profit
  • Figure 16. Spotify (Sweden) Revenue: by Geography 2018
  • Figure 17. Apple (United States) Revenue, Net Income and Gross profit
  • Figure 18. Apple (United States) Revenue: by Geography 2018
  • Figure 19. Alibaba (China) Revenue, Net Income and Gross profit
  • Figure 20. Alibaba (China) Revenue: by Geography 2018
  • Figure 21. Joox (Tecent) (Hong Kong) Revenue, Net Income and Gross profit
  • Figure 22. Joox (Tecent) (Hong Kong) Revenue: by Geography 2018
  • Figure 23. Baidu (China) Revenue, Net Income and Gross profit
  • Figure 24. Baidu (China) Revenue: by Geography 2018
  • Figure 25. Kugou (China) Revenue, Net Income and Gross profit
  • Figure 26. Kugou (China) Revenue: by Geography 2018
  • Figure 27. Amazon Prime (United States) Revenue, Net Income and Gross profit
  • Figure 28. Amazon Prime (United States) Revenue: by Geography 2018
  • Figure 29. Deezer (France) Revenue, Net Income and Gross profit
  • Figure 30. Deezer (France) Revenue: by Geography 2018
  • Figure 31. GooglePlay (United States) Revenue, Net Income and Gross profit
  • Figure 32. GooglePlay (United States) Revenue: by Geography 2018
  • Figure 33. Pandora (United States) Revenue, Net Income and Gross profit
  • Figure 34. Pandora (United States) Revenue: by Geography 2018
  • Figure 35. 163Music (China) Revenue, Net Income and Gross profit
  • Figure 36. 163Music (China) Revenue: by Geography 2018
  • Figure 37. IHeartRadio (United States) Revenue, Net Income and Gross profit
  • Figure 38. IHeartRadio (United States) Revenue: by Geography 2018
  • Figure 39. Global Online Music: by Type USD Million (2013-2018)
  • Figure 40. Global Online Music: by Application USD Million (2013-2018)
  • Figure 41. South America Online Music Share (%), by Country
  • Figure 42. Asia Pacific Online Music Share (%), by Country
  • Figure 43. Europe Online Music Share (%), by Country
  • Figure 44. MEA Online Music Share (%), by Country
  • Figure 45. North America Online Music Share (%), by Country
Some of the key companies/manufacturers profiled in the report
  • Spotify (Sweden)
  • Apple (United States)
  • Alibaba (China)
  • Joox (Tecent) (Hong Kong)
  • Baidu (China)
  • Kugou (China)
  • Amazon Prime (United States)
  • Deezer (France)
  • GooglePlay (United States)
  • Pandora (United States)
  • 163Music (China)
  • IHeartRadio (United States)
Additional players considered in the study are as follows:
Grooveshark (United States) , Mixcloud (United Kingdom) , LAST.FM (United Kingdom) , Slacker Radio (United States) , SoundCloud (Germany) , Myspace (United States) , 8 Tracks (United States) , The Sixty One (France)
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